Perception of the Eyes Ubugcisa Obunxibayo ngu-Karina Frances Edmonds

Uyilo olubizwa ngokuba yi-Perception of the Eyes Ubugcisa Obunxibayo olwenziwe ngu-Karina Frances Edmonds ngumwini obekekileyo webhaso elinobukhazikhazi le-2020 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweFashoni, Isinxibo kunye neSambatho.

IbhronziIfashoni· 2020

Perception of the Eyes Ubugcisa Obunxibayo

ngu Karina Frances Edmonds

Umxhasi: Karina Frances

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Ifashoni

37,236

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#102508

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Perception of the Eyes Ubugcisa Obunxibayo

Amehlo onke abelana ngobunzulu bembali kunye nobuhle. Kum, amehlo anjenge-portal kumphefumlo womntu. Kukukhanya okuqatha, okungapheliyo okwenziwa liliso elikhuthaza eli qhekeza. Ngokungabonakaliyo, amehlo amelwe kwesi siqwenga ngokujongwa ngemilo yamabele esibeleni. Umfundi ubalaseliswa yinto eluhlaza yengono. Imigca yombono we-laser egwayimbayo, iwela kwiindawo ezibalelwe ukungenelela. Ukukhumbuza imizobo yenzululwazi kunye nokuphikisa ukukhanya, iipateni zejometri zakha zangaphambi kokuwa ngamaza wombono oqaqambileyo.Le nto ithethwayo ngamehlo nangamandla abo wombongo.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

Perception of the Eyes Ubugcisa Obunxibayo ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Perception of the Eyes Ubugcisa Obunxibayo iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Perception of the Eyes Ubugcisa Obunxibayo iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: The uniqueness in my design is born from the empowerment created for one to radiate. Empowerment is also my inspiration. My design mirrors an embodiment of this spirit. This garment speaks about eyes and their poetic power. The design boldly enhances the human body, through the rawness of the breasts, mimicking eyes, to the enhanced hip lines, through sculpture. The leather strips, architecturally strike down from the pupil (nipple) to create an illusion lasering out as a form of vision and structural support. Beauty in design shines when poetry meets function.
Imilinganiselo nePakishini: Size 6
Iithegi: wearable art, eyes, vision, perception, poetry
Ubuchwepheshe Bokuvelisa: The materials used for the geometric elements are particularly effective. By constructing a corsetry bodice from more robust elements with wire and stiffer fabric such as faux leather, the contrasting silhouette strips are enabled to be pulled tight and hold the criss-cross pattern beautifully, before falling into waves. This is reminiscent of scientific diagrams of refraction of light. The production of this design regarded structure, architecture, form and the body. In the making and testing of this design, I thought about physics regarding matters like the laws of gravity and structure in terms of its architecturally inspired form.
This dress has a sense of history in its construction echoing vintage hip lines whilst displaying thoroughly contemporary vision.(regard pdf) for full version of "Production, realization technology and materials)
Umngeni Woyilo: Beginning with the research I was challenged with deep inner reflection, about myself, and identity regarding the theme “Who am I”. Especially because I haven't found myself in this stage of my life as a 15 year old. I believe we are always changing and growing as people, and a society. Also, I faced challenges that regarded transferring my ideas from my pen to the needle, as this was the first time I had created a collection.
Uphando: I looked at many sources that helped me better define my knowledge to create a 5 piece collection that could reflect me as a person and unravel my identity. Second, after building my knowledge to a level at which I was confident, I could begin the artistic journey, I began designing. Even when designing it seems as if research and design overlapped, because I was always learning something new. Everything I learned was applied to enhance my skills and help my ability in creating material that is so new to me in the arts. (regard pdf for full research)
Inkuthazo: I was inspired by eyes and their magical properties with their ability to connect, reflect, and create visual poetry of the world around us. This poetic and magical ability for an eye to radiate vision is the inspiration for this dress. One can see these definitions through the garments architectural forms and illusions that run from the nipple to the ground.
Ubude Beprojekthi: My fashion journey began with research April 2019, designing in May 2019, and finally completed in the summer of June 2019. The dresses were then showcased on the runway at NewYork FashionWeek Fall season (F/SS NYFW), the 7th of September 2019
Ukuhamba Komsebenzi: The design has specific details that make the whole difference when looking at its performance as wearable art. While wearable art is very abstract and not the most wearable, I tried to make my designs so that they can still perform with attributes of the body making them more wearable. There are significant details that allow for this to happen, still encouraging the possibility of my design without making any major adjustments. This includes different systems created to convert art into wearable art.
Iipathenti: N/A
Amalungu Eqela: Tailor 15% work with patterns-( technical element).
Amagunya Emifanekiso: Image #1: Bruce Wang, 2019
Optional Image #2: Bruce Wang, 2019
Optional Image #3: Bruce Wang, 2019
Optional Image #4: Bruce Wang, 2019
Optional Image #5: Bruce Wang, 2019