ዲዛይን Spectrum ስፔክትረም ብ Arata Yokoyama ኣብ ናይ ውድድር ምድብ ንድፊ ግራፊክስ፣ ስእልን ብዓይኒ ዝረአ ርክብን ኣዝዩ ዝኸበረ ተሸላማይ ናይ 2023 ናይ ነሓስ ሽልማት A' Design Award እዩ።

ነሓስግራፊክ· 2023

Spectrum ስፔክትረም

ብ Arata Yokoyama

ዓሚል: Arata Yokoyama

ኣብ ምድብ ግራፊክ ተሸላማይ ናይ ነሓስ ሽልማት A' Design Award

12,235

ዝተረጋገጸ ተሸላማይ

ንቁጽሪ #144936 ሽልማት ኣረጋግጽ

ሳይት ብጻሕ ኣብ A' Design Award ርአዮ ጋዜጣዊ መግለጺ ባጅ ሽልማት

ሕብርታት

እቲ ዲዛይን

ብዛዕባ Spectrum ስፔክትረም

ስፔክትረም ንጃፓናዊ ስትሪት ፋሽን ብስልቲ ጃፓናዊ አኒመ ዝገልጽ ዲጂታላዊ ስእሊ (ኢለስትረሽን) እዩ። እዚ ስራሕ ካብ ፎቶሪያሊዝም ርሒቑ፣ ብሩሁ ሕብርታት ብጠፍጠፍ ኣገባብ ይጥቀም፣ እንተኾነ ግና ንዓይኒ ተፈጥሯዊ ኮይኑ ዝረአ። ድሕረ-ባይታ ነቲ ናይ ቶክዮ ናይ ኒኦን መብራህቲ ዘንጸባርቕ ኮይኑ፣ ቅርጽታት ንጹርን ጠፍጠፍን ብርሃናውን ውጽኢት ንምርካብ ብትብዓት ተቐሊሎም ቀሪቦም ኣለዉ። ኣካላት ናይ ምዕራባዊ ግራፊክ ዲዛይን ምስ ናይ ጃፓናዊ ገጸ-ባህርያት ስእሊ ተወሃሂዶም ኣለዉ። ስፔክትረም ብ Adobe Photoshop CC ተሰሪሑ። ዕላማኡ ድማ ነዚ ስልቲ ንተዓዘብቲ ኣብ ውሽጥን ወጻእን ጃፓን ንጹር ንምግባር እዩ።

እቲ ኣፍልጦ

ብዛዕባ ናይ ነሓስ ሽልማት A' Design Award

Spectrum ስፔክትረም ናይ ነሓስ ሽልማት A' Design Award ዝዓወተ እዩ፣ ብፈጠራ፣ ርእሰ ሓይልን ስቕታን ዝፍለዩ ብልጫ ዘለዎም ዲዛይናት ዝወሃብ ኣዚዩ ክቡር ኣፍልጦ። ዘዓወቱ ነሓስ ሰፊሕ ተሞክሮ፣ ምሕሳብን ርእሰ ምምዕባልን ዲዛይነራቶም ዘረጋግጹ ኣዚዮም ክኢላታትን ብዘደንቕ መገዲ ፈጠራውያንን ኣርቴፋክትታት እዮም። Spectrum ስፔክትረም ብዙሕ ዝተመነየ፣ ዝደነቐን ዝፈተዎን ብኣገዳሲ መገዲ ሞያውን ሓድሽን ኣቕሓ ክኾን ይጽበ። እዚ ዝዓወተ ዲዛይን ናይ ነሓስ ሽልማት A' Design Award ኣብ ጥበብ፣ ሳይንስ፣ ዲዛይንን ቴክኖሎጂን ዝበለጹ ልምድታት ዘጣምር፣ ንዝርዝር ብዝህቦ ኣቓልቦ ድማ ዝበለጸ እዩ። Spectrum ስፔክትረም ድልየታት ብጽባቐ የማልእ፣ ንድሌታት ይትንክፍ፣ ንስምዒታት የማርኽን ሕቶ ድማ የሰሕብን።

ድሕሪ እቲ ዲዛይን

ናይ ፕረስ ኪት

ክረዲትታት፣ ኣባላት ጋንታን ቴክኒካዊ ዝርዝራትን ብዲዛይነር ዝቐረቡ።

ፍሉያት ባህርያት: This work depicts Japanese street fashion in the style of Japanese anime.

Such motifs are popular in Japanese illustration, but this work is unique in that it defies photorealism and uses vivid colors in a flat, yet optically natural-looking manner.

The background represents the neon lights of Tokyo, and here, too, the form is boldly deformed in pursuit of a sharp, flat, yet luminous expression.
ዓቐንን ማዕሸግን: 8000 x 5678 pixel, 400dpi, RGB
መለለዪታት: street fashion, anime, character design, japanese illustration, vivid color
ናይ ምፍራይ ቴክኖሎጂ: Drawing with Adobe Photoshop CC
ናይ ዲዛይን ብድሆ: In order to convey the goodness of a particular thing, I must first like it myself.
In order to use street fashion as my subject matter, I focused on improving my sense of style by experiencing and wearing it myself.

I also devoted myself to researching painting styles that would convey the good looks equally to both Japanese and foreign audiences.
To compose the picture with flat surfaces, not lines. He used vivid colors, but kept the entire picture in harmony. And at the same time, to make the characters look cool and cute in a Japanese way.
ምርምር: A study of street fashion in Japan and abroad. Collect snapshots, purchase actual items, and wear them myrself to deepen understanding of function and design.

Research on drawing techniques. Challenged to fuse Western graphic design with Japanese character illustration. Strived to find a balance between deforming the form and color of objects while maintaining the cool, cute, and liveliness of the characters.
ምንጪ ሓሳብ: Today, fashion based on techwear and designs using vivid colors are global trends.

Japanese street fashion and illustrations are also in that trend, but they also have their own unique characteristics.

I analyzed the coincidences and differences between them and aimed to visualize them.

Japanese people will find this illustration foreign. Foreigners may feel it is Japanese.

This in-between state is the expression I pursued.
ናይ ፕሮጀክት ግዜ: This work was created in 10 hours on September 20, 2020, and published on Twitter, pixiv, and other social networking sites that day.
ናይ ስርሒት ፍሰት: Suggestions about the affinity between street fashion and the neon streets of Tokyo and how cool it can be.

Especially in Japan, when proposing a fashion style to an audience, it is more effective to use characters, deformed and idealized visuals rather than photo-realistic ones.

And it is also effective when introducing Japanese culture to people outside of Japan. By incorporating elements of Western graphic design, we aimed to create visuals that would be easy for them to understand.
ናይ ስእሊ ክረዲት: #1: Illustrator NaBaBa, Private Work, 2020.