Hsiao-Wen Hu tarapyndan Craft as Time Capsule Kitap

Hsiao-Wen Hu tarapyndan döredilen Craft as Time Capsule Kitap dizaýny Çap we Neşir Mediýa Dizaýny Bäsleşik Kategoriýasynda 2021 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşÇap· 2021

Craft as Time Capsule Kitap

dizaýner: Hsiao-Wen Hu

Müşderi: Pratt Institute

Çap Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

36,290

Tassyklanan Baýrak Ýeňijisi

#121747 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Craft as Time Capsule Kitap hakynda

Bu taslama, Hsiao-Weniň häzirki sanly döwürde gorap saklamagyň usulyýeti hökmünde senetçilik önümçiligi baradaky tezis gözleginiň soňky resminamasydyr. Kitap üç bölekden ybarat bolup, fiziki we wirtual, material we maglumatlaryň arasyndaky geçiş, ulanyjylaryň gatnaşygy we ussatlygy ýasamak we gorap saklamak nukdaýnazaryndan tejribe öwrenýär. Dünýä fiziki işjeňlikden wirtual täsirlere geçende, täze zerurlyklar we daş-töweregimiz bilen gatnaşygyň görnüşleri ýüze çykdy. Şeýle üýtgeşiklik diňe bir obýektiň we tehnologiýanyň üsti bilen däl, eýsem tutuş medeniýeti hem görkezýär.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Craft as Time Capsule Kitap A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Craft as Time Capsule Kitap ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Craft as Time Capsule Kitap köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This project is a documentation of Hsiao-Wen's thesis research on craft making as a preservation methodology in the current digital age. The book consists of three parts, examining the intertranslation between the physical and the digital from the perspectives of crafts. The typographic choices in this book are a combination of Serif, Sans Serif, and Script typefaces, symbolic of the longevity of crafts and human’s use of technology.
Ölçegler we Gaplama: The dimension of the book is in US letter size: 216 mm x 279 mm.
Bellikler: design research, book design, editorial design, graphic design, typography, print, craft, technology, archive, postdigital, preservation
Önümçilik Tehnologiýasy: The book was intended to be printed on newsprint papers and have debossing on the cover. Unfortunately, the plan was postponed due to the pandemic.
Gözleg: This research aims to look at the transition between the physical and virtual, material and data, user engagement and experience from the perspective of craft making and preservation. Craft has always been a reflection of culture and identity. As our lives transitioned from physical activities to virtual interactions, new needs and forms of engagement with our surroundings were prompted. And such change not only exhibits via the object and the technology, but also the whole culture at large.

As craft and preservation being the two main cores of this research, it is important to explore different ways to archive the research process. In addition to this book, the designer had also built a website to document the research in another format. It is also interesting to compare the same content on two different mediums.
Ylham: This book can be seen as an archive that not only documents the designer's research in writing but also organizes several other design projects, experiments, and references in a clear structure that supports the main thesis. The grid and the rigid layout of the book are inspired by letterpress, which plays a key role in my research on technology and web interface design.
Taslama Dowamlylygy: This research started in 2019 and was finalized in May 2020. The book was designed after the completion of the research, from June to August 2020.