Peak Art Iziko Lentengiso ngu-Shanghai PTArchitects

Uyilo olubizwa ngokuba yi-Peak Art Iziko Lentengiso olwenziwe ngu-Shanghai PTArchitects ngumwini obekekileyo webhaso elinobukhazikhazi le-2022 Ibhaso Legolide le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweZakhiwo, Isakhiwo kunye neMilo.

IgolideUyilo lweZakhiwo· 2022

Peak Art Iziko Lentengiso

ngu Shanghai PTArchitects

Umxhasi: Shanghai PTArchitects

Umwini we-Ibhaso Legolide le-A' Design Award Kudidi Lwe-Uyilo lweZakhiwo

30,530

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#132262

Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Peak Art Iziko Lentengiso

IPeak Art liziko lentengiso elikwidolophu iXushuguan, eSuzhou, eTshayina. Esi sakhiwo siphendula kwimikhondo ephelayo yembali yendawo ngobuchule kunye nezixhobo zale mihla. Uphahla oluthathu oluthambekileyo, oluthatyathwe kwindlela yokwakha yesintu yaseSuzhou, ludityaniswe ngamacandelo asicaba ukwenza ubuso besakhiwo obusongiweyo. Iindonga zidibanisa izitena ezimnyama ezinemingxuma kunye nelitye eliluhlaza okweperile elingacwebezeliyo, zibonisa imibala kunye nokuphathakala kwendawo. Ubume obufana negadi buvalele inkundla engaphakathi, kwaye imiphezulu emikhulu yeglasi izisa umbono wenkundla ngaphakathi kwesakhiwo.

Ukuqatshelwa

Malunga ne-Ibhaso Legolide le-A' Design Award

Peak Art Iziko Lentengiso ngumphumeleli weIbhaso Legolide le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo yeklasi yokuqala, ephawulekayo nentle. Abaphumeleleyo beGolide ziimveliso ezintsha kakhulu, ezinombono ongaphaya nezikhazimlayo ezibonisa ubuchule, ubulumko nobuchule babayili bazo. Peak Art Iziko Lentengiso iyathenjwa ukuba ibe yimveliso edunyiswe kakhulu, ebeka umkhwa nekumgangatho wesikhumbuzo enikela ixabiso elingazange libonwe. Lo myilo uphumeleleyo weIbhaso Legolide le-A' Design Award yiprojekthi emangalisayo nehlonelwayo eluncedo kakhulu kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Peak Art Iziko Lentengiso idala iimvakalelo ezinzulu zonqweno, ivusa umdla, ikhuthaza ukuyila kwaye iyasikhwebela.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: On the site, we noticed that Xushuguan's profound cultural and historical heritage and prosperity in the old days. However, in the development and construction of modern cities, the traces of the Xushuguan history and culture are gradually dissipating. Accordingly, we hope to use modern design techniques and materials to extend the cultural and historical lineage of Xushuguan and create a modern architectural form available to interpret its traditional spatial context.
Imilinganiselo nePakishini: As for the architectural form, we extracted the sloping roof form from the traditional architecture of Suzhou and Xushuguan in modern techniques to form three sloping roofs. Between two consecutive sloping roofs and one independent sloping roof, the space is linked by a section of flat roof, forming a simple and staggered folded facade profile. It is staggered in height according to function and sight lines. In terms of materials, we adopted stone curtain wall on the mountain wall and roof to strengthen the unity sense of the folding line and use a large glass curtain wall on the part facing the courtyard to greatly incorporate the courtyard landscape into the indoor view and achieve "borrowing scene" and indoor-outdoor interaction, presenting a poetic penetration. For the stone wall, the application of metal inserts delineates the beauty of the wall's planar composition and echoes the application of line elements in oriental architecture.
Iithegi: display center, sloping roof, Suzhou Garden
Ubuchwepheshe Bokuvelisa: In the traditional architecture of Suzhou and Xushuguan, black bricks are the main material for walls, and in Suzhou gardens, there are also openwork treatments to achieve the effect of borrowing scenery and spatial interaction. For the Peak Art project, the wall surface is also partially treated with hollowed out black bricks. Pearl blue and hollowed out black bricks are close in tone, and the matte surface treatment of pearl blue stone echoes and sets off the rougher surface texture of bricks, echoing the local traditional architectural tones and textures with modern materials and techniques.
Umngeni Woyilo: Because it is a relatively confined triangular site, the design draws on the Suzhou Garden path to create a sense of spatial hierarchy and playfulness, with the intention of achieving the effect of the small to reflect the large. The buildings are arranged along the long side of the north side as far as possible to leave space for the landscape site; the entrance and the corridor are arranged in an enclosed layout, which shields the noisy and undesirable factors to be developed outside the site and keep the internal space pure. The enclosed veranda, along the urban interface, adopts the translucent U-shaped glass in construction to achieve "ambiguous" communication between the inside and outside of the space.
Uphando: In the architectural design, we have integrated sustainable concepts and green materials, taking local trees for the landscape planting to reflect the diverse ecology of the area. For the interior courtyard, we have used permeable surfaces and landscaping and installed a rainwater harvesting system to reuse water for irrigation.
Inkuthazo: Situated in Xushuguan Town, Suzhou, the project is surrounded by old neighborhoods and undeveloped land, with a noisy and desolate environment. The site is located at a crossroads, with a depth of about 35 meters and a length of about 55 meters. This project is only 500 meters away from the Grand Canal in a straight line. Seated on the east bank of the ancient canal, Xushuguan Town has been prosperous since ancient times and was founded in the Qin Dynasty with a history of more than 2,000 years.
Ubude Beprojekthi: The project started in Sep. 2020 and finished in Apr. 2021 in Suzhou, China
Ukuhamba Komsebenzi: Hopefully, Peak Art can evoke the heritage and revival of the deep historical and cultural heritage of Xushuguan Old Town, as well as its urban memory, realizing the renewal of the urban interface with a garden-style layout and a modern approach to the facade form and bringing warmth and harmony to the neighborhoods.
Amalungu Eqela: Lead Designer: Reng Xiangyi, Chen Biao
Design Team: Xia Dacang, Ru Siyu, Chen Jingyu, Hu Hongyi, Li Yanli, Chen Bin, Wu Dinglong, Hou Xianwu, Sun Xin, Yang Xue
Amagunya Emifanekiso: Photo Cradits: ArhiExist, Sanlengjing