Uyilo olubizwa ngokuba yi-Ondsauna Isauna olwenziwe ngu-Taro Shimokawa ngumwini obekekileyo webhaso elinobukhazikhazi le-2025 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweZakhiwo, Isakhiwo kunye neMilo.

IbhronziUyilo lweZakhiwo· 2025

Ondsauna Isauna

ngu Taro Shimokawa

Umxhasi: Ondpark

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Uyilo lweZakhiwo

14,597

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#165443

Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Ondsauna Isauna

Ondsauna sisakhiwo sesauna esimiswe ngaphakathi kwehlathi. Iindonga zangaphandle ezimileyo zihlanganiselwe ngeenxa zonke zegumbi lesauna, kuvakalisa ukukhula okuya phezulu kwemithi. Umendo ojikelezayo ukhokelela kwindawo yokuphumla esengqongqweni yesakhiwo. Umnyango ungena ngokuphakama okuziimilimitha ezingama-250 ngaphezu komhlaba, ideki yokutshona emanzini abandayo iphakama ngeemilimitha ezili-1000, kwaye phezu kwesakhiwo iphakame ngeemilimitha ezili-3250, ngoko ke ukusuka kwisauna ukuya kumanzi abandayo ukuya emoyeni ovulekileyo kuhamba ngokusinga phezulu. Isakhiwo esinemilo engaqhelekanga kunye neentsika ezinamacala amakhulu zikhokelela indlela abantu abajonga ngayo, zivumela abatyeleli ukuba bakhethe indlela abafuna ukudibana ngayo nendawo.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

Ondsauna Isauna ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Ondsauna Isauna iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Ondsauna Isauna iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: Trees grow endlessly upward, a concept reflected in the vertical exterior walls clustered around the sauna room. A spiraling path leads upward to a rooftop relaxation space, mirroring the building's form. The sauna entrance is at GL+250, the cold plunge deck at GL+1000, and the rooftop at GL+3250, so the transition from sauna to cold plunge to open air follows a vertical flow. Viewing the forest at treetop height allows one to share in its growth rhythm.
Imilinganiselo nePakishini: The irregular plan was chosen to allow the passage and expansion of the line of sight and to adjust the degree of intimacy, which was rationally solved by the 150mm CLT floor slab. The elimination of beams has eliminated non-perpendicular joints in the structure, contributing to labor savings in site work. The rational walls of the scale module are discretely assembled and the CLT slab connects them. This structural form itself can be described as a sociopetal structure.
Ubuchwepheshe Bokuvelisa: An irregular polygonal floor plan guides sightlines, creating varied scenic views. Research shows conversations are twice as frequent at 90 degrees versus side-by-side. Here, strangers sit together, so we chose obtuse-angled benches to balance interaction and privacy, encouraging conversation without intrusion. Varied seating allows for different levels of interaction, while the overall arrangement around a fire fosters a shared experience.
Inkuthazo: In a sauna, strangers sit nearly naked in close proximity, creating potential intimacy. Yet in Japan, public saunas haven’t fostered this sense of community. By aligning with Japan’s unique sense of closeness, we aim to create a sociopetal space, encouraging shared understanding without forced intimacy. “Non-intrusive” walls balance connection and separation; their verticality resonates with the forest, while their spacing draws nature in and modulates closeness among neighbors.

Funda Uxwebhu Lweendaba

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