Kaidi Mao tomonidan yaratilgan Qin Poster seriyasi — Grafika, Illyustratsiya va Vizual Kommunikatsiya Dizayni tanlov toifasida nufuzli 2021 A' Design Award Bronza Mukofoti mukofotining yuqori baholangan g'olibidir.

BronzaGrafika· 2021

Qin Poster seriyasi

muallif: Kaidi Mao

Mijoz: Kaidi Mao

Grafika toifasida A' Design Award Bronza Mukofoti g'olibi

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Tasdiqlangan mukofot g'olibi

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A' Design Award saytida ko'rish Press-reliz Mukofot nishoni

Ranglar

Dizayn

Qin Poster seriyasi haqida

Qin — raqamli media orqali xitoy landshaft rasmchiligi an'analarini qayta talqin qiluvchi poster seriyasidir. Qin nomi "shimmoq" yoki "singib kirmoq" ma'nosini bildiruvchi xitoy so'zidan olingan, va uning yozma belgisi suv va yurak belgilarini birlashtiradi. Tasvirlar dastlab fotosuratlar sifatida boshlanadi, so'ngra Photoshop, Cinema 4D va Procreate kabi raqamli vositalar yordamida ishlab chiqiladi. Seriya ikki o'lchamda ishlab chiqilgan bo'lib, bosma yoki ekran shaklida, galereyada yoxud uyda namoyish etilishi mumkin. Maqsad — tabiatga bo'lgan daosizm nuqtai nazarini xalqaro tomoshabinlarga ifodalashdir.

Tan olinish

A' Design Award Bronza Mukofoti haqida

Qin Poster seriyasi A' Design Award Bronza Mukofotining g‘olibi bo‘lib, bu ijodkorlik, zukkolik va topqirlik bilan ajralib turuvchi a’lo dizaynlarga beriladigan o‘ta nufuzli e’tirofdir. Bronza g‘oliblari o‘z dizaynerlarining keng tajribasi, tasavvuri va topqirligini tasdiqlovchi juda mohir va hayratlanarli darajada ijodiy buyumlardir. Qin Poster seriyasi yuqori qadrlanadigan, hayrat bilan qaraladigan va suyukli, diqqatga sazovor darajada kasbiy va innovatsion buyum bo‘lishi kutiladi. A' Design Award Bronza Mukofotini qo‘lga kiritgan ushbu dizayn san’at, fan, dizayn va texnologiyadagi eng yaxshi amaliyotlarni o‘zida mujassam etadi va tafsilotlarga e’tibori bilan a’lodir. Qin Poster seriyasi ehtiyojlarni go‘zal qondiradi, istaklarga tegadi, tuyg‘ularni maftun etadi va qiziqishni jalb qiladi.

Dizayn ortida

Press-kit

Dizayner tomonidan taqdim etilgan kreditlar, jamoa a'zolari va texnik tafsilotlar.

Noyob xususiyatlar: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
O'lchamlar va qadoqlash: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Teglar: Art, poster, Taoism, culture, landscape, painting
Ishlab chiqarish texnologiyasi: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Dizayn muammosi: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Tadqiqot: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Ilhom: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Loyiha muddati: The project started in September 2019, finished in May 2020 in Los Angeles.
Ish jarayoni: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.