Jinglan Bay Art Kituo cha Mauzo by Nic Lee is a highly esteemed winner of the very prestigious 2024 Tuzo ya Fedha ya A' Design Award in Usanifu wa Nafasi za Ndani na Maonyesho Competition Category.
FedhaMambo ya Ndani· 2024
Jinglan Bay Art Kituo cha Mauzo
by Nic Lee
Client: China Resources Land South China Guangxi Co.
Tuzo ya Fedha ya A' Design Award Winner in Mambo ya Ndani Category
Verified Award Winner
Verify Award Status for #152974The Design
About Jinglan Bay Art Kituo cha Mauzo
Jinglan Bay Art ni muundo wa ndani wa kituo cha mauzo kilichopo Liuzhou, eneo la milima lenye maji yanayopinda-pinda. Nafasi ya ndani ina ukubwa wa mita za mraba 1705 na inajumuisha maeneo ya mapokezi, mauzo, maonyesho, vyombo vya habari vya kidijitali na eneo la wageni maalum (VIP). Badala ya kunakili mandhari kupitia maumbo, mwanga na kivuli vimetumika kudokeza milima mirefu na maji yenye kina kirefu. Terrazzo nyeusi imesuguliwa hadi kung'aa kama kioo, hivyo mandhari ya nje na mwendo wa wageni huakisiwa. Jiwe ghafi kwenye lango la kuingilia linaunda kina cha bonde. Vifaa vingine ni pamoja na marumaru iliyochongwa, rangi ya madini, mbao nyeusi na mwaloni.
The Recognition
About the Tuzo ya Fedha ya A' Design Award
Jinglan Bay Art Kituo cha Mauzo ni mshindi wa Tuzo ya Fedha ya A' Design Award, utambuzi wenye heshima kubwa ya ajabu unaotolewa kwa miundo ya hali ya juu kabisa, ya kupendeza na ya kuvutia. Washindi wa Fedha ni kazi zinazong'aa mno na bunifu kupita kiasi zinazoonyesha utaalamu bora, kipaji na busara ya wabunifu wao. Jinglan Bay Art Kituo cha Mauzo inatarajiwa kuwa kazi nzuri ya kuigwa ambayo ni ya kitaalamu kwa kiasi kikubwa na yenye ubunifu wa kina. Muundo huu ulioshinda Tuzo ya Fedha ya A' Design Award ni uvumbuzi unaojulikana sana na kupendwa, unaonufaisha na kupanua mipaka ya sanaa, sayansi, usanifu na teknolojia. Jinglan Bay Art Kituo cha Mauzo ni kazi inayotamaniwa mno inayochochea hamu, huleta hisia chanya na huzua mshangao na mastaajabu.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
- Dimensions & Packaging
- Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak - Tags
- sales center, landscape, museum, indoor architecture, interior design
- Production Technology
- In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
- Design Challenge
- By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
- Research
- Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
- Inspiration
- The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
- Project Duration
- The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
- Operation Flow
- Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
- Image Credits
- Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
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