Ang disenyo na Ataraxia Ang Koleksyon Ng Alahas ni Yilan Liu ay isang lubhang iginagalang na nagwagi ng napaka-prestihiyosong 2020 A' Design Award na Ginto sa Kategoryang Paligsahan na Disenyo ng Alahas.
GintoAlahas· 2020
Ataraxia Ang Koleksyon Ng Alahas
ni Yilan Liu
Kliyente: Yilan Jewelry
Nagwagi ng A' Design Award na Ginto sa Kategoryang Alahas
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Tungkol sa Ataraxia Ang Koleksyon Ng Alahas
Ang pagsasama sa fashion at advanced na teknolohiya, ang proyekto ay naglalayong lumikha ng mga piraso ng alahas na maaaring gawin ang mga lumang elemento ng Gothic sa isang bagong istilo, tinatalakay ang potensyal ng tradisyonal sa kontemporaryong konteksto. Sa interes sa paraan kung paano naiimpluwensyahan ng madla ang mga Gothic vibes, sinusubukan ng proyekto na himukin ang natatanging karanasan sa indibidwal sa pamamagitan ng mapaglarong pakikipag-ugnay, paggalugad ng ugnayan sa pagitan ng disenyo at may suot. Ang mga sintetikong gemstones, bilang isang mas mababang eco-imprint material, ay pinutol sa hindi karaniwang mga patag na ibabaw upang ibigay ang kanilang mga kulay sa balat upang mapahusay ang pakikipag-ugnay.
Ang Pagkilala
Tungkol sa A' Design Award na Ginto
Ang Ataraxia Ang Koleksyon Ng Alahas ay nagwagi ng A' Design Award na Ginto, isang napakaprestihiyosong pagkilalang iginagawad sa mga disenyong pangunahing-uri, kahanga-hanga at namumukod-tangi. Ang mga nagwagi ng Ginto ay mga likhang lubhang makabago, may pananaw at nakasisilaw sa karilagan na sumasalamin sa talino, karunungan at husay ng kanilang mga tagapagdisenyo. Inaasahang ang Ataraxia Ang Koleksyon Ng Alahas ay isang lubos na pinupuri, nagtatakda-ng-uso at monumental na imbensyon na naghahatid ng walang kapantay na halaga. Ang disenyong ito na nagwagi ng A' Design Award na Ginto ay isang kahanga-hanga at iginagalang na proyekto na lubos na nakikinabang at nagpapaunlad sa mga hangganan ng sining, agham, disenyo at teknolohiya. Ang Ataraxia Ang Koleksyon Ng Alahas ay lumilikha ng matinding damdamin ng pagnanais, gumigising ng damdamin, nagpapasigla ng pagkamalikhain at nakahuhumaling sa atin.
Sa Likod ng Disenyo
Press Kit
Mga kredito, miyembro ng koponan at teknikal na detalye na ibinigay ng taga-disenyo.
- Mga Natatanging Katangian
- Inspired by Gothic architecture, the collection encapsulates the sublime internal atmosphere, exploiting Gothic structural details to stimulate the particular feelings and explore emotional experience. Synthetic gemstones, as a lower eco-imprint material, were cut into unusually flat surfaces to cast their colors onto the skin to enhance the vibe. Immersive exploration of the precious culture is encouraged by the collection. The jewelry acts as a media to provoke unique individual experience. The design challenged the production to realize all the details to achieve the final result.
- Mga Sukat at Packaging
- Ring No.1: 41mm x 18mm x 30mm;
Ring No.2: 28mm x 28mm x 36mm;
Bangle: 75mm x 75mm x 22mm;
Earring: 21mm x 59mm x 8mm - Mga Tag
- jewelry, ring, bangle, earring, Gothic architecture, culture, emotional experience, eco-friendly, interaction, synthetic gemstones
- Teknolohiya sa Produksyon
- The production lasted about one month including wax curving, casting, stone cutting, model modification, stone setting, metal finishing and gold plating. Some design details were adjusted during this process. The materials are synthetic gemstones including cubic zirconia, synthetic spinel and synthetic ruby which were cut into usually flat surfaces. For the metal part, the material is goldplated silver.
- Hamon sa Disenyo
- The challenge was to realize all the design details to achieve the best result. There were many details in the design which made it difficult to well polish all the corners without damaging. After several experiments, I finally chose sand blasting as the main metal finishing which combined with full polish of the top faces of the settings, ensuring all the details as well as giving the collection a feel of flexibility. Also, the stone cutting process went through a lot of experiments to decide the thickness to gain the best effect.
- Pananaliksik
- The research concentrated on Gothic culture and the purchasing behavior of customers towards contemporary jewelry from books, journals, online articles and relevant market data. The research showed the potential of making the old into the new in the perspectives of market and technology. Besides, the case studies were given on market, trend and manufacture with online research and interviews, as first-hand investigations underscoring the value of the project. All the research promoted the development of the project and completed the project in the academic way.
- Inspirasyon
- The collection was inspired by ancient Gothic architecture. This traditional style is fading with time, but it can be reborn in a new way with jewelry. Combining with fashion and advanced technology, the project aims to create jewelry pieces which can make the old into a new style, discussing the potential of the traditional in the contemporary context. With the interest in the way how the Gothic vibe influences audience and based on the vast research on Gothic culture, the project also tries to provoke unique individual experience through playful interaction, exploring the relationship between design and wearers.
- Tagal ng Proyekto
- The project started in October 2017 in London and finished in May 2019 in London, and was exhibited in Central Saint Martins Degree Show in June 2019 and was awarded as Distinction. The production was finished in China.
- Daloy ng Operasyon
- The designs were inspired from Gothic architecture. Wearers will be easily attracted by its amazing appearance with elegant details. The pieces combine the old with the new, explaining the traditional culture with contemporary fashion language. When wearing the jewelry, the beautiful lines flow with the body, the bright colors cast onto the skin, creating a poetic experience for individuals. It is jewelry, but more than jewelry. It is a combination of culture, aesthetic, fashion and emotion.
- Mga Credit ng Larawan
- #1, 2, 3, 4, 5: Photographer Xiaowu Yu, 2019
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