Uyilo olubizwa ngokuba yi-Kabootar Khaneh iVila olwenziwe ngu-Nima Keivani ngumwini obekekileyo webhaso elinobukhazikhazi le-2021 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweZakhiwo, Isakhiwo kunye neMilo.

IbhronziUyilo lweZakhiwo· 2021

Kabootar Khaneh iVila

ngu Nima Keivani

Umxhasi: Keivani Architects

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Uyilo lweZakhiwo

15,299

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#123994

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Kabootar Khaneh iVila

Ikhyubhu emsulwa ukunciphisa impembelelo kwindawo ezingqongileyo apho uphahla oluthambileyo lufakwe lufihliwe ngasemva koodonga, inxalenye yesithuba sangaphakathi yanikelwa iintaka, iphefumlelwe ziindawo zamahobe zembali. Izithuba zangaphakathi zenziwe zijikeleze ipatio apho iintaka zihlala khona, zidala umdlalo wokuwela-macala kunye nomahluko kumaqondo kwizithuba, kwakunye noyilo lwezitepsi ezingaphakathi. Nazo iifestile zesakhiwo zalungelelaniswa ngokwemidlalo yecandelo langaphakathi. Kwakhona ngaphakathi kwesakhiwo, izixhobo zomthi zisetyenziswe ukudala imvakalelo yendalo.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

Kabootar Khaneh iVila ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Kabootar Khaneh iVila iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Kabootar Khaneh iVila iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: Perhaps what sets this building apart is its new look at biophilic architecture, Architects have always paid attention to the use of plants and light and water. But this house has become a place for more interaction; birds. This is a house for humans and birds. In this respect, inspired by Iranian historical dovecotes, a part of interior space was dedicated for this purpose.The interior spaces is formed around the patio where the birds live, by creating cross-sectional play and level differences in the spaces, as well as the special design of the stairs and the holes inside it.
Imilinganiselo nePakishini: Field area 332 square meters (24.5 meters of length, 13.5 meters of Width), Ground floor area is 67 square meters, total built area 210 square meters, the buildings Height 10.6 meters.
Iithegi: villa, Biophilic architecture, home, Keivani Architects, Nima Keivani, Sina Keivani, Iranian architecture, residential, minimalism, minimal architecture
Ubuchwepheshe Bokuvelisa: All the wood used in the construction of the building, such as the facade and sloping roof are made of old wood recycled from the old buildings of the place. The rocks used in landscaping are sedimentary rocks in the village that were collected and used in the site. A form of sloping roof was used in this building that had not been used before. In fact, the sloping roof are hidden behind the walls to maintain the cubic and minimalist form of the building. And rainwater is collected on the roof surface by drainage and utility pipes. And is used for irrigation of site plants
Umngeni Woyilo: The main challenges of the design team were how to create an atmosphere where humans can live together with birds but in kind of coexistence such a way that the independence, peace, and security of each is not lost. On the other hand, it must be made an interaction space between birds and different spaces inside the human house to affect the mood of the residents. Another challenge was the very limited budget that led the architects to a minimalist work.
Uphando: The main strategy was to bring characteristics of the natural world into built spaces. as well as establishing a visual relationship, for example between light vs shadow.To achieve this goal, the design team began extensive studies on the traditional architecture of the region and finally decided to search more about historic pigeon houses in Iran. comprehensive research was conducted on the architecture of the indigenous houses of the region, such as air circulation, how to deal with climatic issues, spatial arrangement diagrams, vertical and horizontal connections such as stairs, corridors, screens.
Inkuthazo: the basic concept of the design was to create a space for co-existence between humans and birds. After visiting the project site, the architecture team noticed the widespread presence of birds there. they decided to design a house where people could live next to them. inspired by Iranian historical dovecotes, a part of interior space that acts as a patio due to the use of glass material and the transparency around it. The interior spaces is formed around the patio. the also inspired from sections, voids and stairs of traditional architecture
Ubude Beprojekthi: The project designed in August 2017 in Shirgah Mazandaran IRAN and the construction finished in September 2018 in Tehran.
Ukuhamba Komsebenzi: The windows are arranged according to the interior section game. In addition to creating different sequences of view and the outside perspective, we will see the light radiating from different angles, and consequently playing the dance of light with a change in the angle of incidence. The staircase box is designed in such a way to be different in each floor, it has evolved into an exciting space. a window opens to the staircase from one of the bedrooms so that the user can see a larger window facing the outside of the staircase that allows one to view the tree from the other side of the courtyard.
Iipathenti: copy right by Keivani Architects 2019
Amalungu Eqela: Principal Architects: Nima Keivani & Sina Keivani
Graphic: Sahar Najafi & mahsa Kiani & Azin Hadizadeh
client: Masoud Adnani
construction manager: Masoud Adnani
Project Manager: Nima Keivani & Sina Keivani
BIM Manager: Sina Keivani
Amagunya Emifanekiso: Image #1: Photographer Deed studio, facade, 2019. Image #2: Photographer Deed studio, facade, 2019. Image #3: Photographer Deed studio, Interior space, 2019. Image #4: Photographer Deed studio, Interior space, 2019. Image #5: Photographer Deed studio, Interior space, 2019.