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Ammi Lahtinen's The Naptime Baby Blanket presents a vertically oriented woven textile composition dominated by a rich forest green ground, functioning as the chromatic substrate upon which ivory-hued
The Naptime Baby Blanket by Ammi Lahtinen
Ammi Lahtinen's The Naptime Baby Blanket presents a masterfully composed close-up photograph that transforms a functional textile object into a sophisticated study of chromatic harmony, material textu
A sage-toned wool blanket occupies the vertical rectangular frame, held aloft by gentle hands against a diffused neutral backdrop of vertical pleated curtains, the textile surface revealing a sophisti
Ammi Lahtinen's The Naptime Baby Blanket reveals itself through a sophisticated textile composition rendered in a harmonious duochromatic palette of sage green approximating chromium oxide or celadon

Barker Textiles

Iron Textile, Fabric, Textures, Patterns and Cloth Design · 2025

The Naptime Baby Blanket

by Ammi Lahtinen

  • A' Design Award 2025 Iron Winner in Textile, Fabric, Textures, Patterns and Cloth Design
  • Awarded April 15, 2025
  • CLIENT: Barker Textiles
  • Estimated Number of Design Views: 28,995
  • Verification code EF08038034 · Verify this award
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About The Naptime Baby Blanket

The Naptime Blanket presents a contemporary take on a traditional concept, drawing inspiration from Finnish forest animals and the traditions of the Finnish maternity package. This jacquard-woven cotton blanket is designed with both function and aesthetics in mind, serving as a versatile textile suited for everyday use. While created to provide warmth and comfort for infants, its carefully considered theme, color palette, and style make it suitable for different stages of childhood.

Ammi Lahtinen's design situates itself within the rich heritage of textile arts traditions that honor both functional necessity and symbolic expression, drawing upon centuries of weaving practices that have embedded cultural meaning into the protective coverings and ceremonial textiles surrounding significant life passages, particularly the vulnerable early stages of human development. The compositional achievement demonstrates sophisticated understanding of distributed visual weight, where four sleeping infant figures and multiple botanical elements occupy the textile field without creating hierarchical dominance or visual congestion, instead establishing rhythmic balance through varied scale relationships, rotational orientation, and strategic negative space preservation that allows each element breathing room while maintaining cohesive visual unity across the entire blanket surface. The chromatic accomplishment reveals disciplined restraint and purposeful limitation, employing a rigorously paired palette of deep forest green ground and warm ivory figural relief that maximizes contrast for immediate legibility while evoking rich associations with natural environments, organic growth, and the restful quietude of sheltered spaces, the green suggesting protective forest canopy, verdant meadow, or the life-giving presence of the botanical world, while the ivory recalls natural fibers, gentle moonlight, or the soft luminosity associated with peaceful nocturnal environments conducive to restorative sleep. Technical facility manifests in the clean execution of the woven structure, where the raised relief of the ivory motifs against the green ground indicates accomplished mastery of jacquard or double-weave techniques that allow precise pattern control while maintaining textile integrity and durability appropriate for the blanket's intended function as infant covering subject to repeated handling, washing, and the practical demands of nursery environments. Particularly successful passages include the varied sleeping postures of the four infant figures, each demonstrating sensitive observation of authentic newborn body configurations—the starfish sprawl of relaxed supine sleep, the curled fetal positioning suggesting security and self-soothing, the profile arrangement with knees drawn protectively toward torso, the three-quarter orientation with head turned and limbs loosely arranged—together creating a visual encyclopedia of infant rest positions that parents and caregivers immediately recognize as truthful representations drawn from lived experience rather than idealized or genericized depictions. The interspersed botanical elements fulfill multiple compositional functions simultaneously: they provide visual punctuation that prevents monotonous figural repetition, they introduce varied scale and orientation that enlivens the overall field, they establish thematic coherence linking infant vulnerability with natural cycles of growth and seasonal renewal, and they offer breathing room that allows the eye to rest between the more complex figural passages, their simplified organic shapes ranging from fern-like pinnate structures to simple ovate leaves to more abstract botanical gestures. The work explores the profound themes of vulnerability, protection, care, rest, growth, and the precious fragility of early life, celebrating the universal human experience of infant sleep as both practical necessity and symbolic state embodying trust, safety, and the temporary suspension of consciousness that allows restorative processes and developmental progress. The sleeping infant imagery carries rich iconographic weight across cultures and throughout artistic history, representing innocence, potential, hope, new beginnings, the continuation of human community, and the profound responsibility of care that adults assume toward the most vulnerable members of society, while the botanical accompaniment suggests the infant's essential connection to natural cycles, organic growth patterns, and the living world into which the child has emerged. The blanket functions simultaneously as practical textile providing warmth and comfort, as symbolic object marking the significant life passage of birth and early infancy, as potential heirloom carrying emotional and familial meaning across time, and as aesthetic achievement balancing functional requirements with visual poetry, demonstrating how utilitarian objects can transcend mere utility through thoughtful design that honors both material purpose and expressive content. One might observe how the blanket invites consideration of the relationship between maker and recipient, between adult protector and vulnerable infant, between human creativity and the natural world, and between the practical necessity of physical warmth and the symbolic warmth of care, love, and welcome extended to new life entering the world and requiring the shelter, protection, and nurturing embrace that communities provide to ensure survival, development, and flourishing.

Press Kit

Unique Properties
The blanket represents a modern, timeless design in the long tradition of the Finnish maternity package. It is made for everyday use, combining visual appeal and functionality.

Although designed for infants, the intention was to ensure longevity beyond the baby phase with the theme, style, and colors to withstand the test of time, offering enduring comfort and charm for years to come. Besides as a blanket, it can be used as a play mat, decoration on a bed, or even modified into a wall hanging.
Dimensions & Packaging
The blanket is 70 x 100 cm and jaquard woven of 100% cotton.
Tags
animal pattern, pattern design, baby blanket, jacquard, woven design
Production Technology
The Naptime Blanket is a jacquard woven and made of 100% cotton. It is produced by Barker Textiles in Lithuania(EU). Barker Textiles is a high-quality home-textile manufacturer with decades of experience in the industry.

The product was a part of the Maternity Box 2022 provided by The Social Insurance Institution of Finland, known as KELA. They hold a high standard for the quality and endurance of the selected products and the item has been tested to be high-quality, easy to care and safe to use.
Design Challenge
The design challenge was to create a jacquard woven pattern suitable for a unisex baby blanket, considering the technical constraints such as line thickness and reversibility in the production process.

I also wanted to take into account that unlike garments that babies quickly outgrow, this blanket's timeless theme, style, and colors were chosen to withstand the test of time, offering enduring comfort and charm for years to come. The Naptime Blanket can be one of the items you cherish forever.
Project Duration
This charming design project began in Helsinki in December 2020 with the initial sketches of the napping forest animals, culminating one year later, in December 2021, with the unveiling of the final product featured in the 2022 Finnish KELA's maternity box.
Operation Flow
The product is a blanket, but besides for enjoying a good nap or cuddling up underneath to read a book, it can be used as a play mat, decoration on a bed, or even modified into a wall hanging. The Naptime Blanket can be a part of kids' childhood core memories of everyday life from peekaboo to building a blanket fort!
Research
The creative research phase of product design was carried out by first sketching by hand, followed by digital drawing in Adobe Photoshop. The final production file was refined in Adobe Illustrator.
Inspiration
Patternsfrom Agency provided the production specs for the blanket, sparking an instant inspiration within me. Knowing the size and production technique, I began sketching elements. My vision was clear: A pattern featuring beloved animals from the Finnish forest depicted cozily napping together. With careful consideration, I created a composition that can viewed from any direction. The initial sketches included the sleeping bear, fox, and squirrel, followed by the adorable addition of a bunny.
Image Credits
#1 Photographer Maria Hovilainen, The Naptime Blanket, 2022
#2 Photographer Ammi Lahtinen, The Naptime Blanket, 2022
#3 Photographer Ammi Lahtinen, The Naptime Blanket, 2022
#4 Photographer Maria Hovilainen, The Naptime Blanket, 2022
#5 Photographer Ammi Lahtinen, The Naptime Blanket, 2022
Patents
The design copyrights belong to Ammi Lahtinen.

Colors of The Naptime Baby Blanket

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Grand Interview about The Naptime Baby Blanket

When I received the brief from Barker Textiles, I immediately knew what kind of blanket I wanted to design. An idea of a group of animals had been in my mind already for some time, and this project was the perfect opportunity to bring it to life. I first drew the creatures as individual characters and then rotated and arranged them to fit the blanket’s dimensions in a balanced way. During the process, I also checked the pattern on screen from different directions, to make sure it would look harmonious no matter how the blanket is placed.

My goal was to design a product that feels timeless. For me, timelessness or classic design does not only mean solid colors or stripes, I believe it can also be achieved through patterns. With The Naptime Baby Blanket, I aimed to create something that is both simple and calm in atmosphere, yet still offers little details for a child to discover. Trendiness is not something I pursue in the same way as in fashion, where trends come and go in cycles. Of course, every era has its own characteristics and influences, and on a larger scale no designer can avoid them entirely.

The pattern was drawn directly with the jacquard weaving technique and the specific product in mind, so the technical aspects did not feel like restrictions but rather guiding principles!

The color palette of the blanket was not chosen only with infants in mind, because unlike baby clothes, a blanket is not something a child quickly grows out of. I wanted the colors to feel suitable for different stages of childhood and even beyond. While designing, I also considered the alternative ways the blanket could be used. For example, it could even be hung on the wall in a child’s room as a decorative textile.

This idea of versatility influenced my work especially in how I approached the composition of the pattern. I wanted the blanket to function equally well from both sides, and I designed it without a single “right” direction. This way it feels natural and balanced no matter how it is placed, whether it is used as a baby blanket, a play mat on the floor, or even hung on a wall as a decorative textile.

Because I don’t work in fast fashion, it can sometimes take a surprisingly long time for a pattern to go from sketch to publication. The main phase I am responsible for is from the initial sketches to the finalization of the design. After that, production continues with creating a sample to ensure that the pattern works exactly as intended in the finished product.

It’s always a pleasure to work with skilled professionals whose expertise ensures that the patterns can truly shine. My focus was on the design of the pattern itself, knowing it would be realized beautifully through their craftsmanship.

The blanket’s high quality is ensured by the skilled professionals handling its production. My role was focused on the pattern design, trusting that their expertise would bring the product to its full standard.

There isn’t a direct connection between my studies in London and this specific blanket, but my education overall has been very influential. I’ve studied a lot of weaving, particularly during vocational training in Finland, which gave me a strong sense of how to work with woven surfaces. My time in London had more of an art-focused approach, while my studies in Finland also included production's technical knowledge. I feel that both are definitely beneficial when you know how to combine them.

Regarding the maternity package, it has been rewarding to see how important the blanket is to its target audience, and how for many it becomes one of those items that is treasured and kept for the child. Principles of sustainable development are important in all production, and in the case of the maternity package, the scoring system has been developed so that products are evaluated for their quality as well. This ensures that the items included are not only safe and functional, but also durable and long-lasting.

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