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MareNostrum Primary Function: Ilé Gbígbé Ènìyàn láti ọwọ́ Aaron Leppanen and Gabriela Anker

MareNostrum Primary Function: Ilé Gbígbé Ènìyàn láti ọwọ́ Aaron Leppanen and Gabriela Anker jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.


FàdákàÌkọ́lé· 2020

MareNostrum Primary Function: Ilé Gbígbé Ènìyàn

látọ̀wọ́ Aaron Leppanen and Gabriela Anker

Oníbàárà: Romero & Pazmiño Ingeniería Inmobilaria

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìkọ́lé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #104748

Àwọ̀

Àpẹrẹ Náà

Nípa MareNostrum Primary Function: Ilé Gbígbé Ènìyàn

MareNostrum jẹ́ ilé gbígbé ènìyàn tí ó ní ilẹ̀ mẹ́jọ ní Quito, Ecuador. Orúkọ náà ń tọ́ka sí gbólóhùn èdè Látìn fún òkun wa, ìta ilé náà sì tún ń ṣàpẹẹrẹ ìṣíkiri àwọn àṣálẹ̀ àwọn ọ̀wọ́ọkọ̀ ojú omi Róòmù. Ìta ilé tí ó lọ́nàkọrọ̀ ṣe àwọn balikoni ńlá tí ń fẹ̀ àyè inú ilé jáde sí ìta. Àwọn igun tí a gé sáà lu ilẹ̀ méjì, ó ń fúnni ní ìbòji lọ́wọ́ oòrùn ó sì ń dá àwọn ibi tí àwọn aládùúgbò lè pàdé. Ilé náà ní àwọn suite, àwọn ilé ìgbélé onípàgọ̀ méjì àti mẹ́ta àti lofts, pẹ̀lú yàrá ìsinmi àti àwọn agbègbè aláwọ̀ ewéko lórí terrace. Àwọn ọgbọ́n aláìṣiṣẹ́ mọ́tò ń pèsè ìmọ́lẹ̀ àdánidá àti afẹ́fẹ́.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

MareNostrum Primary Function: Ilé Gbígbé Ènìyàn jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé MareNostrum Primary Function: Ilé Gbígbé Ènìyàn yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. MareNostrum Primary Function: Ilé Gbígbé Ènìyàn jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
Throughout the 8 story residential building, the movement of the facade generates large balconies, which extends the interior space to the exterior. The form has passive sustainability strategies, such as ventilation and natural light. The volume of the building allows different types of apartments, suites, 2 bedrooms, 3 bedrooms and lofts. In addition, social spaces are created inside the building, such as a lounge and green areas on the terrace, to take advantage of the urban context.
Ìwọ̀n àti Àpò
The building has 8 stories and 3 underground levels in a 1250 square meters lot. The total construction area is 8,800 square meters. The building has a reinforced concrete structure with steel deck floor plates.
Àwọn Àkọlé
Sea , Waves , Urban , Facade , Residential
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
The facade and the lobby have the same language in their design. However the facade was constructed with conventional masonry blocks and mortar. The lobby in contrast was built with a combination of digital fabrication and artisan work. The unique lobby forms were made with a cnc cut mdf structure and colorado wood panels cut by hand. The use of complementary digital and artisan construction techniques was key to attain such unconventional forms in a setting like Ecuador.
Ìpèníjà Àpèsè
The historical connection that the site of the project had with the sea inspired the form. The local construction technology however gave limitations on how this form would be attained. After evaluating different materials , the conventional masonry blocks and cement materials were used in a sculpted work with the local artisans to build the wave inspired facade. The combination of these curved walls and wooden accents below the cantilevered floor plate extensions created the desired volume.
Ìwádìí
Our office research primarily focuses on form finding through organic efficiencies. Specifically varied repetition is of interest, looking for models of difference through a similar design process. The objective behind this research is to identify potential insights and techniques that can be implemented in our iterative design process. Methods include digital sketching in rhino and grasshopper and physical printed models. In the iterative process, experimentation is the most important aspect in the search for potential architectural solutions. These experiments are tested against the various project parameters, which could include; zoning, context, client preferences, marketing strategies, constructability and other conceptual criteria. The result of this process is constructible yet experimental design that has movement, emotion, repetition and a physical presence in our community.
Ìmísí
The site of the project was named Mare Nostrum after an existing restaurant, whose latin meaning is our sea. The ancient Romans baptized what is now the Mediterranean Sea with this name. Inspired in this context, the movement that the oars of the fleets of the Roman Empire used centuries ago to protect their territories is reinterpreted on its facade. Reinforcing this concept an experience of movement is created for the users inside and outside the spaces.
Àkókò Iṣẹ́ Àkànṣe
The project started in 2016 and was completed in 2019 in Quito, Ecuador.
Ìlànà Ìṣiṣẹ́
The characteristic cutout corners, spanning over two levels, give the building a softer attitude. They also create spaces and opportunities for neighbors to interact with each other, between the balconies of differing depth.
The cutout corners also provide shade protecting from the hot Andean sun.
Àwọn Ọmọ Ẹgbẹ́
Aaron Leppanen
Gabriela Anker
Sofía Chávez
Caroline Dieden
José Silva
Gabriela Valdéz Mena
Ìfọwọ́sí Àwòrán
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