Paul Robb and Moira Bartoloni tarapyndan Bellamy Sans Şrift

Paul Robb and Moira Bartoloni tarapyndan döredilen Bellamy Sans Şrift dizaýny Grafika, Illýustrasiýa we Wizual Aragatnaşyk Dizaýny Bäsleşik Kategoriýasynda 2025 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşGrafika· 2025

Bellamy Sans Şrift

dizaýner: Paul Robb and Moira Bartoloni

Müşderi: S6 Foundry

Grafika Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Bellamy Sans Şrift hakynda

Bellamy Sans, grotesk stilini kämilleşdirilen häzirki zaman duýgusy arkaly täzeden göz öňüne getirýän döwrebap sans-serif şriftidir. Şweýsariýa tipografiýasynyň däplerine esaslanýan bu şrift, neýtrallyk ýörelgesini saklaýar we klassik grotesklere mahsus berkligi ýumşadan çemeleşmäni hödürleýär. Inçe kontrast we takyk ussatlyk bilen döredilen egriler, artykmaç bezeglere bil baglamazdan ýüze çykýan aýdyňlygy bilen, şrifte sada ekspressiv gözellik berýär.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Bellamy Sans Şrift A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Bellamy Sans Şrift ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Bellamy Sans Şrift köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Bellamy Sans is a contemporary sans-serif typeface that reimagines the grotesque style with a refined, modern sensibility. Rooted in the tradition of Swiss typography, it maintains the core principle of neutrality while softening the rigidity often associated with classic grotesques. Its subtle contrast and carefully shaped curves lend it an understated elegance—minimalist yet expressive, free from superfluous ornamentation.
Ölçegler we Gaplama: The book is 120 pages, with the first section demonstrating the robustness of the font in use, the back pages are dedicated to the individual weights and glyphs.
Bellikler: Type design, Typeface, Specimen
Önümçilik Tehnologiýasy: The font was digitally created and supported by over 200 Latin languages. The cover was printed onto a recycled board, the internal pages onto 150gsm recycled paper and the book was hand-sewn.
Dizaýn Kynçylygy: The primary challenge of this research lies in exploring how the utilitarian principles of historical grotesque typefaces with the nuanced sophistication of contemporary typography. It required addressing how typographic neutrality, clarity, simplicity, and versatility concepts can be reinterpreted through humanistic forms without compromising their functional essence. Additionally, the research must investigate how subtle design refinements can contribute to the evolution of modern typographic practices while honoring historical influences.
Gözleg: This research investigates the design philosophy and developmental process behind the font and explores how Bellamy Sans bridges the gap between the minimalist, utilitarian principles of historical grotesques and the nuanced sophistication of contemporary typography. Central to its design is typographic neutrality, emphasizing clarity, simplicity, and versatility. However, Bellamy Sans reinterprets these qualities through a more humanistic lens, introducing subtle refinements that balance mechanical precision with organic warmth. This research highlights the typeface’s role in evolving modern typographic practices, offering insights into how historical influences can be harmonized with contemporary design needs.
Ylham: The inspiration behind Bellamy Sans stems from a desire to bridge the gap between the functional clarity of mid-20th-century grotesque typefaces and the nuanced sophistication of contemporary design, embracing the idea of typographic neutrality—prioritizing clarity, simplicity, and versatility while reinterpreting these qualities with a more humanistic approach. The typeface was conceived to soften the rigidity often found in classic grotesques.
Taslama Dowamlylygy: The initial designs were designed in November 2023 with the digital font launched in September 2024.
Iş Akymy: The Specimen book was sent to the first ten companies that ordered the complete family.
Topar Agzalary: Paul Henry Robb
Moria Bartoloni
Surat Awtorlary: Paul Henry Robb