Yatsugatake Villa Ivilla ngu-Kiyotoshi Mori and Natsuko Kawamura

Uyilo olubizwa ngokuba yi-Yatsugatake Villa Ivilla olwenziwe ngu-Kiyotoshi Mori and Natsuko Kawamura ngumwini obekekileyo webhaso elinobukhazikhazi le-2022 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweZakhiwo, Isakhiwo kunye neMilo.

IbhronziUyilo lweZakhiwo· 2022

Yatsugatake Villa Ivilla

ngu Kiyotoshi Mori and Natsuko Kawamura

Umxhasi: MDS Co., Ltd.

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Uyilo lweZakhiwo

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Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#129187

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Yatsugatake Villa Ivilla

I-Yatsugatake Villa yindawo yokuhlala yasehlotyeni ekwiHokuto-City, eYamanashi, eJapan. Isakhiwo sakhiwe ngeempompo ezintathu ezinesimo se-trapezoid ezicwangciswe ngendlela yefeni yaye zivulekele emazantsi. Umnyango obanzi ongasemazantsi uvumela ilanga ukuba lingene ngexesha lobusika obubandayo, ngelixa uphahla olwandisiweyo neendonga zecala zithintela ilanga elinamandla lasehlotyeni. Iifestile ezikwicala lomntla nemazantsi zivumela umoya ukuba udlule ngaphakathi kwesakhiwo. Kusetyenziswa uyilo lwendlela yesiJapan yendalo yokwakha ngomthi, kusetyenziswa umsedare, iplasta kunye nezikrini ze-shoji. Izikrini ze-shoji ezivaliweyo zinika ukukhanya okuthambileyo, ngelixa ezo zivulekileyo zibonisa ngokucacileyo umbono weentaba ezingqongileyo.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

Yatsugatake Villa Ivilla ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Yatsugatake Villa Ivilla iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Yatsugatake Villa Ivilla iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: The exterior is characterized by three modern trapezoid tubes, deforming the traditional Japanese space under deep eaves to frame the landscape in four directions. The form was derived from meticulous calculation of precipitation, the sun's movement in summer and winter, and the thermal environment. Shoji paper screens offer a space filled with soft light iconic of Japanese culture when closed, and switch to the majestic scenery framed by the walls when opened, providing two alternating scenes.
Imilinganiselo nePakishini: Site Area 691.00m2
Total Floor Area 110.01 m2 (1F 71.65 m2, 2F 38.36 m2)
W17,400mm x D12,300mm x H6,139mm
Iithegi: Villa, Sun light, Wind, Fan-shape, Wooden, Mountain, Three adjacent shells, Sho-ji, Eaves, Farming
Ubuchwepheshe Bokuvelisa: Contrary to the contemporary style guided by precipitation, sun rays and the surrounding environment, the construction of the house incorporates traditional Japanese wooden construction methods, with earthquake-resistant walls and large openings. Traditional Japanese techniques and components are used throughout, including plastering on the curved openings and fittings such as shoji and ranma (partition with ventilation and daylighting functions), creating a vernacular architecture.
Umngeni Woyilo: In Japan, especially in rural areas, the number of carpenters capable of building elaborate wooden houses is decreasing, and it was difficult to find a builder who could construct a building with a unique (challenging) design. In spite of the modern design, Japanese cedar and plastering materials are used, and shoji screens as well as other traditional materials handed down from generation to generation are fit in by the indigenous module method, enabling the definition of a Japanese space.
Uphando: Three trapezoid tubes with north-south openings sit wide open towards the south to maximize winter daylight. Glass surfaces are set back from the roof edge to avoid direct south sun rays in summer. Side walls are arranged to block the west sun. The footprint is set back from the roof edge, partly to reduce soil excavation (deep foundation below the frost line is required), creating a sitting area free from rain dripping from the roof. It is a modern version of traditional Japanese engawa space.
Inkuthazo: With exterior walls arranged to resemble a fan, the house provides framing for the landscape, maximizing the location on a plateau surrounded by fields and trees with panoramic view of mountain ranges in the distance. It is a summer resort, slightly cooler than humid summers in Tokyo, and yet the sun rays are strong and the winters are cold. The roof was extended to block direct sunlight in the summer and side walls to keep the western sun out, resulting in a series of tubular forms.
Ubude Beprojekthi: The project was completed in Hokuto-City, Yamanashi, Japan in 2012
Ukuhamba Komsebenzi: Considering the cold winter, the building is built in a fan shape, open to the south, in order to maximize the sunlight while the sun moves. On the other hand, in summer, the roofs and walls of the trapezoid tubes block the strong sun rays, creating shadows inside, and windows at the north and south let the breeze through to cool the airy space. The layout, guided by the thermal environment, provides various interior scenes of varying depths as seen through the openings that connect the spaces.
Amalungu Eqela: Kiyotoshi Mori
Natsuko Kawamura
Amagunya Emifanekiso: Photography: Toshiyuki Yano