Earth Worker Installatsion san'at by Yu Liang Chen is a highly esteemed winner of the very prestigious 2021 A' Design Award Temir Mukofoti in Tasviriy San'at va San'at Installatsiyasi Dizayni Competition Category.
TemirTasviriy San'at· 2021
Earth Worker Installatsion san'at
Client: NewLocal Art Studio
A' Design Award Temir Mukofoti Winner in Tasviriy San'at Category
Verified Award Winner
Verify Award Status for #118841The Design
About Earth Worker Installatsion san'at
Earth Worker (Yer Ishchisi) — Tayvanning Pingtung okrugidagi botqoqlikda joylashtirilgan tashqi makon san'at installatsiyasidir. Yarim-timsoliy inson qiyofasi suv ustida, xuddi barcha jonzotlarni yaratuvchi gigant kabi tik turibdi. Tananing bir tomoni yerga qarab pastga boqsa, ikkinchi tomoni osmonga qarab tepaga tikilgan. Asosiy material sifatida shisha tola bilan mustahkamlangan tsement ishlatilgan bo'lib, u metall karkas va o'yilgan penopolistirol yadro ustiga qoplangan. Cho'tka bilan ishlangan tsement eritmasi sirti hech qanday rang yoki yamoqlarsiz, sodda holicha qoldirilgan. Ushbu installatsiya mahalliy tarixga va Makadao xalqi madaniyatiga ishora qiladi.
The Recognition
About the A' Design Award Temir Mukofoti
Earth Worker Installatsion san'at A' Design Award Temir Mukofotining g‘olibi bo‘lib, bu yaxshi loyihalangan ijodlardan kutiladigan kasbiy va sanoat talablariga javob beradigan yaxshi dizaynlarga beriladigan nufuzli e’tirofdir. Temir g‘oliblari o‘z yaratuvchilarining katta mahorati, yuksak ixtisosligi, mutaxassis tushunchasi va ijodiy salohiyatini namoyon etadi. Earth Worker Installatsion san'at yuqori qadrlanadigan, hayrat bilan qaraladigan va suyukli, amaliy hamda innovatsion ijod bo‘lishi kutiladi. A' Design Award Temir Mukofotini qo‘lga kiritgan ushbu dizayn soha eng yaxshi amaliyotlarini uyg‘unlashtiradi va bilim hamda iste’dod bilan bog‘langan layoqatli texnik xususiyatlarga ega. Earth Worker Installatsion san'at puxtaligi uchun hurmatga sazovor bo‘lib, dunyoni yaxshiroq joyga aylantirishga yordam beradigan hayot sifatini yaxshilashni taqdim etish uchun loyihalangan.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- The designer metaphors the earth worker as a giant coming from afar, stopping in the wetland to create all living things, using semi-representative human shapes to express local stories through the body, movement, and temperament. In order to bring out the local elements of Taiwan, through long-term interviews and field investigations, to understand the local history and culture, based on the idea of the aboriginal peoples of Macadao that were once a matriarchal society in the local coastal area, and then set up the legendary story of "The Mother Earth".
- Dimensions & Packaging
- The designer first sculpts the styrofoam to complete the outline of the prototype, then uses all kinds of metal components as the bone material, covering the overall shape to make it more stable, so as to continue the sculpture work of the surface material. Since the main material of the project is on the surface, the construction needs to consider the hardening time of the cement, and sculpt in stages, and set various seams and edges. How to keep the humidity during the production process to slow down the hardening speed of the cement is required.
- Tags
- Installation art, Earth Worker, natural, harmonious, local history, stories
- Production Technology
- This project uses GlassFiber Reinforced Cement as the main material and uses low-alkali cement mortar to add glass fiber filaments. The exterior design mainly uses cement mortar as the brush texture, without unnecessary patches or color processing, and uses the simple and rough material characteristics to emphasize the sensibility of the project and the natural environment of the wetland.
- Design Challenge
- The overall project needs to include geology, weight, average force, strong gusts, earthquakes, and other climatic factors into the structural calculations. Depending on the data, the marine engineering foundation steel piles are used to design the water foundation. The project of hanging on the water is divided into upper and lower parts due to the weight of the work and the restriction of the equipment, using subtle joining methods, and the joint is set as part of the appearance, without excessive on-site processing or modification.
- Research
- The semi-representative humanoid device is like a giant standing in the water, using both hands to create all things on the earth, and the stem buds growing on the hand symbolize "all things". Both sides of the body shape have their own meaning, one overlooking the earth, the other one looks up at the sky, and there is a gate for gestation in his body. All the life of all souls comes out from the gate, and on the other hand is the naughty creature "human" who jumps out of the gate, who is the protagonist of the plot.
- Inspiration
- The inspiration originally came from the first impression during the first meeting with the local environment. It is hoped that the project will combine the wetland environment and connect the water, woods, and sky to create a natural and harmonious picture. It integrates into the aboriginal culture of the local Macadao tribe, evokes a sense of visual impact with the "Earth Worker", and also brings out the local history and stories.
- Project Duration
- The project was completed in December 2020 in Pingtung County, Taiwan.
- Operation Flow
- In addition to implying the mother of the earth, the work also symbolizes "broaden the horizon", which means "everyone is his own creator, and you are the center of your own world." When starting a new stage or dream in life, it is like the gesture of the "Earth Worker", with both feet deeply rooted in the earth and hands deeply cultivating life. The result of the dream is not a secular achievement or the end of happiness, but a "proof of bringing up the courage to change." The designer looks forward to paying tribute to people working hard in society through the project.
- Team Members
- Yu-Liang Chen
- Image Credits
- Yu-Ching Huang
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