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Chengdu Rongyu Chunxi Road Kituo cha Mauzo by Joy Yang

Chengdu Rongyu Chunxi Road Kituo cha Mauzo by Joy Yang is a highly esteemed winner of the very prestigious 2021 Tuzo ya Shaba ya A' Design Award in Usanifu wa Nafasi za Ndani na Maonyesho Competition Category.


ShabaMambo ya Ndani· 2021

Chengdu Rongyu Chunxi Road Kituo cha Mauzo

by Joy Yang

Client: Tianjin Disheng Decoration Design Co., Ltd.

Tuzo ya Shaba ya A' Design Award Winner in Mambo ya Ndani Category

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Verified Award Winner

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Colors

The Design

About Chengdu Rongyu Chunxi Road Kituo cha Mauzo

Chengdu Rongyu Chunxi Road ni kituo cha mauzo kilichopo katika eneo kuu la kibiashara la Chengdu. Sehemu ya ndani inachukua eneo la mita za mraba 5015.48 na inahudumia mpango wa majengo mawili ya ghorofa na majengo ya makazi. Huduma yenye uzoefu ni kiini cha dhamira kuu, na kila eneo limepangwa kama tukio linalowaalika wageni kushiriki katika mtindo wa maisha wa siku zijazo. Muundo huu unachanganya utamaduni wa asili na mtindo wa kisasa, ukitumia miundo ya Art Nouveau iliyochotwa kutoka kwa maumbo ya asili. Vifaa vinajumuisha marumaru nyeupe, chuma cha kaboni, chuma cha pua kilichosuguliwa, kioo cha kisanaa, na chuma cha kahawia iliyokolea kilichosuguliwa.

The Recognition

About the Tuzo ya Shaba ya A' Design Award

Chengdu Rongyu Chunxi Road Kituo cha Mauzo ni mshindi wa Tuzo ya Shaba ya A' Design Award, utambuzi wenye heshima kubwa unaotolewa kwa miundo bora inayotofautishwa kwa ubunifu, ustadi na busara. Washindi wa Shaba ni kazi za ufundi mwingi na bunifu ya kushangaza zinazothibitisha uzoefu mpana, mawazo na ustadi wa wabunifu wao. Chengdu Rongyu Chunxi Road Kituo cha Mauzo inatarajiwa kuwa kitu kinachothaminiwa sana, kupendwa na kuenziwa, ambacho ni cha kitaalamu na bunifu kwa kiasi kikubwa. Muundo huu ulioshinda Tuzo ya Shaba ya A' Design Award unajumuisha mbinu bora katika sanaa, sayansi, usanifu na teknolojia, na ni bora kwa umakini wake kwa undani. Chengdu Rongyu Chunxi Road Kituo cha Mauzo hutosheleza mahitaji kwa uzuri, hugusa hamu, huvutia hisia na kuvutia udadisi.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Located in chengdu's main commercial center, the project USES striking modern architectural design to enhance the influence of this global brand. The overall planning is to serve the community with commercial services. 2 apartments + residential buildings are planned. Taking "experiential service" as the core theme, it presents and interacts with the future life style.
Dimensions & Packaging
It covers an area of 5015.48 square meters.
Tags
City, fashion, dignity, nature, vitality, ART NOUVEAU
Production Technology
Materials: Yashi white marble, high-quality carbon steel, brushed stainless steel art glass, brushed dark brown metal Technology: Built-in kick thread, invisible air conditioning outlet
Design Challenge
Infusing scene building allows customers to bring their emotions into the space De-marketing, with more emphasis on inner communication On the cultural and spiritual level, the future life style is presented in interaction
Research
Create different scene experience for customers!
Inspiration
Give consideration to traditional culture and modern fashion design. Combined with the needs of The Times, it makes possible everything from the mechanical aesthetics of the Empire State Building with its rich lines and contours to the penetration of the fashion world and becoming a fashion icon.
Project Duration
The project finished in October, 2019.
Operation Flow
Through the selection of art Nouveau movement designers and the "modernization" of elements extracted from certain Rococo styles (such as fire and shell textures), in place of historical and high Victorian radical structures or realistic naturalistic decorations. Art Nouveau advocated the use of highly programmed natural elements as inspiration for creation and resources to expand "natural" elements.
Patents
Copyrights belong to Joy Yang.
Team Members
Chief Designer: Joy Yang.
Image Credits
Credits belong to Joy Yang.

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