The Birth of a Book Incwadi ngu-Urszula Giren

Uyilo olubizwa ngokuba yi-The Birth of a Book Incwadi olwenziwe ngu-Urszula Giren ngumwini obekekileyo webhaso elinobukhazikhazi le-2020 Ibhaso Legolide le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lokuShicilela kunye noKupapasha iMidiya.

IgolideUkushicilela· 2020

The Birth of a Book Incwadi

ngu Urszula Giren

Umxhasi: Urszula Gireń

Umwini we-Ibhaso Legolide le-A' Design Award Kudidi Lwe-Ukushicilela

79,453

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#97144

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-The Birth of a Book Incwadi

Ukuzalwa Kwencwadi lupapasho olushicilelweyo olumalunga noyilo lweencwadi kwiPoland yenkulungwane ye-16. Le ncwadi ibonisa ushicilelo lwakudala ngobungakanani bokwenyani, ukuze abafundi bakwazi ukubona iifomathi zokuqala. Ijekethi yothuli ibonisa indlela yokulungiselelwa kwamaphepha eyayisetyenziswa kwifomathi yakudala ye-octavo. Iribhoni yokuphawula iphawula ukuphakama kweencwadi ze-folio, quarto ne-octavo. Imizobo yokrolo-mthi ekumaphepha ezihloko ishicilelwe ngombala oguqulweyo, ekhumbuza ngeematriksi ezigqunywe ngeinki emnyama. Ifomathi ngama-256 ngama-320 eemilimitha, inamaphepha angama-560 kunye nemifanekiso emalunga ne-1200. Injongo kukucacisa iindlela zokushicilela ze-Renaissance kubafundi abaninzi.

Ukuqatshelwa

Malunga ne-Ibhaso Legolide le-A' Design Award

The Birth of a Book Incwadi ngumphumeleli weIbhaso Legolide le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo yeklasi yokuqala, ephawulekayo nentle. Abaphumeleleyo beGolide ziimveliso ezintsha kakhulu, ezinombono ongaphaya nezikhazimlayo ezibonisa ubuchule, ubulumko nobuchule babayili bazo. The Birth of a Book Incwadi iyathenjwa ukuba ibe yimveliso edunyiswe kakhulu, ebeka umkhwa nekumgangatho wesikhumbuzo enikela ixabiso elingazange libonwe. Lo myilo uphumeleleyo weIbhaso Legolide le-A' Design Award yiprojekthi emangalisayo nehlonelwayo eluncedo kakhulu kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. The Birth of a Book Incwadi idala iimvakalelo ezinzulu zonqweno, ivusa umdla, ikhuthaza ukuyila kwaye iyasikhwebela.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
Imilinganiselo nePakishini: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
Iithegi: renaissance book, first roman typefaces, old prints, typography
Ubuchwepheshe Bokuvelisa: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
Umngeni Woyilo: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
Uphando: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
Inkuthazo: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
Ubude Beprojekthi: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
Ukuhamba Komsebenzi: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
Amagunya Emifanekiso: Urszula Gireń / 2019