Tomohiro Kaji tarapyndan Takanabe Ninomaru Taryhy Muzeý

Tomohiro Kaji tarapyndan döredilen Takanabe Ninomaru Taryhy Muzeý dizaýny Medeni Miras we Medeniýet Senagaty Dizaýny Bäsleşik Kategoriýasynda 2025 A' Design Award Altyn Baýragy baýragynyň abraýly ýeňijisidir.

AltynMedeni Miras· 2025

Takanabe Ninomaru Taryhy Muzeý

dizaýner: Tomohiro Kaji

Müşderi: Takanabe Town Hall

Medeni Miras Kategoriýasynda A' Design Award Altyn Baýragy Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Takanabe Ninomaru Taryhy Muzeý hakynda

1986-njy ýylda döredilen Takanabe Taryhy Muzeýi, könelen sergi esbaplary sebäpli gelýänleriň gyzyklanmasynyň peselmegi meselesini çözmek maksady bilen täzeden dizaýn edildi. Dizaýnyň täzelenişi hoşniýetlilik filosofiýasy bolan JIN-i özleşdirip, ony raýat buýsanjyny ösdürýän medeni we bilim merkezine öwürdi. Wizual hekaýaçylyk we giňişlik dizaýny arkaly täzeleniş tematiki kuratoryň, giňden gurşap alýan sergileriň we taryhy yzygiderliligini aňladýan gatly akril panelleriň girizilmegini üpjün etdi. NINOMARU Taryhy Muzeýi diýlip täzeden atlandyrylyp, häzirki wagtda miras, bilim we jemgyýetiň birleşýän interaktiw giňişlik hökmünde hyzmat edýär.

Ykrar etme

A' Design Award Altyn Baýragy hakynda

Takanabe Ninomaru Taryhy Muzeý A' Design Award Altyn Baýragynyň ýeňijisidir; bu birinji derejeli, ajaýyp we tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Altyn ýeňijileri dizaýnerleriniň alymlygyny, paýhasyny we ussatlygyny görkezýän aşa täzelikçi, uzakgörüjilikli we göz gamaşdyryjy eserlerdir. Takanabe Ninomaru Taryhy Muzeý deňi-taýy ýok gymmat berýän, köp öwülýän, ugur kesgitleýän we ýadygärlik ýaly oýlap tapyş bolmagy garaşylýar. A' Design Award Altyn Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine uly peýda berýän we ony öňe sürýän ajaýyp, hormatly taslamadyr. Takanabe Ninomaru Taryhy Muzeý güýçli isleg duýgularyny döredýär, höwesi oýarýar, döredijiligi höweslendirýär we bizi haýran edýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This design centers on the concept of a history of benevolence, creating a space that visually and intuitively conveys the region's heritage through storytelling. Located on the historic site of Takanabe Castle, the museum was renamed and redesigned as a cultural hub to rediscover the town's uniqueness and foster civic pride. From curation and visual identity to signage and narrative design, the space was fully reimagined to serve as an educational and inspiring environment.
Ölçegler we Gaplama: Scale:
Site area: 7,763 meter square
Building area: 904.43 meter square
1st floor area: 461.58 meter square
2nd floor area: 442.85 meter square
Bellikler: historical museum, cultural heritage, exhibition design, storytelling, visual identity, graphic design, spatial design, civic engagement, SDGs
Önümçilik Tehnologiýasy: This exhibition uses graphic and spatial design to make history visually engaging. The entrance features a concept display with a tagline, while the first exhibition room includes zoning signs with symbolic designs. The second exhibition presents Takanabe Domain's history, the Meirindo school, and the 7th lord Akizuki Taneshige's SDGs-related policies. At the center, acrylic panels display successive lords and their policies, with a red gradient symbolizing historical continuity.
Dizaýn Kynçylygy: The biggest challenge of this project was creating an engaging exhibition with limited historical materials and budget. From a historical and social perspective, extensive document research and discussions with experts were conducted to highlight the region's uniqueness, shaping the exhibition narrative around the culture of human development. As large-scale renovations were not feasible, we utilized graphic and spatial design to create a visually compelling and immersive exhibition.
Gözleg: This study aimed to revitalize a historical museum through design and narrative. The objective was to enhance visitor engagement, promote cultural heritage preservation, and foster civic pride. The methodology included comparative studies of museums and interviews with historians. We introduced content curation and visual solutions. By highlighting the region's unique history of human development, we proposed a narrative-driven exhibition design, enhancing historical understanding.
Ylham: This project was inspired by the need to revitalize a declining local region by restoring its historical museum. Established in 1986 under the Akizuki domain, the museum's outdated exhibits led to a decline in visitor engagement. With the town's rich history in education and culture, revitalizing its significance was crucial. The goal was to transform the museum into a cultural hub where people can learn, connect, and take pride in their heritage and traditions.
Taslama Dowamlylygy: The project began in autumn 2023 in Miyazaki, Japana and finished in December 2024.
Iş Akymy: This exhibition utilizes visual storytelling to help visitors intuitively understand the region's history. The layout is designed for a sequential experience, guiding visitors through zoned spaces categorized by theme and era, ensuring a natural flow of information. The design creates an immersive experience where history is learned through narratives, while layered acrylic panels symbolize temporal connections, resulting in a visually engaging and easily comprehensible exhibition.
Surat Awtorlary: Illustrations: Tomohiro Kaji
Image #1-#5: Photographer Kai Kanno (Nacasa & Partners)