Hong Jia Min tarapyndan Guanshan Brend Şahsyýeti

Hong Jia Min tarapyndan döredilen Guanshan Brend Şahsyýeti dizaýny Grafika, Illýustrasiýa we Wizual Aragatnaşyk Dizaýny Bäsleşik Kategoriýasynda 2025 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirGrafika· 2025

Guanshan Brend Şahsyýeti

dizaýner: Hong Jia Min

Müşderi: Jijia Brand Creative Studio

Grafika Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

2,022

Tassyklanan Baýrak Ýeňijisi

#172951 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Guanshan Brend Şahsyýeti hakynda

Guanshan süýt çaýy dükany üçin döredilen brend şahsyýetidir. Dizaýn hytaý ýazuw belgilerini esas edinip, däp bolan resmi ýazuw usulynyň gurluşyny, onuň klassyky ruhuny saklap, häzirki zaman görnüşine getirýär. Gündogar zatlar estetikasyna daýanýan bu şahsyýet, syýa bilen çekilen ýelpuwaç we çaý gap-gaçlary şekillerini utgaşdyrýar. Merkezi nyşan ýelpuwaç bilen käseiň üst-üstine düşýän kompozisiýasyny görkezip, goşa manyly alamat döredýär. Syýa pyçagynyň çyzyklary däp bolan tegelek ýelpuwajyň bambuk çarçuwasyny ýatladýar, käseiň keşbi bolsa Jianzhan çaý käselerinden ylham alýar.

Ykrar etme

A' Design Award Demir Baýragy hakynda

Guanshan Brend Şahsyýeti A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. Guanshan Brend Şahsyýeti uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. Guanshan Brend Şahsyýeti jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
Ölçegler we Gaplama: The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
Bellikler: Oriental, Creativity, Tea , Ink Painting, Chinese
Önümçilik Tehnologiýasy: The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
Dizaýn Kynçylygy: The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
Gözleg: We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
Ylham: Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
Taslama Dowamlylygy: Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
Iş Akymy: Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
Patentler: Copyrights belong to Hong Jia Min, 2024.
Topar Agzalary: Hong Jia Min
Surat Awtorlary: Hong Jia Min