Bronze Interior Space and Exhibition Design · 2024
Sushi Koji Restaurant
by Ryuji Kojo and Toshihiro Obata
- A' Design Award 2024 Bronze Winner in Interior Space and Exhibition Design
- Awarded April 15, 2024
- CLIENT: Sushi koji
- Estimated Number of Design Views: 12,774
- Verification code 3B8E32E9C0 · Verify this award
About Sushi Koji Restaurant
This sushi restaurant uses an abundance of natural materials. The design was inspired by the owner's warm personality and his attitude as a craftsman. The counter was made of ginkgo and padouk wood, cut with a custom blade and finished smooth to the edges, and scraps were used for the sushi board. Chairs made of local cypress were designed to highlight the grain of the wood. Washi on the walls was made from processed mulberry, and organic patterns were created by pouring Gofun on the paper during the papermaking process. These elements creating an atmosphere that can only be felt here.
Press Kit
- Unique Properties
- The sushi restaurant was designed using natural materials. There is only an 8-seat counter where guests can enjoy the sushi while watching the chef's work. The scrap ginkgo wood used for the countertop was utilized for the sushi board and cutting board. Chairs designed with the grain of the wood in mind, walls covered with original Washi, and signboards made of maple plates dyed by iron mordant not only reduce the waste of resources, but also create a healing effect with the use of solid wood.
- Dimensions & Packaging
- Floor space 24 m2
- Tags
- Interior, Restaurant, Sushi, Material, Japan, Fukuoka
- Production Technology
- Avoiding the use of industrial products as much as possible, original handmade Washi and solid wood were used as the main materials. Washi on the walls was made by processing mulberry, and organic patterns were created by pouring gofun (Japanese powdered pigment) during the papermaking process. The countertops were cut with a custom blade to smooth the edges, and the chairs made of local cypress were joined with double mortise and tenon to ensure high strength and durability.
- Design Challenge
- The challenge was to efficiently arrange the seats without making it feel cramped. We placed great importance on the design of "ma", a uniquely Japanese aesthetic that is expressed in Japanese architecture and art. The fan-shaped counters and ceiling design give the impression of spreading endlessly. On the walls with minimal decoration, a single-flower vase is placed, creating a relationship in which the flowers and the blank space enhance each other. People can feel more expansive than area.
- Project Duration
- Completed in December 2022, Fukuoka city, Japan
- Operation Flow
- In order to create the maximum number of seats, the counter is designed fan-shaped. By doing this, creating a space around the entrance that separates it from the seating area, and also creating a gently changing scene in a space of only 24 m2. Guests pass through the door covered with cedar planks, change their minds at the entrance, and arrive at the seating area as if guided by the curved wall. They can enjoy sushi without worrying about the outside or the comings and goings of people.
- Research
- In working on the project, we considered "design as a brand". We extended the owner's worldview and spatial experience by directing a wide range of tools to communicate the store (brand), such as signage, business cards, and thank-you letters, using a space design approach and some of the materials used.
- Inspiration
- Client is a sushi chef who has worked at many famous restaurants. In designing a sushi restaurant that would open when he became independent, we were inspired by him. To embody his warm personality and his attitude as a craftsman who brings out the flavor of ingredients, we created a space that gently envelops guests with soft materials. The space, created while taking advantage of the original characteristics of materials, will grow in depth with time, fostering an atmosphere only felt here.
- Image Credits
- Image #1-4 : Photographer Toshihisa Ishii / Blitz Studio
Image #5 : Photographer Airi Inoue - Patents
- Copyrights belong to STUDIO MOUN, 2023
Colors of Sushi Koji Restaurant
Design Interview about Sushi Koji Restaurant
Our design principle is to derive mental experiences from physical experiences. Specifically, this includes:
・Experiences of visitors or users
・Movements and scale of the human body
・Relationship between the human body and materials
・Perception of spatial scale
・Aura emitted by the forms
・Experiences of visitors or users
・Movements and scale of the human body
・Relationship between the human body and materials
・Perception of spatial scale
・Aura emitted by the forms
We particularly focused on the physical experience of the guests in our design. In a space of just about 23 square meters, we have created a unique spatial and dining experience. To achieve this, we have planned pathways from the entrance towards the seating area where guests change their orientation several times before heading towards their seats, with the head chef welcoming them directly from the front. Additionally, we have meticulously manipulated the heights of various elements. Furthermore, we have focused on the materials used, including handmade Japanese paper (washi) that we specifically crafted for this project.
We plan to design new seating areas on the second floor in the future.
After numerous iterations and studies, we spent approximately six months designing it.
As it's a personal establishment, we unraveled the chef's artisanal demeanor and personality within the context of the design. We prioritized inspiration drawn from sushi, preserving its essence while infusing the space with a narrative-driven concept.
It has not been produced or used by other companies, and there are no plans to sell or lease the production rights.
We have designed several sushi restaurants in the past, and that experience has been leveraged in this project.
The classical Japanese aesthetic influences us. For example, designers like Jo Nagasaka of Schemata Architects and Shinichiro Ogata of SIMPLICITY.
Customers involved in commercial design. Ordinary people.
・Emphasis on experiential design within the space
・Attention to detail in materials
・Narrative quality of the space
・Attention to detail in materials
・Narrative quality of the space
The restaurant is named after the head chef.
We use 3D CAD, Photoshop, and Illustrator.
・Material composition
・Manipulation of scale
・Reinterpretation of Japanese design and composition
・Manipulation of scale
・Reinterpretation of Japanese design and composition
Woodworker: Wataru Sakai
Calligrapher: Mikiko Kayama
Graphic Designer: Natsuko Saka / TSUTO
Washi: Takaharu Maeda / Kamisukishikoushitsu
Calligrapher: Mikiko Kayama
Graphic Designer: Natsuko Saka / TSUTO
Washi: Takaharu Maeda / Kamisukishikoushitsu
The use of NC router to enhance the appeal of wood through processing. Unlike conventional methods, we perform wood processing that resembles the production of products.
We decided to apply with the aim of widely promoting spaces that combine Japanese design with modern technology and acquiring new clients. At the same time, we want to create social value for our firm.
We were able to reaffirm the core of the designs our firm undertakes. Particularly, we learned a lot about emphasizing the aspects of physical space that humans experience firsthand.