Yu Watanabe tarapyndan Radiance of Nature with Urushi Yşyklandyryş

Yu Watanabe tarapyndan döredilen Radiance of Nature with Urushi Yşyklandyryş dizaýny Yşyklandyryş Önümleri we Armaturalary Dizaýny Bäsleşik Kategoriýasynda 2024 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşYşyklandyryş· 2024

Radiance of Nature with Urushi Yşyklandyryş

dizaýner: Yu Watanabe

Müşderi: Yu Watanabe

Yşyklandyryş Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

78,009

Tassyklanan Baýrak Ýeňijisi

#154276 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Radiance of Nature with Urushi Yşyklandyryş hakynda

Ýaponiýada durnukly usulda ýygnalýan tebigy şireden alnan Uruşi lak bambuklara çekilip, agaç görnüşli formalaryň arasynda içine çekýän giňişlik döredýär. Adamlaryň giňişlikden kölegeleri aýyrýan Günbatar medeniýetinden tapawutlylykda, bu taslama kölegeleri estetiki gözelligiň bir bölegi hökmünde bilgeşleýin döredýär. Uruşi sütünleri garaňky otagda şem ýaly yşygy şöhlelendirip, garaňkylygyň çuňlugyny duýmak üçin ýagty şöhle saçýar. Şekiliň we yşygyň özboluşly häsiýetleri tebigaty ýatladýan mikrokosmiki giňişligi döredýän yşyk şöhlelenmesiniň we kölegeleriň jadylaýjy özara täsirini emele getirýär.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Radiance of Nature with Urushi Yşyklandyryş A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Radiance of Nature with Urushi Yşyklandyryş ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Radiance of Nature with Urushi Yşyklandyryş köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Urushi lacquer is produced from natural sap sustainably harvested in Japan. Unfortunately, the traditional craft of Urushi is in decline due to the emergence of alternative materials. This project aims to revitalise this craft and create a space that connects people with nature. Urushi also has qualities that reflect even the smallest light. Through the arrangement of tree-like shapes, the play of light and shadows can immerse people in a microcosmic space reminiscent of nature.
Ölçegler we Gaplama: The object consists of 16 cylindrical lights. Diameter: 11 cm to 14 cm. It comes in four sizes: size S 60 cm, size M 90 cm, size L 128 cm, and size XL 167 cm.
Urushi lacquer is applied on the bamboo by hand by Urushi craftsmen.
The bamboo is cut by artisans who cut the bamboo vertically, revealing the cut section on a dare.
Bellikler: Lighting, Sustainable, Traditional, Revitalising, Cultural, Meditative, Darkness, Space, Installation, Product,
Önümçilik Tehnologiýasy: Urushi is extracted from trees in small amounts, applied to natural materials such as bamboo. Although highly durable, Urushi products can be returned to nature when disposed of breaking down naturally under UV light. Crafted by hand by skilled artisans, each product is created in respect of the slow, yet continuous production of natural material. This circular design has the potential to restore the relationship between nature and people contrasting the modern reliance on single-use plastics.
Dizaýn Kynçylygy: Why can’t everyday objects also be an opportunity for people to connect with nature? Urushi, a fully repairable, biodegradable, and naturally produced lacquer, allows people to create products embodying the cycle of nature. This ancient Japanese craft founded in principles of sustainability is revitalized through a modern design in this project
Gözleg: Design research was conducted through hands-on experiments, thesis research, and collaboration with experts such as craftsmen, harvesters, and product designers. Hands-on experiments involved experimenting with more than 20 natural materials in combination with lacquer, while on the theoretical side, we investigated the relationship between how traditional Japanese lighting and space are perceived, and the relationship between Japanese gardens, modernism, and minimalism.
Ylham: Unlike the West, where people often remove shadows from space, the Japanese embrace shadows as a part of aesthetic beauty. In Junichiro Tanizaki's In Praise of Shadows, he mentions the true value of lacquerware is that it reflects a candle-like light in a dark room, giving off a luminous glow that gives a sense of the depth of darkness and invites one into a meditative space. Through this project, Urushi is used to reflect a small flickering light while embracing shadows.
Taslama Dowamlylygy: The project started in August 2022 in London and Japan, and finished in June 2023 in London, and was exhibited in Saint Central Martins in London.
Iş Akymy: Through the arrangement of tree-like shapes, the project seeks to evoke a sense of being in a forest. The play of light and shadows allows viewers to immerse themselves in a microcosmic space reminiscent of nature. This project not only explores the fascination of materials but also encourages the viewer to look at the materials through the lense of their backgrounds, narratives and connections with nature.
Surat Awtorlary: ALL Images: Yu Watanabe, 2023
Sound in Video: Kevin MacLeod (incompetech.com) Ambiment, Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/