Utopia and Collapse Libro ni Timea Andoka

Ang disenyo na Utopia and Collapse Libro ni Timea Andoka ay isang lubhang iginagalang na nagwagi ng napaka-prestihiyosong 2019 A' Design Award na Bakal sa Kategoryang Paligsahan na Disenyo ng Nakalimbag at Nailathalang Medya.

BakalLimbag· 2019

Utopia and Collapse Libro

ni Timea Andoka

Kliyente: Timea Andorka

Nagwagi ng A' Design Award na Bakal sa Kategoryang Limbag

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Ang Disenyo

Tungkol sa Utopia and Collapse Libro

Dokumento ng Utopia at Collapse ang pagtaas at pagbagsak ng Metsamor, ang Armenian atomic city. Pinagsasama nito ang isang kasaysayan ng lugar at isang pagsasaliksik sa potograpiya na may ilang mga sanaysay na pang-akademiko. Ang arkitektura ng Metsamor ay isang natatanging halimbawa ng isang iba't ibang Armenian ng Soviet Modernism. Kabilang sa mga paksang napag-usapan ay ang mga kasaysayan sa kultura at arkitektura ng Armenia, ang typology ng Soviet atomograds at ang kababalaghan ng mga modernong pagkasira. Ang librong ito, batay sa proyekto sa pagsasaliksik ng multidisciplinary na Rethinking Metsamor, sa kauna-unahang pagkakataon ay nagsasabi ng kwento ng lungsod at isiniwalat kung anong mga aral ang maaaring makuha mula rito.

Ang Pagkilala

Tungkol sa A' Design Award na Bakal

Ang Utopia and Collapse Libro ay nagwagi ng A' Design Award na Bakal, isang prestihiyosong pagkilalang iginagawad sa mga mahuhusay na disenyong tumutugon sa mga propesyonal at pang-industriyang kinakailangang inaasahan sa mga mahusay na pagkakadisenyong likha. Ang mga nagwagi ng Bakal ay nagpapakita ng dakilang husay, mataas na espesyalisasyon, dalubhasang pag-unawa at kakayahang malikhain ng kanilang mga lumikha. Inaasahang ang Utopia and Collapse Libro ay isang lubos na pinahahalagahan, hinahangaan at minamahal na likhang praktikal at makabago. Ang disenyong ito na nagwagi ng A' Design Award na Bakal ay nagsasama ng pinakamahuhusay na kasanayan ng industriya at may mahuhusay na katangiang teknikal na may kasamang kaalaman at talento. Ang Utopia and Collapse Libro ay iginagalang dahil sa kaingatan nito at idinisenyo upang maghatid ng mga pagpapabuti sa kalidad ng buhay na tumutulong gawing mas mabuting lugar ang mundo.

Sa Likod ng Disenyo

Press Kit

Mga kredito, miyembro ng koponan at teknikal na detalye na ibinigay ng taga-disenyo.

Mga Natatanging Katangian: Metsamor, the workers’ town adjacent to the eponymous Armenian nuclear power plant, is a symbol of the Soviet-Armenian dream of technological progress. Over the course of nearly two decades, construction of the town advanced at a rapid pace. However, a devastating earthquake in 1988 and the collapse of the Soviet Union in 1991 led to the closedown of the power plant and, subsequently, all construction in Metsamor came to a halt. By the time the plant reopened in 1995, the town had become disengaged from its original purpose and people were living in a half-built and largely abandoned urban skeleton.
Mga Sukat at Packaging: hardback, 220 x 295 mm
Mga Tag: book, architecture, photography, utopia, modernism, contemporary art, minimal design, environmental protection, urban planning
Teknolohiya sa Produksyon: The book’s size and the type of paper has been defined by the relationship between the different genres of images and the text.
When determining the size, the ratio of the archive documentary photos had to be taken into consideration as they are completely different from the contemporary art photos made for negatives of 6×6 cm. Therefore the grid had to facilitate the harmonzation of both image types with the book as a whole and with each other as well.
Two different types of paper are used for the book’s body. The first part contains alternating old and recent photos, ground plans and documentary photos, and some short sections of text – for these pages we have chosen matte paper that is commonly used in the case of similar artistic publications to accentuate and preserve original colours and contrasts. The studies of the second part are printed on recycled paper to make reading agreeable.
Hamon sa Disenyo: The biggest challenge was selecting and arranging the photos, and composing their inherent narrative all along. This meant the task of the editor (as of the subject) and the graphic designer (as of the aesthetics), thus the creation of each and every spread was anticipated by long reflection, experimenting, and sometimes extensive discussions. The problem came from the fact that altogether four visual languages came to our disposal: ground plans drawn during the construction period, archive photos, a photographic documentation of the current state of the city, and contemporary artistic photos, reflecting the special ambiance, that had been taken onto 6×6 cm film were available. One of our intentions were to avoid self-repetition and all redundancy. We hoped to tell Metsamor’s story the way Italo Calvino tells stories about Venice in Invisible Cities: telling a different story all the time that is the same story in the end.
Pananaliksik: The goal of the Rethinking Metsamor project is to establish a collaborative research of planners and visual artists on urban history of singular example of Soviet modernism – Metsamor city and Nuclear Power Plant located in the area (both built in the 1970’s) and also the post-Soviet development of urban environment, with a special focus on social obstacles caused by environmental fears and challenges. One of the great results of the successful collaboration is the fact that Armenia was represented by this project at the 15th Venice Biennale of Architecture in 2016. The book’s appearance – with photos, studies and ground plans – in 2018 meant another milestone of a decade in research; furthermore, the book even made it to the shortlist of the German Photo Book Award 2018.
Inspirasyon: Utopia and Collapse documents the rise and fall of Metsamor, the Armenian atomic city. The book brings together an oral history of the place and a photographic research by Katharina Roters with a number of academic essays. Among the topics discussed are Armenia’s cultural and architectural histories; the typology of Soviet atomograds, or atomic cities; and the phenomenon of modern ruins. Although today the power plant’s workers live in a partly built failed utopia, Metsamor stands as an example of the highly idiosyncratic Armenian variety of Soviet Modernism of the 1960s and 1970s, making this a fascinating story for anyone with an interest in Soviet-era buildings and architecture.
Tagal ng Proyekto: 2007: studying the Metsamor city plans under Sarhat Petrosyan’s supervision on behalf of the Ministry of Urban Development of Armenia.
2008–09: a diploma program takes place for the reassessment of the city’s original plans.
2011–12: Metsamor-trips for international researchers organized by Urbanlab Yerevan.
2014: developing a visual artistic concept that is complementary to the architectural perception: the idea of a more complex approach is born at the workshop led by Katharina Roters, Budapest-Cologne based photo artist, in Yerevan.
2016: ReThink Metsamor Exhibition in Venice, Italy – Independent Landscape, Pavilion of the Republic of Armenia at the 15th Venice Biennale of Architecture.
2018: Utopia and Collapse – Rethinking Metsamor. The Armenian Atomic City – the book published by Park Books, Zurich, Switzerland.
Daloy ng Operasyon: What happens when destiny and reality override plans and utopias, and when a dwelling is bereaved its actual purpose?

Metsamor’s architecture is a unique example of a distinctively Armenian variety of Soviet Modernism of the 1960s and 1970s. The book, based on the extensive and multidisciplinary Rethinking Metsamor research project, for the first time tells the city’s story in full and reveals what lessons can be learned from it.
Mga Patent: all images © Tímea Andorka, 2019
texts © Jorg H. Gleiter, Ievgeniia Gubkina, Misak Khostikyan, Hamlet Melkumyan, Sarhat Petrosyan, Katharina Roters, and Jozsef Szolnoki, 2018
photographs © Katharina Roters, 2018
archive drawings © ArmProject, 2018
© 2018 urbanlab, Yerevan and Park Books AG, Zurich
Mga Miyembro ng Koponan: Concept: Sarhat Petrosyan (ARM), Katharina Roters (GER)
Research Team: Sarhat Petrosyan, Armine Shahbazyan,
Nvard Yerkanian, Sofi Haykazuni, Ara Marjanyan (ARM)
Graphic design: Timea Andorka (HUN)
Title and cover concept: Jozsef Szolnoki (HUN)
Cover image: Davit Ayvazyan, Hieroglyph.am
Translations: Sona Hovhannisyan (ARM-ENG), Daniel Nashaat (HUN-ENG), Edith C. Watts (GER-ENG), Dajbukat Borbely Laszlo (HUN-ARM)
Linguistic editing: Arto Vaun, Armine Bachachyan (Assistant)
Proofreading: Charlotte Eckler (USA)
Lithography, printing, and binding: Pauker Holding Kft., Budapest (HUN)
Publisher: Park Books AG, Zurich, Switzerland (SUI)