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Xinyun Li's Vernacular Home Rural House presents an architectural composition of compelling material and spatial richness, establishing its formal vocabulary through the dynamic interplay of earth-ton
A warm terracotta brick materializes as the chromatic anchor of this architectural composition, its earth-toned presence occupying the right third of the frame through a robust two-story volume whose
Vernacular Home Rural House by Xinyun Li
Xinyun Li's Vernacular Home Rural House presents an interior architectural space where warm earth-toned walls punctuated by circular apertures establish the compositional foundation, the dominant pale
Xinyun Li's Vernacular Home Rural House presents a carefully calibrated architectural study captured through the framing device of an intermediate threshold space, where corrugated metal roofing in mu

Iron Sustainable Products, Projects and Green Design · 2026

Vernacular Home Rural House

by Xinyun Li

  • A' Design Award 2026 Iron Winner in Sustainable Products, Projects and Green Design
  • Awarded April 15, 2026
  • Estimated Number of Design Views: 9,262
  • Verification code B37194EADF · Verify this award
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About Vernacular Home Rural House

The Vernacular Home in Bangladesh is designed using local materials, mud, bamboo, straw, and bricks made from local soil. Responding to hot climates and long monsoons, it features a steep roof, a raised veranda, and cross ventilation for passive cooling. Openings on windward and leeward walls release heat, while double brick cavities insulate. Clay pots embedded in the tea house wall cool the air. Using liter bottles of light for interiors, the home includes bedrooms, a kitchen, a toilet, cow sheds, and a tea house with a retail supporting their livelihood while ensuring privacy.

Xinyun Li's Vernacular Home Rural House engages thoughtfully with enduring questions of sustainable habitation, vernacular building wisdom, and the contemporary reinterpretation of regional architectural traditions within rural contexts facing economic and demographic transformation. The work demonstrates formal sophistication in its compositional handling of contrasting volumetric masses, achieving visual interest and functional clarity through the juxtaposition of a two-story brick element with a lower rendered pavilion, each distinguished by distinctive material character and fenestration approach. The chromatic accomplishment lies in the restrained earth-tone palette that grounds the structure within its landscape setting while establishing subtle variations in warmth and texture across brick, render, timber, and metal surfaces. Technically, the design exhibits material intelligence in its selection and deployment of locally available or regionally characteristic building systems—exposed masonry providing thermal mass and structural integrity, corrugated metal offering economical weather protection with regional vernacular resonance, timber lattice screens mediating between interior and exterior while controlling solar gain and ensuring privacy, and circular perforations in rendered walls creating bioclimatic ventilation while establishing distinctive visual identity. The passages of lattice screening demonstrate particularly accomplished formal thinking, their geometric regularity establishing rhythmic visual texture while their functional transparency maintains connection between inhabited space and surrounding landscape. The external staircase introduces compositional dynamism and practical circulation legibility, its open construction maintaining visual permeability and contributing to the overall sense of material honesty and structural expression. Thematically, the work invites contemplation of sustainable dwelling practices that honor vernacular building knowledge while adapting to contemporary needs, comfort expectations, and environmental imperatives. The design seems to explore how traditional materials and passive environmental strategies can be deployed with formal intelligence to create habitable architecture that minimizes embodied energy, maximizes local material use, and establishes meaningful dialogue between building and landscape. The integration of verdant surroundings suggests awareness of dwelling as embedded within ecological and agricultural contexts rather than imposed upon them, with architecture serving as mediator between human needs and natural processes. The modest scale and material restraint may reference broader conversations about appropriate technology, sufficiency rather than excess, and the cultural value of craft-based building traditions in an era of industrial construction standardization. One might observe how the design negotiates between openness and enclosure, transparency and privacy, permanence and adaptability, inviting consideration of how residential architecture can respond sensitively to climatic conditions, cultural contexts, and economic constraints while achieving aesthetic integrity and spatial quality. The work encourages reflection on the continued relevance of vernacular wisdom in contemporary sustainable design practice and the potential for regionally rooted architecture to offer models of environmental responsibility and cultural continuity.

Press Kit

Unique Properties
The Vernacular Home in Modonpur, Bangladesh, is a sustainable house built with local materials like mud, straw, bamboo, bricks, and tin sheets. Designed for a family of four, it supports living, working, and livelihood. It responds to the hot, rainy climate with a raised veranda, steep roof, and cross-ventilation strategies in the facade design. Clay pots on the wall cool the tea house, while 'liter bottles of light' brighten interiors, showing a low-cost, low-impact design philosophy.
Dimensions & Packaging
tin sheet: 2' width * 8' length
Brick: 9 5/8" length* 4 5/8" height * 3" depth
Pottery: large opening is 5" R, and the small side opening is 1.5" R
The mud wall is 10" thick
Bamboo: 1.5" R
Tags
sustainability, vernacular home, rural, house, traditional building, local materials, climate
Production Technology
Bangladesh's locally made bricks and tin sheets.
Natural straw, mud, pottery, and bamboo.
The brick and the tin sheets are standard sizes and are manufactured in the local factories.
Traditional handmade mud and the way of polishing.
The potteries on the mud walls are smaller than the local typical size, which were made in the neighboring village.
The way of tying the straw is their vernacular type.
Design Challenge
Use the vernacular materials and design the buildings to face the local climate to make the microclimate more comfortable. Control the building budget and labor cost under 2500 USD.
Project Duration
It is designed in Modonpur, Bangladesh, a very natural village called Dash Para. The design phase lasted 4 months. It is a concept design.
Operation Flow
Given the hot climate in Bangladesh and long monsoon season, the design addresses thermal comfort and climate responsiveness through spatial layout, façade design, and roof form. A raised veranda protects against flooding, and steeply pitched roofs ensure efficient rainwater runoff. Rooms are arranged for optimal cross-ventilation, with varying window heights on windward and leeward sides to expel heat. On the tea house façade, locally made clay pots from a neighboring village are inserted into the mud wall to help cool the air by compressing airflow, enhancing microclimate comfort.
Research
Two weeks were spent in the village to become familiar with local materials and to study traditional mud construction techniques as well as straw-tying methods. During this period, I also researched the climate of Para Dash and analyzed the vernacular architectural language, considering how new strategies could be integrated into the design to improve the microclimate. The needs and expectations of the local residents were carefully documented and incorporated into the final design.
Inspiration
This project explores the social responsibility of architects. Despite rapid technological advancements, many regions around the world remain underdeveloped. People in these areas are more directly exposed to natural conditions, yet they also have the right to live a better life. As architects, we should not only make better use of locally available materials but also respond to the most immediate needs of these communities by designing housing that is practical and suitable for widespread use.
Image Credits
Image #1: Xinyun Li
Image #2: Xinyun Li
Image #3: Xinyun Li
Image #4: Xinyun Li
Image #5: Xinyun Li

Colors of Vernacular Home Rural House

Design Interview about Vernacular Home Rural House

The core idea of the design was to create a comfortable and climate-responsive home within a very limited budget by relying as much as possible on local materials, local construction techniques, and the existing architectural language of the community. Rather than introducing an unfamiliar building system, the design responds to the local environment, climate, and way of life, creating a home that is affordable, practical, and deeply rooted in its context.

My main focus was to explore how local materials and traditional construction techniques could respond directly to the local climate. The design considers conditions such as heavy rainfall and hot weather, and instead of relying on advanced technology or mechanical systems, it uses indigenous materials and familiar building methods to create a more comfortable microclimate. The goal was to show how simple, locally rooted solutions can improve environmental comfort while remaining practical, accessible, and closely connected to the place.

What sets this design apart from similar projects is its simplicity and strong reliance on local resources. The house is built almost entirely with locally available materials and does not depend on advanced technologies or complex building systems. Instead, the design uses spatial organization, architectural form, natural ventilation, shading, and material properties to improve the microclimate and create a more comfortable living environment. At the same time, the project was achieved at a very low construction cost, making the approach practical and accessible within its local context.

The design process began with hand sketches using tracing paper and pencils, which helped me explore initial ideas and generate inspiration. I then developed and refined the design through three-dimensional modeling in Rhino, continuously testing the form, spatial relationships, and overall composition. Finally, I used D5 Render to visualize the project and communicate the intended atmosphere, materiality, and spatial experience.

The most unique aspect of the design is the way it uses indigenous materials and traditional local craftsmanship as a direct response to the climate. Instead of introducing complex technologies, the project relies on simple, long-established building methods that have evolved from local knowledge and experience. These techniques help the architecture respond naturally to the region’s distinctive climate, particularly its long rainy seasons and hot weather, while preserving a strong connection to local building traditions.

Technology plays a fundamental role in making the design possible. In this project, technology does not refer to advanced or high-tech systems, but rather to local construction techniques and traditional craftsmanship. These locally developed methods make it possible to maximize the use of available materials and transform them into a practical architectural solution that responds naturally to the local context and climate.

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