Craft as Time Capsule Incwadi ngu-Hsiao-Wen Hu

Uyilo olubizwa ngokuba yi-Craft as Time Capsule Incwadi olwenziwe ngu-Hsiao-Wen Hu ngumwini obekekileyo webhaso elinobukhazikhazi le-2021 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lokuShicilela kunye noKupapasha iMidiya.

IsilivereUkushicilela· 2021

Craft as Time Capsule Incwadi

ngu Hsiao-Wen Hu

Umxhasi: Pratt Institute

Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Ukushicilela

36,290

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#121747

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Craft as Time Capsule Incwadi

Le projekthi ngamaxwebhu okugqibela ophando lwethisisi ye-Hsiao-Wen malunga nokwenza umsebenzi wobugcisa njengendlela yolondolozo kule minyaka yedijithali yangoku. Le ncwadi iqulethwe ngamacandelo amathathu, ivavanya utshintsho phakathi kwezinto ezibonakalayo kunye nenyani, izinto kunye nedatha, ukubandakanyeka komsebenzisi kunye namava kwimbono yokwenza ubugcisa kunye nokugcinwa. Njengoko ihlabathi litshintsha ukusuka kwimisebenzi yenyama ukuya kwintsebenziswano ebonakalayo, iimfuno ezintsha kunye neendlela zokuzibandakanya kunye neendawo ezisingqongileyo zakhuthazwa. Utshintsho olunjalo alubonisi kuphela ngento kunye neteknoloji, kodwa kunye nenkcubeko yonke ngokubanzi.

Ukuqatshelwa

Malunga ne-Ibhaso Lesilivere le-A' Design Award

Craft as Time Capsule Incwadi ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. Craft as Time Capsule Incwadi iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Craft as Time Capsule Incwadi yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: This project is a documentation of Hsiao-Wen's thesis research on craft making as a preservation methodology in the current digital age. The book consists of three parts, examining the intertranslation between the physical and the digital from the perspectives of crafts. The typographic choices in this book are a combination of Serif, Sans Serif, and Script typefaces, symbolic of the longevity of crafts and human’s use of technology.
Imilinganiselo nePakishini: The dimension of the book is in US letter size: 216 mm x 279 mm.
Iithegi: design research, book design, editorial design, graphic design, typography, print, craft, technology, archive, postdigital, preservation
Ubuchwepheshe Bokuvelisa: The book was intended to be printed on newsprint papers and have debossing on the cover. Unfortunately, the plan was postponed due to the pandemic.
Uphando: This research aims to look at the transition between the physical and virtual, material and data, user engagement and experience from the perspective of craft making and preservation. Craft has always been a reflection of culture and identity. As our lives transitioned from physical activities to virtual interactions, new needs and forms of engagement with our surroundings were prompted. And such change not only exhibits via the object and the technology, but also the whole culture at large.

As craft and preservation being the two main cores of this research, it is important to explore different ways to archive the research process. In addition to this book, the designer had also built a website to document the research in another format. It is also interesting to compare the same content on two different mediums.
Inkuthazo: This book can be seen as an archive that not only documents the designer's research in writing but also organizes several other design projects, experiments, and references in a clear structure that supports the main thesis. The grid and the rigid layout of the book are inspired by letterpress, which plays a key role in my research on technology and web interface design.
Ubude Beprojekthi: This research started in 2019 and was finalized in May 2020. The book was designed after the completion of the research, from June to August 2020.