The Opposite Mkusanyiko wa Mavazi ya Kufumwa by Yishu Yan

The Opposite Mkusanyiko wa Mavazi ya Kufumwa by Yishu Yan is a highly esteemed winner of the very prestigious 2024 Tuzo ya Fedha ya A' Design Award in Usanifu wa Mitindo, Mavazi na Nguo Competition Category.

FedhaMitindo· 2024

The Opposite Mkusanyiko wa Mavazi ya Kufumwa

by Yishu Yan

Tuzo ya Fedha ya A' Design Award Winner in Mitindo Category

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Verified Award Winner

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Colors

The Design

About The Opposite Mkusanyiko wa Mavazi ya Kufumwa

The Opposite ni mkusanyiko wa mavazi ya kufumwa yanayofaa jinsia zote, uliobuniwa kuvaliwa kwa njia mbalimbali. Mkusanyiko huu umetengenezwa kwa mbinu za kutokata kitambaa na kutozalisha taka, hivyo hakuna kitambaa kinachotupwa. Ufumaji wa kidijitali unatumika kuunda miundo ya pande tatu inayonyumbulika na mifumo ya mavazi inayoweza kubadilishwa. Vipande kutoka kwa seti mbili za mavazi vinaweza kubadilishana na kuoanishwa kwa michanganyiko tofauti, jambo linalomwezesha kila mvaaji kuunda mtindo wake binafsi. Muundo wa saizi moja kwa wote unawafaa watu wengi wenye maumbile ya wastani. The Opposite inahoji dhana za kawaida kuhusu mavazi ya wanaume na mavazi ya wanawake.

The Recognition

About the Tuzo ya Fedha ya A' Design Award

The Opposite Mkusanyiko wa Mavazi ya Kufumwa ni mshindi wa Tuzo ya Fedha ya A' Design Award, utambuzi wenye heshima kubwa ya ajabu unaotolewa kwa miundo ya hali ya juu kabisa, ya kupendeza na ya kuvutia. Washindi wa Fedha ni kazi zinazong'aa mno na bunifu kupita kiasi zinazoonyesha utaalamu bora, kipaji na busara ya wabunifu wao. The Opposite Mkusanyiko wa Mavazi ya Kufumwa inatarajiwa kuwa kazi nzuri ya kuigwa ambayo ni ya kitaalamu kwa kiasi kikubwa na yenye ubunifu wa kina. Muundo huu ulioshinda Tuzo ya Fedha ya A' Design Award ni uvumbuzi unaojulikana sana na kupendwa, unaonufaisha na kupanua mipaka ya sanaa, sayansi, usanifu na teknolojia. The Opposite Mkusanyiko wa Mavazi ya Kufumwa ni kazi inayotamaniwa mno inayochochea hamu, huleta hisia chanya na huzua mshangao na mastaajabu.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: "The Opposite", a unisex fashion knitwear collection, aims to create a new concept of modern garments with multiple wearing methods. It features the zero-cut, zero-waste, highly adaptable, flexible wearability and longevity of the design through highlighting sustainable design thinking and digital design attributes. The stylish items in the two outfits can be easily interchanged and matched. Rather than focusing on providing a figurative silhouette or identity, the collection is more concerned with the inclusion of the product to the user. It intends to explore the process of confrontation and cooperation between contradictory elements through the development of flexible knitted structures and changeable garment constructions, questioning the common notions of men's and women's wear, and Eastern and Western clothing.
Dimensions & Packaging: This garment is an all-size design and will fit most people of average build.
Tags: Fashion Design, Knitwear, Multiple Wearing Methods, Unisex Design, Digital Knitting, Sustainable Design, Zero-waste, Zero-cut, Adaptative Design
Production Technology: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA. Research related to the design project is being continued.
Design Challenge: The special three-dimensional knitted structure shows a unique surface texture effect and deformation ability, but it also creates a problem for the composition and relative stability of the garment structure. This is both a challenge and an opportunity. This flexible and versatile nature provides unlimited possibilities for the continuous development of this design.
Research: This design research is exploratory and practice-led in nature. The proposed design offers a new approach to innovative fashion that integrates surface design and construction design through a digital knitting process, which bridges the gap between modern knitting technology and fashion design. Textile structural research-led design allows clothing design to be no longer limited by the inherent framework, i.e., gender, identity, etc., but rather to look back at the matter of wearing itself, i.e. the interaction between clothing and the body. Both objective and subjective evaluation were involved. The results of a series of performance tests have evolved into serval formulas and a design database that provide quantifiable and predicate criteria for upcoming designs.
Inspiration: The inspiration comes from the visiting experience of the AUDIO ARCHITECTURE exhibition at 21_21 Design Sight in Tokyo, Japan. There was one unique exhibit in the exhibition a special song. The song's lyrics present various contradictory words, such as structure and surface, chaos and order, sound and silence, to discuss the dynamic relationship between audio and architecture. It inspires me that, many items seem the opposite, such as artificial and natural, body and soul, or, knit and purl, however, are they opposites? Or are they an ultimate whole? As a Chinese idiom says "Seek common ground while reserving differences". This point of view may offer one possible approach for global humanity to face the contemporary dilemma of the post-epidemic era.
Project Duration: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA.
Operation Flow: The identity of both the designer and the user in this design is fluid. The designer plays as also a researcher and an engineer, involved in all aspects of design, development, and production. Meanwhile, the stylish items of the collection can be easily interchanged and re-matched, thus the user is encouraged to re-generate his/her style continuously. The essential concept determines the interaction of this design is always in a dynamic process of development and innovation.
Team Members: Academic adviser: Kinor Jiang & Jinyun Zhou
Image Credits: Image #1-5: Photographer: Joseph, Raysee Media/ Model: Sofia Korobova