A House in the Landscape Ile Aladani láti ọwọ́ Keun Young Shim jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.
IdẹÌkọ́lé· 2020
A House in the Landscape Ile Aladani
látọ̀wọ́ Keun Young Shim
Oníbàárà: Architects601
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìkọ́lé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #103791Àpẹrẹ Náà
Nípa A House in the Landscape Ile Aladani
Ile Kan Ninu Ala-ilẹ jẹ́ ilé aládàáni tí a kọ́ ní Pangyo, Orílẹ̀-èdè Kòrè. A ṣe àpẹrẹ ilé náà láti dá ìwọ̀ntúnwọ̀nsì sílẹ̀ pẹ̀lú ilẹ̀ rẹ̀ tí kò dọ́gba dípò kí ó dúró yàtọ̀ sí àwọn ilé àdúgbò. Àwọn fèrèsé ńlá tí ó tẹ̀síwájú ṣe fireemu fún ẹ̀dá àyíká, ní ìbámu pẹ̀lú èrò ìbílẹ̀ Kòrè ti yíya ìwòye. Àlọ́nà kan ṣiṣẹ́ gẹ́gẹ́ bí àyè ìyípadà tí ó sì ṣẹ̀dá ọ̀wọ́ àwọn ìwòye tí ń yàtọ̀. Ìtẹ̀síwájú ilé náà jẹ́ kọ́ńkírì amóhun-fárahàn. Ìta ilé náà ni a parí pẹ̀lú bíríkì funfun àtijọ́, siniki, kédárì pupa ìwọ̀-oòrùn àti òkúta wíwó. Àwọn bíríkì tí a tún lò ń fúnni ní ìríra tí ó dákẹ́ tí ó sì jẹ́ àdánidá.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
A House in the Landscape Ile Aladani jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé A House in the Landscape Ile Aladani yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. A House in the Landscape Ile Aladani ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Appropriative Scenery Sequence
Ancestors kept the natural scenery near them in hanok (Korean house) through the window by regarding it as the picture frame showing the live scenery of nature instead of leaving it as a simple window. The appropriative scenery in the space where they enjoyed the change of seasons by opening and closing windows and doors is about borrowing the scenery as it literally means. - Ìwọ̀n àti Àpò
- Site area: 282.70 m² (85.6py)
Building area:141.14 m² (42.7y)
Gross floor area: 327.55 m² (99.2py)
Building scope: B1, 2F above ground
Height: 10.4m
Parking: Two parking
Building to land ratio: 49.93% (Legal50%)
Floor area ratio: 93.78% (Legal80%, 100% or less when implementing the recommendation)
Structure: Reinforced concrete
Exterior finish: White brick,Zinc, Western Red Cedar,Broken stone
Interior finish: Unsawn timberfloor,unsawn timber, Eco-friendly painting onplaster board(Benjaminmoore),Imported tiles
Insulator: outside/T120, XPS(Extruded Polystyrene Sheet),inside/ T30,180 XPS(Extruded Polystyrene Sheet)
Window material: Gonggan system window Co., Ltd.
Metal hardware: DOMUS METAL Inc.
Structural Engineer& Supervision (advice):Hyun and Jeon Architectural Office
Mechanical engineer: BGS Consulting Co., Ltd
Electrical engineer: Geumjeong Engineering Co., Ltd.
Design period: 2017.06~2017.09
Construction period: 2017.11~2018.06
Photographer: Young-Chae Park
Construction: Construct ownerdirect management
Architectural design, interior design and construction: Architects601 (www.architects601.com) - Àwọn Àkọlé
- Earth, adaptation, light, opening, natural, differential, Korean, Harmony, balance, totality, naturalness, timeliness, sequence, experience, world view, purity, geometry, variations,
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Brick House – Made with Warm and Solid Earth.
The housing site in Pangyo shows strong characteristics of the planned housing complex and the sharing space unique to the housing, the yard, is not sufficiently playing its role in most of the buildings in it due to theses characteristics such as floor area ratio and land area.
Another peculiar scenery of this area is that there is no harmony between the buildings as if the ‘housing exhibits’ created by architects are boasting of their own respective appearances due to the floor area ratio that exceeds half of the narrow land.
We considered the context with neighboring buildings while thinking about which house with which scenery should fit into this environment, and our solution was to build a ‘house that forms a balance with the land in the most natural way.’
This meant a house that is not too strong but also not too weak to maintain its presence, and it was also about the form as well as the material.
We imagined the image of ‘earth’ which means the land and approached the sensitivity of the material, and the bricks baked with earth was close to the solution we were looking for. Also, the old white bricks were the regenerated and preserved bricks from actual buildings in China that were dismantled (removed) and their unique milky earth texture give the calm impression alongside the material’s unique naturalness and history, differentiating them from other brick constructions.
The old white brick constructions will manifest greater values with time for they maintained their first appearance without being washed by the uselessness through time by enduring the weight of time. - Ìpèníjà Àpèsè
- The atypical land close to the trapezoid was enough to give us a new creative form and a design approach. The form of architecture naturally varies along the nature of the earth, showing colorful facades.
However, atypical moonshine land required workers to conduct high-level due diligence and construction methods in order to elicit precision and thus could not prevent the occurrence of invisible incidental costs. Of course, the economy for timeliness has not declined. - Ìwádìí
- We wanted to fuse landscape with architecture. It may seem as if it is a direct display of the architectural manifestation open to nature as modern architecture talks. There's a big window, so if you open it wide in the afternoon or in the summer and fall, the whole room will become a courtyard and wind, touching something deep in your mind. While there is an open feeling due to the overall continuous windowing, the way the sequence is given through the corridor, which is a transitive space, is sufficient to give a variety of empirical benefits.
I wanted to convey the value not as the greatness of architecture born with the concept of architect or the concentration of capital, but as a human being who resembles human warmth and experiences the timeliness of trees in a simple way.
It was hoped to be expressed not as dealing with the world seen by the eyes, but as the essence of human spirituality, and, furthermore, indulgence in the infinite spiritual world of architecture, as its essence.
In addition, space and furniture were combined organically to be delivered in a single atmosphere to become a very human architecture with use and emotional joy.
I don't think it's much of an architecture that doesn't connect with our values, because there are all the details that our way of life, our sensibility, and our values want.
Our journey toward a pure language toward nature, the most natural state to ourselves, is only the beginning. - Ìmísí
- Read the earth
Architecture resembles the earth. It means that the architecture is compatible with the environment in harmony with the land.
A design that takes into account the best flooring rate and building area for a moan site resembling a triangle looks like a ground.
Fassard was born with the free exterior of architecture.It's as if, like, a variation of music, the rhythm under a free-spir
The shape of the cladding that feels rhythmical harmonizes. - Àkókò Iṣẹ́ Àkànṣe
- Design period: 2017.06~2017.09
Construction period: 2017.11~2018.12
LOCATION : Pangyo-dong, Republic of Korea - Ìlànà Ìṣiṣẹ́
- It is an inspirational residential space that brings out something from within a human being in a universal experience. The nature of architecture will deepen with new experiences, with space time and light.
- Àwọn Ọmọ Ẹgbẹ́
- keun young Shim, Dong Won Chung
- Ìfọwọ́sí Àwòrán
- Photographer is Young chea, Park
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