Uyilo olubizwa ngokuba yi-Haragana Isihlalo Sokuphumla olwenziwe ngu-Tobias Kappeler ngumwini obekekileyo webhaso elinobukhazikhazi le-2022 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweFanitshala.
IbhronziIfanitshala· 2022
Haragana Isihlalo Sokuphumla
ngu Tobias Kappeler
Umxhasi: Tobias Kappeler Design
Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Ifanitshala
Umwini Webhaso Oqinisekisiweyo
Qinisekisa Isimo Sebhaso se-#127610Uyilo
Malunga ne-Haragana Isihlalo Sokuphumla
I-Haragana sisihlalo sokuphumla esenziwe ngeempayipi zesitili ezigobiweyo needisiki zomqhaphu. Isihlalo sinciphisiwe kwakhona okusisiseko, ngoko akukho zicushini okanye izigqumo zesihlalo ezisetyenzisiweyo. Umzobo wangaphandle ufana nesihlalo esineengalo, nangona ukungabikho kweendawo zokubeka iingalo. Indawo yokuhlala esezantsi engangesantimitha ezingama-28 imema abantu ukuba babeke umqolo bajonge okubajikelezileyo ixesha elide. Isakhelo esivulekileyo sigcina isihlalo sikhanya lula ngokwembono kwaye sivumela ukuba silungele kwiindawo zangaphakathi ngaphandle kokubiza ingqalelo eninzi. Iidisiki zomqhaphu ezilula ziyaphikisana nesakhiwo esigotyiweyo sompayipi. Isihlalo ngasinye sigotywa, siyanyuselwa kwaye sikrukruzwe ngesandla.
Ukuqatshelwa
Malunga ne-Ibhaso Lebhronzi le-A' Design Award
Haragana Isihlalo Sokuphumla ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Haragana Isihlalo Sokuphumla iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Haragana Isihlalo Sokuphumla iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.
Emva Koyilo
Ikhithi Yeendaba
Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.
- Iimpawu Ezizodwa
- The Haragana is a lounge chair made from bent steel tubes and cork disks for seating. The outline of the chair resembles and reminds of an armchair however there are no cushions or upholstery. The chair is reduced to the essential structure, giving it a light and airy design, which fits perfectly in interior spaces without taking up too much space visually. The simple graphical cork seating disks provide contrast to the more complex underlying tubular structures.
- Imilinganiselo nePakishini
- The chair has a width of 75cm, a length of 65cm and a height of 65cm. To add additional support to the legs, a thin stainless steel rod was welded in between the legs. The seating position is purposely low 28cm to ensure people stay seated for longer and enjoy the experience, their surroundings and thoughts that come when taking a break.
- Iithegi
- Furniture Design, Chair Design, Lounge Chair, Tubular Design, Observation.
- Ubuchwepheshe Bokuvelisa
- The chair was made from 19 and 16mm steel tubes and cork. After an extensive study on the design territory “observation” small scale prototyping and sketching the chair was produced fully by hand without any automated machines. Steel tubes were bent by hand and welded together, piece by piece. First the outline, then the inside structure, then the legs and lastly the seating of the chair. After welding it together, the chair was sanded down and spray painted. The cork was sanded and then added.
- Umngeni Woyilo
- The challenge was to produce a chair with a complex curved shape that was still symmetrical. This required several attempts and an in-depth observation from several angles. As tubular systems for furniture design have been explored before, the challenge was to come up with a design that is new and still interesting. To keep the light feel of the chair, the structure needed to be strong and stable.
- Uphando
- The project started with an exploration into the theme of observation and how to create a seating experience that could last for a longer period. A strong driver of the project was prototyping on a scale of 1:10 with steel rods that were spot-welded together. This allowed for quick iterations on different shapes and to explore different curves and their relation with each other. The tools used to produce the chair were very simple, a tube bending machine, a welding machine and a sanding machine.
- Inkuthazo
- We live in a fast-paced world where everything must happen instantly and thus, we often forget to take a break, lean back and just observe our surroundings. The aim was to create a chair in which you stay and remain seated for a while.
Studying the territory of observation the design invites and resembles this as well. What you see, is actually not what you see. Perceived is an armchair due to the emphasized outline which resembles an armchair, however, there are no armrests. - Ubude Beprojekthi
- The project started in January 2020 and was developed by myself as part of my MA/MSc Innovation Design Engineering degree. The project duration was 4 weeks and was exhibited at the Royal College of Art in February 2020.
- Ukuhamba Komsebenzi
- Due to its low and comfortable seating point, it invites people to stay seated for longer. In addition, having only the essential structures and the seating of the chair, its light and open design smoothly integrates into the interior without claiming too much attention but still allowing for a more complex shape to be present.
- Amalungu Eqela
- Tobias Kappeler
Okuxhasiweyo
Hlola Ngaphaya kwe-Designers.org
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