Yusuke Kamiyama tomonidan Cadence of the Spiral Asosiy vazifa: Kinetik installyatsiya

Yusuke Kamiyama tomonidan yaratilgan Cadence of the Spiral Asosiy vazifa: Kinetik installyatsiya — Tasviriy San'at va San'at Installatsiyasi Dizayni tanlov toifasida nufuzli 2026 A' Design Award Kumush Mukofoti mukofotining yuqori baholangan g'olibidir.

KumushTasviriy San'at· 2026

Cadence of the Spiral Asosiy vazifa: Kinetik installyatsiya

muallif: Yusuke Kamiyama

Mijoz: Spline Design Hub Inc.

Tasviriy San'at toifasida A' Design Award Kumush Mukofoti g'olibi

19,017

Tasdiqlangan mukofot g'olibi

#182460 uchun mukofot holatini tasdiqlash

Saytga tashrif A' Design Award saytida ko'rish Press-reliz Mukofot nishoni

Ranglar

Dizayn

Cadence of the Spiral Asosiy vazifa: Kinetik installyatsiya haqida

Kitob matni: "Spiralning ritmi" vaqtni elastik, oʻzaro bogʻliq va jonli narsa sifatida tadqiq etadi. Zanglamaydigan prujinali poʻlat tasmasi oʻttizta mexanik qoʻl yordamida doimiy ravishda oʻzgarib turadigan shaklga keltiriladi. Qoʻllar nozik, faza boʻyicha siljigan ritmlarda harakatlanadi. Spiral nafas olib, burilib va oʻzini qayta tartibga solar ekan, hech qaysi ikki lahza bir-biriga oʻxshamaydi. Asar mexanik soatning asosiy prujinasidan ilhomlangan. U oʻralgan metallni saqlangan energiya va vaqt oqimi idishi sifatida qayta talqin qiladi. Harakat takrorlanmaydi. Aksincha, oʻzgarish nazorat ostidagi oʻzgaruvchanlik orqali namoyon boʻladi. Vaqt oʻlchanmaydi, balki his etiladi.

Tan olinish

A' Design Award Kumush Mukofoti haqida

Cadence of the Spiral Asosiy vazifa: Kinetik installyatsiya A' Design Award Kumush Mukofotining g‘olibi bo‘lib, bu go‘zal, ulug‘vor va ta’sirchan eng yuqori darajadagi dizaynlarga beriladigan favqulodda nufuzli e’tirofdir. Kumush g‘oliblari o‘z dizaynerlarining ajoyib mahorati, iste’dodi va o‘tkirligini ko‘rsatuvchi juda yorqin va o‘ta ijodiy asarlardir. Cadence of the Spiral Asosiy vazifa: Kinetik installyatsiya ajoyib, namunaviy, diqqatga sazovor darajada kasbiy va chuqur innovatsion asar bo‘lishi kutiladi. A' Design Award Kumush Mukofotini qo‘lga kiritgan ushbu dizayn san’at, fan, dizayn va texnologiya chegaralarini kengaytiruvchi juda e’tiborga loyiq, tahsinga sazovor ixtirodir. Cadence of the Spiral Asosiy vazifa: Kinetik installyatsiya ko‘pchilik havas qiladigan, istaklarni uyg‘otadigan, ijobiy tuyg‘ular olib keladigan hamda hayrat va ajablanish uyg‘otadigan ijoddir.

Dizayn ortida

Press-kit

Dizayner tomonidan taqdim etilgan kreditlar, jamoa a'zolari va texnik tafsilotlar.

Noyob xususiyatlar: A long stainless-steel spiral is dynamically deformed by independently actuated arms, generating continuous reorganization through tension and release. Unlike static sculpture, the form never settles; it is constantly restructured into shifting orders. The spiral functions as a physical model of time—elastic, unstable, and relational. Controlled irregularity replaces mechanical uniformity, allowing viewers to perceive time not as measurement, but as a living and evolving order.
O'lchamlar va qadoqlash: Material: Blast-finished stainless spring steel (0.3 mm thickness, 80 mm width)
Spiral pitch: 100 mm
Number of turns: 10
Control: PC-based control system
Installation footprint: Approx. 2000 mm × 2000 mm × 2000 mm
Power: AC 100–240 V
Teglar: Kinetic art, Spiral structure, Time perception, Mechanical rhythm, Parametric design, Stainless steel sculpture, Dynamic installation, Temporal form
Ishlab chiqarish texnologiyasi: A custom-fabricated stainless-steel spiral plate forms the core structure, paired with a bespoke linear actuation system developed for this work. Most mechanical components—including joints, mounts, and structural interfaces—were custom-designed to enable precise distributed deformation. Motion is coordinated through a PC-based control architecture enabling synchronized, phase-shifted oscillations. Parametric modeling and simulation optimized stress distribution and torsional balance.
Dizayn muammosi: The primary challenge was balancing structural stability with expressive flexibility. The spiral required sufficient rigidity to maintain form, yet enough elasticity to allow dynamic deformation. Managing distributed mechanical stress while achieving organic motion demanded extensive iteration. Technological constraints of synchronized actuation and material fatigue also required innovative solutions to preserve both safety and poetic integrity.
Tadqiqot: This practice-based design research explores time as a spatial and kinetic phenomenon. Through iterative prototyping combining mechanical engineering and artistic experimentation, parametric modeling, structural simulation, and motion analysis were employed. Audience observation during exhibitions informed the study. The research identified perceptual shifts generated by micro-irregular motion, demonstrating how controlled instability enhances emotional engagement and contributes to contemporary kinetic art and experiential design.
Ilhom: Inspired by the mainspring of a mechanical watch, Cadence of the Spiral reconsiders the spiral beyond its functional role. The tightly wound strip of metal appeared as a vessel containing latent energy and rhythm of time itself. When gently lifted, it responded with subtle motion, as if about to begin a heartbeat. The spiral thus emerged not as an object, but as a physical manifestation of invisible time—an embodiment of tension and release within temporal experience.
Loyiha muddati: The project began in Tokyo in March 2025 and was completed in November 2025. Prototyping and structural validation were conducted in Tokyo. Developed in collaboration with Seiko Watch Corporation to explore the cultural and mechanical heritage of horology, the work was exhibited in Japan and is currently being prepared for international presentation.
Ish jarayoni: The spiral slowly shifts between tension and release. As the supporting arms extend and retract, the form breathes, twists, and reorganizes itself. There is no fixed choreography; instead, subtle variations create moments of alignment and misalignment. Viewers experience a continuous transformation—sometimes synchronized, sometimes slightly off—evoking the sensation of time that never fully repeats yet always returns.
Patentlar: Copyrights belong to Spline Design Hub Inc., 2025.
Jamoa a'zolari: Yusuke Kamiyama
Shin Sakamoto
Kaku Murayama
Fumiya Nakano
Rasm mualliflari: IMAGE CREDITS: Daisuke Ohki