Tsiba uye kumxholo
Sense Move Primary Function: Isinxibo Somdaniso ngu-Zhulin Shi

Uyilo olubizwa ngokuba yi-Sense Move Primary Function: Isinxibo Somdaniso olwenziwe ngu-Zhulin Shi ngumwini obekekileyo webhaso elinobukhazikhazi le-2020 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweFashoni, Isinxibo kunye neSambatho.


IsilivereIfashoni· 2020

Sense Move Primary Function: Isinxibo Somdaniso

ngu Zhulin Shi

Umxhasi: Last Lab Inc.

Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Ifashoni

37,486

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#90799

Imibala

Uyilo

Malunga ne-Sense Move Primary Function: Isinxibo Somdaniso

Sense Move sisinxibo esikhupha ukukhanya esiyilelwe abadanisi. Esi sinxibo sisonga sibe ziimilo zejometri ezilandela intshukumo yomzimba, sakhe umfanekiso oqingqiweyo oshukumayo eqongeni. Iziphumo zokukhanya zibonisa iimvakalelo eziguqukayo. Ukubuna ngokucothayo kubonisa ukuphefumla, ukudanyaza kubonisa umdla ovuthayo. Kubandakanywa iglavu ephawulayo njengenxalenye yesinxibo. Xa ilungu leqela lababukeli lichukumisa isandla somdanisi, ukukhanya kutshintsha ngokusabela kolo chukumiso. Le nto iyilelwe ukomeleza unxibelelwano lweemvakalelo phakathi kwabadlali nababukeli.

Ukuqatshelwa

Malunga ne-Ibhaso Lesilivere le-A' Design Award

Sense Move Primary Function: Isinxibo Somdaniso ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. Sense Move Primary Function: Isinxibo Somdaniso iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Sense Move Primary Function: Isinxibo Somdaniso yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa
Sense Move costume communicates emotionally through the body movements of the dancers. The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also enable musicians and performers to improve their performance and enhances people’s experience of performances and expands the boundaries of the performance industry.
Imilinganiselo nePakishini
Width 70mm x Depth 30mm x Height 150mm
Iithegi
wearable technology, led lighting costume, kinetic sculpture
Ubuchwepheshe Bokuvelisa
In the process of prototyping, sketching, draping, cutting sewing, sewing, soldering and programming have been applied.
Umngeni Woyilo
The challenge part is finding the form and concept for the costume design. I did many prototypes in different material and explore the movement part can create imaginary space to inspire dancer and grab people's eyes.
Uphando
I love dancing. I started dancing from 5 years old. The costumes like Cinderella’s dress gave me confidence on the stage. In 2007, I studied contact improvisation in UC Davis with famous choreographer Nita Little. With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Nita Little wrote “the ‘mountain’ moves and the ‘cloud’ changes as a result. Notice how our attention travels across surfaces while your awareness may slip into the volumes they contain.” A common thread was found in my research, which is costumes can make a connection between movement, imagination and emotion.
I attempted to design costumes that serves the bi-lateral relationship between Poetic Design and the Pattern Language of Dance.
Inkuthazo
With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Since that, I interviewed with a famous choreographer and dance artist – Yin Mei, whose wise words “I can create an architecture space using my joints, which is already telling a story” sparked my inspiration. My initial concept is about geometrical folding following along with the kinetic movement of the body.
Ubude Beprojekthi
The project original started in May 2016 for my MID thesis at Pratt. Sense Move costume has been applied and displayed in experimental workshops and a chamber opera in NYC. In 2016, I launched the “Sense Move” workshop featuring the renowned dancer and choreographer Yin Mei and violinist Wang Xiaotong in NYC. Since then, I and a collaborating guest artist Clarice Assad were invited to teach the experimental “Sense & Sound” workshop at the New Musical Instrument Hackathon 2016 at the Spotify headquarters in NYC. In 2018, I redesigned “Sense Move” Costume for a multimedia opera – Semulacrum.
Ukuhamba Komsebenzi
The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also creates new geometric space for the dancers. I designed “Sense” glove as a part of “Kinetic Sculpture” Costume. When a member of the audience touches the hand of a dancer who is wearing the costume, the light changes by sensing the touch as if the costume was alive. This will enhance the emotional transmission between the dancer and the audience, and even engage the audience to participant into the contact improvisation.
Amagunya Emifanekiso
Image #1: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #2: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #3: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #4: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #5: Photographer Bengrong Zhu, Model Evita Zacharioglou

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