Muundo Looping Flower Nafasi ya Kitamaduni ya Ikebana na Ni Jie Guo ni mshindi mashuhuri wa tuzo ya kifahari ya 2024 Tuzo ya Shaba ya A' Design Award katika Kategoria ya Mashindano ya Usanifu wa Nafasi za Ndani na Maonyesho.
ShabaMambo ya Ndani· 2024
Looping Flower Nafasi ya Kitamaduni ya Ikebana
na Ni Jie Guo
Mteja: Blankspace
Mshindi wa Tuzo ya Shaba ya A' Design Award katika Kategoria ya Mambo ya Ndani
Mshindi wa Tuzo Aliyethibitishwa
Thibitisha Hali ya Tuzo kwa #151842Muundo
Kuhusu Looping Flower Nafasi ya Kitamaduni ya Ikebana
Sanaa ya ikebana ni tafakari juu ya maisha katika mtiririko wa majira manne, ikijumuisha utambuzi wa matukio mafupi katika umaridadi wa Kijapani, ujenzi upya wa maisha ya maua na matawi, na mchanganyiko wa ubunifu wa muundo na umaridadi. Muundo wa nafasi nzima unategemea roho ya Kusatsuki-ryu, ukichota vipengele kutoka kwa usanifu wa Kijapani wa jadi na kuvigeuka kuwa lugha ya usanifu wa kisasa, ukichunguza uhusiano kati ya ujenzi wa kisasa na umaridadi kupitia vipengele vya kidhahania vya Kijapani.
Utambuzi
Kuhusu Tuzo ya Shaba ya A' Design Award
Looping Flower Nafasi ya Kitamaduni ya Ikebana ni mshindi wa Tuzo ya Shaba ya A' Design Award, utambuzi wenye heshima kubwa unaotolewa kwa miundo bora inayotofautishwa kwa ubunifu, ustadi na busara. Washindi wa Shaba ni kazi za ufundi mwingi na bunifu ya kushangaza zinazothibitisha uzoefu mpana, mawazo na ustadi wa wabunifu wao. Looping Flower Nafasi ya Kitamaduni ya Ikebana inatarajiwa kuwa kitu kinachothaminiwa sana, kupendwa na kuenziwa, ambacho ni cha kitaalamu na bunifu kwa kiasi kikubwa. Muundo huu ulioshinda Tuzo ya Shaba ya A' Design Award unajumuisha mbinu bora katika sanaa, sayansi, usanifu na teknolojia, na ni bora kwa umakini wake kwa undani. Looping Flower Nafasi ya Kitamaduni ya Ikebana hutosheleza mahitaji kwa uzuri, hugusa hamu, huvutia hisia na kuvutia udadisi.
Nyuma ya Muundo
Vifaa vya Habari
Mikopo, wanachama wa timu na maelezo ya kiufundi yaliyotolewa na mbuni.
- Sifa za Kipekee
- This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
- Vipimo na Ufungashaji
- Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
- Lebo
- Ikebana, Japanese Aesthetics, Natural Features, Relaxed
- Teknolojia ya Uzalishaji
- In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
- Changamoto ya Ubunifu
- Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
- Utafiti
- The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
- Msukumo
- In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
- Muda wa Mradi
- The project started in August 2022 and finished in December 2022 in China .
- Mtiririko wa Uendeshaji
- To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
- Wanatimu
- NI JIE GUO
- Haki za Picha
- BLANKSPACE
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