Great Blue Hole Isacholo ngu-Jung Ki Min

Uyilo olubizwa ngokuba yi-Great Blue Hole Isacholo olwenziwe ngu-Jung Ki Min ngumwini obekekileyo webhaso elinobukhazikhazi le-2026 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo loBucwebe.

IbhronziUbucwebe· 2026

Great Blue Hole Isacholo

ngu Jung Ki Min

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Ubucwebe

9,422

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#182523

Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Great Blue Hole Isacholo

IGreat Blue Hole sisacholo esiphefumlelwe ngumngxuma waselwandle onegama elifanayo eBelize. Uyilo luguqulela umbono wendalo omkhulu ube yimo yomfanekiso oqingqiweyo onokunxitywa. Amacandelo entsimbi abekwe ngokweleya aphakanyiswe ngeengcingo zobude obahlukeneyo ukwenza umthamo onobunzulu nokwenyuka. Kwasetyenziswa ukusarha, ukutyhida, i-enameling, ukufakwa kwamatye, i-chasing kunye ne-repousse ukwakha iimo kunye nemiphezulu enamagophe. Esi sacholo singama-130 mm ububanzi, 15 mm ubunzulu kunye nama-75 mm ukuphakama, kunye nomtya weeperile ongama-450 mm. Ukushukuma komzimba kuhambisa ukukhanya kuwo onke amaleya.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

Great Blue Hole Isacholo ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Great Blue Hole Isacholo iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Great Blue Hole Isacholo iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: This piece reinterprets a monumental marine formation as a wearable sculptural structure through layered metal construction and dimensional assembly. Its distinction lies in translating vast geological space into an intimate bodily dimension, where organic irregularity is balanced with controlled craftsmanship to create a tactile landscape experience.
Imilinganiselo nePakishini: Width 130 mm x Depth 15 mm x Height 75 mm
Pearl string length 450 mm
Iithegi: silver, necklace, jewelry, natural
Ubuchwepheshe Bokuvelisa: This work involved selecting materials corresponding to the site's visual and spatial characteristics and conducting extensive texture studies. Test pieces were produced to experiment with varied surface treatments and forms. To achieve the desired atmosphere within a limited scale, appropriate techniques were carefully selected. In addition to piecing and sawing, casting, enameling, stone setting, chasing, and repousse were employed. Components were elevated using wires of varying lengths to create dimensional volume and layered depth.
Umngeni Woyilo: The primary challenge was developing a structural system capable of integrating diverse elements into a cohesive form. To achieve the intended atmosphere, careful planning was required for stone placement, setting techniques, and layering. Establishing the correct order of fabrication was critical. Through extensive trial and error, I refined the composition so that each element could coexist harmoniously while retaining its individual presence.
Uphando: This project represents a research process aimed at translating distinctive natural landscapes and geological formations into the form of jewelry. Through the harmonious arrangement of diverse materials and techniques, I experimented to determine the optimal color relationships, proportions, and structural balance that could effectively convey the site's atmosphere and defining characteristics. The research also explored multiple approaches to articulating organic forms within a controlled metal framework, seeking methods to express natural irregularity with clarity and precision.
Inkuthazo: Inspired by the Great Blue Hole in Belize, I was drawn to its ultramarine depth and the diverse ecosystems surrounding it. Through visual research and material experimentation, I sought not only to extract its visual characteristics but also to convey the site's atmosphere and sense of mystery. By combining various materials and metalworking techniques, I harmoniously translated a distant, life filled marine environment into an intimate wearable scale.
Ubude Beprojekthi: The project started in August 2018 in New York, USA, and was completed in May 2019.
Ukuhamba Komsebenzi: Due to its layered colors and condensed elements, the piece offers tactile detail and visual richness to both wearer and viewer. As the body moves, shifting light and depth create subtle variations in perception, inviting closer observation. By bringing a distant landscape into intimate proximity, the work provides a subtle sense of refreshment.
Amagunya Emifanekiso: Image #1: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #2: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #3: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #4: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #5: Photographer Jung Ki Min, Great Blue Hole, 2019.