Kimberly Phipps-Nichol tarapyndan Peregrina Taryhy Sahna Kostýumy

Kimberly Phipps-Nichol tarapyndan döredilen Peregrina Taryhy Sahna Kostýumy dizaýny Kostýum we Miras Eşikleri Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirKostýum Dizaýny· 2026

Peregrina Taryhy Sahna Kostýumy

dizaýner: Kimberly Phipps-Nichol

Müşderi: Kimberly Phipps-Nichol, RoKi Design

Kostýum Dizaýny Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

7,603

Tassyklanan Baýrak Ýeňijisi

#182020 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Peregrina Taryhy Sahna Kostýumy hakynda

Peregrina 1900-nji ýyllar döwrüne degişli zenan sahna kostýumy bolup, aksessuarlar we Edward döwrüniň aşaky köýnegi bilen bilelikde hödürlenýär. Egin-eşikler gaýtadan ulanylan, täzeden işlenen, antikwar we döwre laýyk materiallardan, şol sanda pagta, kendir, ýüpek, zygyr, ýüň, saman, ýelek we metal esbaplardan taýýarlanandyr. Biçüwiň nusgasy ýönekeý bolup, 1900-nji ýyllar töwereginde öýde tikinçilik edýän adamdan garaşylýan başarnyklary şöhlelendirýär. Kostýumyň esasy bölekleri iki tarapa öwrülip geýilýär, şeýlelikde bir toplum bölekler birnäçe dürli eşigi emele getirýär. Gizlin ýa-da iki maksatly esbaplar, şol sanda iliklerdir çeňňekler we halkalar, bölekleriň deň durmagyny üpjün edýär hem-de agyr matalaryň agramyny göterýär.

Ykrar etme

A' Design Award Demir Baýragy hakynda

Peregrina Taryhy Sahna Kostýumy A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. Peregrina Taryhy Sahna Kostýumy uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. Peregrina Taryhy Sahna Kostýumy jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Peregrina is a 1900 era ladies stage costume with accessories and an Edwardian slip made from repurposed, upcycled, antique and era appropriate materials. The pattern for the suit is simple to reflect the level of design and construction capability that would have been expected of a home sewist circa 1900. What is truly innovative about this suit is that it is reversible. This flexibility provides a series of outfits from just one setup, in a nod to the tailor mades of the time.
Ölçegler we Gaplama: Suit fits a US women size 4, and dimensions vary due to wrap style.
Bust up to 105 cm
Waist up to 76 cm
Hips up to 115 cm
Submission Materials Contents include Cotton, Hemp, Silk, Linen, Wool, Straw, Feather, and Metal Hardware.
Bellikler: Costume, Stage wear, Theater wear, Historic costume, Suffragette, Travel, Wearable art, Traditional craft culture, Creative design, Historic reenactment
Önümçilik Tehnologiýasy: Research, pattern drafting, mockups and production took over 500 hours. Only era available contemporary fabrics were used where antique materials could not be sourced. Antique hardware and silk were used where feasible. While a basic sewing machine was used for main construction, only straight and zig zag stitches were employed to maintain era consistency. Most of the suit and all mockups were made from repurposed drapes saved from a now closed natural fibers boutique.
Dizaýn Kynçylygy: There were two main challenges for this costume. First was sourcing antique and era-appropriate materials on a very small budget. Second was making the main costume components completely reversible while still preserving modesty and a correct silhouette. The reversibility required mockups with significant trial and error to ensure true era appropriate design and construction.
Gözleg: Historical references for design, construction, fabric patterns, colors and fibers include photos of 1900 era ancestors, plus online and print resources. Online resources included US Census Bulletin of era available fibers, as well as database searches of museums with era relevant clothing archives. Print Resources included reference books published by museums with era relevant clothing archives, along with numerous fashion and dressmaker magazines from the years 1900 through 1910.
Ylham: Created in response to a call for a 1900 era historic costume for actors portraying suffragettes and women traveling across North America. The suit was inspired by inherited heirlooms and documents of a true free spirited Muse who embodied the independent characters to be depicted. The Muse had traveled extensively in this time and is a distant relative of the designer. The name is a nod to the family maritime roots and boat name at that time, Peregrinator, hence the nautical details.
Taslama Dowamlylygy: The project started in June 2024 in Houston, Texas and finished in January 2025 in Houston, Texas.
Iş Akymy: The reversible components use hardware that is either dual purpose or hidden to ensure a sleek form. Buttons at inner and outer skirt waist sides are both used as closures and shirtwaist connection to support the skirt. This keeps individual pieces from shifting out of alignment while elegantly transferring and distributing the weight of heavy materials. Hooks and eyes ensure critical components retain points of contact important for appearance and flow while moving on stage.
Surat Awtorlary: Image #1: Photographer Andy Phan, Main, 2026
Image #2: Photographer Andy Phan, Optional 1, 2026
Image #3: Photographer Andy Phan, Optional 2, 2026
Image #4: Photographer Andy Phan, Optional 3, 2026
Image #5: Photographer Andy Phan, Optional 4, 2026