Tsuchiya Kaban Co., Ltd. tarapyndan Kumihimo Esasy Wezipe: Çekme Ipli Sumka

Tsuchiya Kaban Co., Ltd. tarapyndan döredilen Kumihimo Esasy Wezipe: Çekme Ipli Sumka dizaýny Moda we Syýahat Aksessuarlary Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Platina Baýragy baýragynyň abraýly ýeňijisidir.

PlatinaAksessuar· 2026

Kumihimo Esasy Wezipe: Çekme Ipli Sumka

dizaýner: Tsuchiya Kaban Co., Ltd.

Müşderi: Tsuchiya Kaban Co., Ltd.

Aksessuar Kategoriýasynda A' Design Award Platina Baýragy Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Kumihimo Esasy Wezipe: Çekme Ipli Sumka hakynda

Kitap Teksti: Bu sumka Edo döwründen gelen däbe öwrülen ýapon örüm tehnikasy bolan Kumihimony täzeden döredýär. Tikişiň ýerine berk örülen ipleri ulanmak bilen, bu dizaýn hem gurluş berkligini, hem-de çeýeligini gazanýar. Minimalist görnüş ussatlygy nygtaýar, gurluş bolsa ruhy we fiziki baglanyşygyň ýapon pelsepesi bolan Musubi ýörelgesini özünde jemleýär. Bu eser taryhy gözelligi häzirki zaman gündelik durmuşa sazlaşykly birleşdirip, zat bilen onuň eýesiniň arasyndaky baglanyşygy belent tutýar.

Ykrar etme

A' Design Award Platina Baýragy hakynda

Kumihimo Esasy Wezipe: Çekme Ipli Sumka A' Design Award Platina Baýragynyň ýeňijisidir; bu hakykatdanam aýratyn, owadan we şöhratly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Platina ýeňijileri dörediji güýjüň keramatlarydyr, aň-paýhas döredijiliginiň çäklerine güwä bolýar we dizaýnerleriniň deňi-taýy ýok hünärmenligini we alymlygyny görkezýär. Bu dizaýnlaryň eýýamyň estetikasyny kesgitleýän, jemgyýetiň abadançylygyna goşant goşýan we sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerini öňe sürýän iň meşhur eserler bolmagy garaşylýar. Kumihimo Esasy Wezipe: Çekme Ipli Sumka ýokary kämillik derejesini görkezýär we peýdaly, gymmatly aýratynlyklary bilen dünýäni şübhesiz has gowy ýere öwürýär. Kumihimo Esasy Wezipe: Çekme Ipli Sumka isleglerimizi oýarýan, ylham berýän, höweslendirýän, begendirýän we uly şatlyk döredýän A' Design Award Platina Baýragyny gazanan eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Reinterpreting "KUMIHIMO" from the Edo period-a Japanese historical era (1603-1867), this bag features durability and flexibility through braiding. Minimalist design highlights the pure beauty of the technique. The structure symbolizes "MUSUBI," a concept signifying both physical links and spiritual bonds in Japanese. By joining leather parts with these cords, the design reflects this spirituality, delivering traditional beauty to daily life.
Ölçegler we Gaplama: Size: H 210 × W 190 × D 150 mm
Handle Height: 105 mm (Metal Fittings), 150 mm (Drawstring Cords)
Bellikler: Traditional Crafts, Kinchaku, Kumihimo, Craftsmanship, Leather, Japan, Repairable
Önümçilik Tehnologiýasy: A work filled with our workshop's craftsmanship.
Consisting of 20 precision leather parts, this bag uses hidden stitching and manual thread finishing to highlight the KUMIHIMO's beauty. Edge-painting on all 100 holes ensures both friction reduction and beauty. The cords were made by the craftsperson Ryuta Fukuda. The fusion of Tsuchiya Kaban’s leather craft and Fukuda’s expertise breathes soul into every detail, embodying the value of traditional craft.
Dizaýn Kynçylygy: The challenge of this project was to integrate traditional Kumihimo into a daily bag, balancing harmony with leather and functional beauty. To resolve this, we adjusted the placement of parts by hand in millimeter increments. We strictly managed sewing precision and repeatedly verified knot types and hardware shapes. As a result, we realized a design that fits modern lifestyles, harmonizing two distinct products into a single craft.
Gözleg: Integrating traditional design into modern life.
By researching Kimono culture and modern bag usage, we identified "functionality, tactile feel, and visual balance" as key elements for daily integration. Through three prototyping rounds, we refined leather selection, hardware shape, and braiding to harmonize tradition with modern utility. This research-driven design creates a product ideal for daily use, effectively reaching audiences unfamiliar with traditional crafts.
Ylham: A bag reinterpreting Japanese tradition for modern life.
This work reconstructs Kimono culture's beauty into a functional bag, harmonizing traditional aesthetics with daily life. Instead of applying crafts as they are, we refined the design to blend into modern wardrobes, removing the distance felt toward traditional crafts. By integrating "KUMIHIMO" into the structure, we aimed to make craftsmanship feel accessible through a modern appeal that invites people to pick it up and experience it.
Taslama Dowamlylygy: Started in June 2022 at Tsuchiya Kaban in Tokyo. Mass production was completed at the Tsuchiya Kaban workshop in January 2024, marking the end of the project. It is currently not for sale.
Iş Akymy: A versatile bag designed for diverse styles and occasions.
This piece accents casual attire and functions as a sophisticated party bag for formal events. When paired with Kimono, it creates a modern look; its minimal yet deep design enhances any style. It offers two carrying options: a casual, relaxed style like a drawstring bag, and an elegant style using the original metal handle inspired by "Chagama" (a tea ceremony kettle), adding a unique touch to your movements.
Topar Agzalary: Traditional Craftsman (Kumihimo Braiding): Ryuta Fukuda