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Let Parents Stay ፊደል ዓይነት (ታይፕፈይስ) by Yu Chen

Let Parents Stay ፊደል ዓይነት (ታይፕፈይስ) by Yu Chen is a highly esteemed winner of the very prestigious 2021 ናይ ነሓስ ሽልማት A' Design Award in ንድፊ ግራፊክስ፣ ስእልን ብዓይኒ ዝረአ ርክብን Competition Category.


ነሓስግራፊክ· 2021

Let Parents Stay ፊደል ዓይነት (ታይፕፈይስ)

by Yu Chen

Client: Hubei University of Technology

ናይ ነሓስ ሽልማት A' Design Award Winner in ግራፊክ Category

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The Design

About Let Parents Stay ፊደል ዓይነት (ታይፕፈይስ)

"ወለዲ ይንበሩ" ኣብ ልምዳዊ ስፌት ሃን ዝተሰረተ ዓይነት ፊደል ኮይኑ፡ ንድኻ ዝኾነት ዓዲ ንምሕጋዝ ዝተፈጥረ እዩ። ዓዲ ጂንሊንግ ልዕሊ ክልተ ሽሕ ቆልዑ፡ ብወለዶም ስራሕ ንምንዳይ ዝተራሕቁ ዝተሓደጉ ዘለውዋ ዓዲ ኮይና፡ ብዙሓት ካብቶም ነበርቲ እውን ብጥበብ ስፌት ሃን ተመክሮ ዘለዎም እዮም። እቶም ናይ ከባቢ ውጽኢት ስፌት ግን፡ እቶም ስእልታት ኣብ ውሽጢ ሚእቲ ዓመታት ብዙሕ ለውጢ ስለ ዘይረኸቡ፡ ኣብ ዕዳጋ ብግቡእ ኣይሽየጡን ነበሩ። ስለዚ፡ እቶም ክላሲካል ዝኾኑ ባህርያት ስፌት ብምጽራይን ብምድህሳስን፡ ናብ ዘመናዊ ቅርጺ ፊደላት ተለወጡ፣ እዞም ፊደላት ድማ በቶም ናይ ከባቢ ሰፋይቲ ብኢዶም ይስፈዩ። ዕላማኡ ድማ፡ ኣታዊ ምፍጣርን፡ ነዚ ጥበብ እዚ ብዘመናዊ ናይ ራእይ ቋንቋ ንዝመጽእ ወለዶ ምትሕልላፍን እዩ።

The Recognition

About the ናይ ነሓስ ሽልማት A' Design Award

Let Parents Stay ፊደል ዓይነት (ታይፕፈይስ) ናይ ነሓስ ሽልማት A' Design Award ዝዓወተ እዩ፣ ብፈጠራ፣ ርእሰ ሓይልን ስቕታን ዝፍለዩ ብልጫ ዘለዎም ዲዛይናት ዝወሃብ ኣዚዩ ክቡር ኣፍልጦ። ዘዓወቱ ነሓስ ሰፊሕ ተሞክሮ፣ ምሕሳብን ርእሰ ምምዕባልን ዲዛይነራቶም ዘረጋግጹ ኣዚዮም ክኢላታትን ብዘደንቕ መገዲ ፈጠራውያንን ኣርቴፋክትታት እዮም። Let Parents Stay ፊደል ዓይነት (ታይፕፈይስ) ብዙሕ ዝተመነየ፣ ዝደነቐን ዝፈተዎን ብኣገዳሲ መገዲ ሞያውን ሓድሽን ኣቕሓ ክኾን ይጽበ። እዚ ዝዓወተ ዲዛይን ናይ ነሓስ ሽልማት A' Design Award ኣብ ጥበብ፣ ሳይንስ፣ ዲዛይንን ቴክኖሎጂን ዝበለጹ ልምድታት ዘጣምር፣ ንዝርዝር ብዝህቦ ኣቓልቦ ድማ ዝበለጸ እዩ። Let Parents Stay ፊደል ዓይነት (ታይፕፈይስ) ድልየታት ብጽባቐ የማልእ፣ ንድሌታት ይትንክፍ፣ ንስምዒታት የማርኽን ሕቶ ድማ የሰሕብን።

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Jinling Village is a poverty-stricken village with More than 2,000 “left-behind” children. When the designer got there, he was surprised to find that all the local people had mastered certain Han Embroidery skills, but their product not sell well because of the old fashion style. So he worked with the Hubei Han Embroidery Association to help revive the local Han Embroidery culture.
Dimensions & Packaging
Han Embroidery
Tags
Han Embroidery, Embroidery, Typeface, Pattern, Visual
Production Technology
Han Embroidery
Design Challenge
Here is a breakdown of several classic elements from traditional Chinese embroidery patterns. They are abstracted according to modern aesthetics, to reconstruct classic elements, bring out the culture hidden behind the patterns, to master the unchangeable pattern combinations of traditional Chinese embroidery, and produce a brand-new visual language. Creating a typeface composed of extracted Han Embroidery elements and ask the local poverty-stricken embroidery workers to embroider the letters of this font through the techniques of Han Embroidery.
Research
Like most handicrafts, Han embroidery has several problems, for example, a long production cycle, a long time cost, low economic benefit, and poor quality. Also, the traditional Han Embroidery patterns have undergone little to no innovation over the past hundred years, so they can’t meet standards of the modern aesthetic, resulting in low consumer recognition.
Inspiration
In addition to two years of commercial operations, the designer has created a modern typeface, on a trial basis, by extracting the elements of traditional embroidery, deconstructing their texture, and the traditional Jing-Chu Culture, he promoted the inheritance of the old embroidery on the verge of extinction in a modern aesthetic manner, Inheriting tradition and carry on this embroidery craft that is on the verge of extinction by a new typeface, so as to pass down the craft in a modern language.
Patents
Yu Chen
Team Members
Yu Chen
Xin Wang
Yongshan Zhu
Die Hu
Robin Liu
Shan Li
Yi Gu
Meng Zhu
Sailan Ding
Image Credits
Yu Chen

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