Art Omi Deconstructive Utopia Igalari Yoyilo ngu-Daria Yang Du

Uyilo olubizwa ngokuba yi-Art Omi Deconstructive Utopia Igalari Yoyilo olwenziwe ngu-Daria Yang Du ngumwini obekekileyo webhaso elinobukhazikhazi le-2026 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweZakhiwo, Isakhiwo kunye neMilo.

IsilivereUyilo lweZakhiwo· 2026

Art Omi Deconstructive Utopia Igalari Yoyilo

ngu Daria Yang Du

Umxhasi: DD Studio

Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Uyilo lweZakhiwo

23,338

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#176619

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Art Omi Deconstructive Utopia Igalari Yoyilo

I-Art Omi Deconstructive Utopia yigalari yoyilo kunye nesakhiwo somboniso esiseHudson Valley, esigubungela malunga neesikwere-mitha ezingama-12000 zeenyawo. Iqokobhe elijikelezileyo lekhonkrithi labunjwa ngezifundo zokuphuma komoya kwibhaluni laze latyalwa ngefomwekhi eyenziwe nge-CNC ukuze kufumaneke ukugoba okuchanekileyo. Embindini, umngxuma oyisangqa ugcinwa njengendawo ephambili yomboniso nangesango loluntu. Indlela iqhuba ukusuka entshona ukuya empuma, iphahlwe ziindawo zokusebenzela ize iphele echibini. Iistudiyo ezixhonyiweyo zisebenzisa iifreyim zentsimbi ezilula ezigqunywe ngomthi. Iiphaneli zomthi ezifudumeleyo zihombisa ingaphakathi kwaye ziphucula ukuvakala kwesandi.

Ukuqatshelwa

Malunga ne-Ibhaso Lesilivere le-A' Design Award

Art Omi Deconstructive Utopia Igalari Yoyilo ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. Art Omi Deconstructive Utopia Igalari Yoyilo iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Art Omi Deconstructive Utopia Igalari Yoyilo yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: Beginned by an experimental process of morsal-folly finding process to explore form and movement, the Art Omi Design Gallery reinterprets kinetic gestures into architectural space. The design transitions from a linear system of tensioned strings to a centralized spherical volume, carved out and preserved as the main exhibition space and public entrance. This void becomes the anchor of spatial experience, emphasizing a fluid internal circulation that guides visitors across the site.
Imilinganiselo nePakishini: Size: 12000ft²
Iithegi: Balloon Experiment, Yarn Grid, Deflation Studies, Form-Finding, Curved Concrete, Spatial Void, Floating Studios, Circulation Path, Cultural Landmark, Landscape Integration, Lightness and Memory, Architecture and Movement
Ubuchwepheshe Bokuvelisa: The gallery is built as a curved concrete shell shaped by balloon deflation studies, using CNC-milled formwork for precise curvature. Warm timber panels line the interiors, enhancing acoustics and contrast with the concrete mass. Suspended studios use lightweight steel frames clad in wood, appearing to float above. Foundations integrate with the lakeside landscape, anchoring the structure while respecting natural topography.
Umngeni Woyilo: The challenge was translating a fleeting balloon-and-yarn experiment into a permanent architectural system. Capturing the dynamic shift from expansion to deflation required rethinking geometry, circulation, and structure. Preserving the spherical void while adapting the shifting yarn grid into concrete and timber demanded both technical precision and conceptual clarity, turning ephemeral gestures into a coherent, inhabitable cultural landmark.
Uphando: Each material guided form-finding through its properties. In balloon and yarn experiments, expansion and contraction revealed new spatial opportunities. Placed on flat topography, the balloon’s center aligned with a yarn grid, creating a cloud-like form. Strings attached to it defined smooth paths connecting to the ground. When deflated, shifting strings generated a new landscape, inviting people to walk, sit, lie, and interact with the folly as structure.
Inkuthazo: Inspired by balloon inflation and deflation studies, the design shifts from a linear system to a central spherical void, preserved as the main exhibition and entrance. A pivoting path extends west to east, flanked by workshops and ending at the lake. Suspended studios echo floating forms, while a curving concrete shell recalls string grids. Warm wood interiors contrast the monolithic frame, guiding visitors through a dynamic spatial journey.
Ubude Beprojekthi: Art Omi in Hudson Valley
Ukuhamba Komsebenzi: Individual Work
Amagunya Emifanekiso: All Design & Illustration & Drawing & Physical Model by Daria Yang DU