Urszula Giren авторлыгында The Birth of a Book Китап

Urszula Giren авторлыгындагы The Birth of a Book Китап — Басма һәм Нәшер ителгән Медиа Дизайны ярыш категориясендә бик абруйлы 2020 A' Design Award Алтын бүләге лауреаты.

АлтынБасма· 2020

The Birth of a Book Китап

автор: Urszula Giren

Заказчы: Urszula Gireń

Басма категориясендә A' Design Award Алтын бүләге лауреаты

80,127

Расланган бүләк лауреаты

#97144 бүләк статусын тикшерү

Сайтка керү A' Design Award'та карау Матбугат релизы Бүләк бейджигы

Төсләр

Дизайн

The Birth of a Book Китап турында

Китап тууы — XVI гасыр Польшасында китап дизайны турында басма басма. Китапта иске басмалар чын зурлыкта тәкъдим ителә, шуңа күрә укучылар оригиналь форматларны күрә ала. Тышлык өстендәге суперобложка иске октаво форматы өчен кулланылган бит урнаштыру ысулын күрсәтә. Тасма-кыстыргыч фолио, кварто һәм октаво китапларының биеклекләрен билгели. Титул битләрендәге агач гравюралар төс инверсиясендә басылган, бу кара кара белән капланган матрицаларны хәтерләтә. Формат — 256 x 320 миллиметр, 560 бит һәм якынча 1200 иллюстрация. Максат — Ренессанс чоры басма ысулларын киң укучылар даирәсенә аңлату.

Таныш

A' Design Award Алтын бүләге турында

The Birth of a Book Китап – A' Design Award Алтын бүләге җиңүчесе, бу гаять абруйлы танып белү, ул беренче класслы, тансык һәм күренекле дизайннарга бирелә. Алтын җиңүчеләре – үз дизайнерларының талантын, зирәклеген һәм осталыгын чагылдыручы бик яңа, киң карашлы һәм ялтырап торучы иҗат җимешләре. The Birth of a Book Китап чагыштыргысыз кыйммәт китерүче бик мактаулы, тенденция билгеләүче һәм монументаль уйлап табу булыр дип көтелә. A' Design Award Алтын бүләге җиңүче бу дизайн – сәнгать, фән, дизайн һәм технология чикләрен зур файда белән киңәйтүче искиткеч һәм хөрмәтле проект. The Birth of a Book Китап көчле теләк хисләрен тудыра, дәрт уята, иҗатны рухландыра һәм безне кызыксындыра.

Дизайн артында

Матбугат комплекты

Дизайнер тәкъдим иткән кредитлар, команда әгъзалары һәм техник детальләр.

Уникаль үзенчәлекләр: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
Үлчәмнәр һәм упаковка: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
Тегләр: renaissance book, first roman typefaces, old prints, typography
Җитештерү технологиясе: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
Дизайн бирелмәсе: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
Тикшеренү: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
Илһам: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
Проект озынлыгы: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
Эш процессы: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
Рәсем авторлары: Urszula Gireń / 2019