The Pitched Roof Indlu ngu-Takaharu Tezuka and Yui Tezuka

Uyilo olubizwa ngokuba yi-The Pitched Roof Indlu olwenziwe ngu-Takaharu Tezuka and Yui Tezuka ngumwini obekekileyo webhaso elinobukhazikhazi le-2021 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweZakhiwo, Isakhiwo kunye neMilo.

IsilivereUyilo lweZakhiwo· 2021

The Pitched Roof Indlu

ngu Takaharu Tezuka and Yui Tezuka

Umxhasi: Tezuka Architects

Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Uyilo lweZakhiwo

20,495

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#117210

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-The Pitched Roof Indlu

I-Pitched Roof yindlu enomgangatho omnye eKaruizawa, eJapan, egqunywe ngophahla olutyekileyo olulula kakhulu. Yimida engamashumi amane ekhulwini kuphela yesithuba esingaphantsi kophahla esibiyelweyo, ngoko umda phakathi kwangaphakathi nangaphandle uhlala uthambile. Uphahla olujinga ngaphandle lufikelela kwiimitha ezingaphezu kwesithandathu ngesakhiwo esineubungqingqwa obungama-200 iimilimitha. Umphezulu osongiweyo, omila okuka-L usebenza njengesixhobo se-monocoque kwaye unciphisa iinkxaso ezifunekayo. Iingcango ezishenxisayo zivumela abahlali ukuba baguqule uhlobo lwesithuba sokuhlala. Le ndlu iphinda itolike iisilingi ezinzulu zolwakhiwo lwendabuko lwaseJapan.

Ukuqatshelwa

Malunga ne-Ibhaso Lesilivere le-A' Design Award

The Pitched Roof Indlu ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. The Pitched Roof Indlu iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. The Pitched Roof Indlu yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: This is a house located in Karuizawa, Japan with an extremely simple pitched roof. Traditional Japanese houses do not create enclosed environments but instead, form spaces that enable easy transition from the inside to the outside. By forming a blurred boundary, only forty percent of the space under the roof is enclosed within the interior. While the inside is being used primarily by the inhabitants as living spaces, it is the outside that defines it.
Imilinganiselo nePakishini: Floor: Single floor
Ceiling Height: 2,100 mm
Roof Height: 3.446 mm
Site Area: 1,059.18 m2
Floor Area: 208.56 m2
Iithegi: House, Pitched Roof, Cantilevered, Japanese, Deep eaves, Boundary, Wood structure,
Ubuchwepheshe Bokuvelisa: The cantilevered roof of over 6 meters, pushes the limit of the 200mm thick roof structure. By adopting a folded shape as the main structural element, it minimizes the support needed as compared to having a flat roof, which would require three times more of the support utilized. Like the Japanese papercraft, Origami, the L-shaped surface acts as a monocoque element – not resisting stiff but drooping about 5 centimeters under snow pressure like tree branches in the forest.
Umngeni Woyilo: In Traditional Japanese Houses, the space under the eaves is often associated with columns. However, these columns serve purely as structural elements to support the cantilevered edges and are not crucial in enclosing the space. Had technology been much more advanced, we would have been able to design without columns years ago. We are now able to achieve the real intricate quality of open spaces in Japanese Architecture - a feat that was not possible for carpenters 400 years ago.
Uphando: The pitched roof house is trying to reach a certain level of mutability by re-interpreting the traditional elements into modern context. In aiming to heighten qualities of architectural mutability, the work is tied into a long tradition of Japanese vernacular architecture known for its sliding doors, screens, and other boundary-modulating elements, such as deep eaves. These elements not only create the spatial fluidity, but also open the architecture to life-giving elements of sunlight, wind, and humidity, modestly scaled the ubiquitous digital lifestyle with a return of nature.
Inkuthazo: Deep eaves, as one of the most important Japanese traditional architecture elements in local monsoon climate, are almost extinct in modern houses. It is essential to comprehend the meaning of these traditional elements in the modern setting. With the latest technology, the house seek to reinterpret the deep eave in the context of a humid climate, retain and create more opportunities for these distinctive Japanese qualities to sprout forth in modern architecture.
Ubude Beprojekthi: The project started in July 2007 and finished in May 2009 in Karuizawa, Japan
Ukuhamba Komsebenzi: The house is designed for a well-known Japanese pop songwriter who wanted to create a place where he could disconnect from the pressures of daily life. The space enclosed enables the inhabitants to perform their basic living tasks while open space under the deep eaves allows them to connect to nature and the surroundings. The sliding doors which divide the inside from the outside can be used to realize the shift in ambiance within the living space.
Amalungu Eqela: Constructor: Niitsugumi Co., Ltd.
Structure: OHNO-JAPAN
Lighting: BONBOLI Lighting Architect & Associates
Landscape: GA Yamazaki
Amagunya Emifanekiso: Image #1: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #2: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #3: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #4: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #5: Photographer Katsuhisa Kida, FOTOTECA, 2009.