Tianjin Zarsion Ilé Ìfihàn Àwòrán láti ọwọ́ RUF Architects jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.
Pílátínọ́mùÌkọ́lé· 2021
Tianjin Zarsion Ilé Ìfihàn Àwòrán
látọ̀wọ́ RUF Architects
Oníbàárà: RUF Architects
Aṣẹ́gun Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award nínú Ẹ̀ka Ìkọ́lé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #114671Àpẹrẹ Náà
Nípa Tianjin Zarsion Ilé Ìfihàn Àwòrán
Tianjin Zarsion jẹ́ ilé ìfihàn àwòrán tí a kọ́ sí ẹ̀gbẹ́ ọ̀kan lára àwọn odò kékeré tí ó ń ṣàn wọ inú Odò Yongding ní Tianjin, orílẹ̀-èdè China. Ètò ilé náà lo ìrísí ìsúnkun omi tí a gbé kalẹ̀ ní ọ̀nà tààrà-ọ̀gangan lórí ilẹ̀ náà, èyí tí ó mú kí ọ̀nà ìrìnàjò láti etí ìlú dé ẹnu ọ̀nà àbáwọlé gùn sí i. Àwọn ìbòrí òrùlé jíjìn àti àwọn ojú gíláàsì ńlá dá òrùlé fẹ́ẹ́rẹ́ kan tí ó dàbí pé ó ń léfòó lójú afẹ́fẹ́. Igi ni a fi kọ́ ètò ilé náà ní pàtàkì, pẹ̀lú àfikún irin, àti pé àwọn ìtì igi pupa páìnì mẹ́rìndínláàádọ́rin [68] tí a tò lọ́nà ìtànká ṣe àgbékalẹ̀ férémù aláwòrán agboorun tí ó tẹ̀. Àwọn òpó igi mẹ́jọ nínú ilé jẹ́ kí gbọ̀ngàn fífẹ̀ kan wà láìsí àwọn òpó nínú rẹ̀. Fèrèsé òrùlé aláwòrán ewé kan ni a díwọ̀n rẹ̀ kí ìmọ́lẹ̀ inú ilé lè jẹ́ jẹ́ẹ́jẹ́ẹ́ àti ìdákẹ́jẹ́ẹ́.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award
Tianjin Zarsion Ilé Ìfihàn Àwòrán jẹ́ olùborí Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó jẹ́ àrà ọ̀tọ̀ nítòótọ́, tó dára tó sì lọ́lá. Àwọn olùborí Pílátínọ́mù jẹ́ ìyanu ẹ̀dá, ẹ̀rí ààlà ìmọ̀ ẹ̀dá ọgbọ́n orí, wọ́n sì ń fi ìjáfáfá àti ọgbọ́n àìlẹ́gbẹ́ àwọn olùṣàwòṣe wọn hàn. A retí pé àwọn àwòṣe wọ̀nyí yóò jẹ́ àwọn iṣẹ́ tó lókìkí jùlọ tó ń ṣàlàyé ẹwà àkókò, tó ń ṣe àfikún sí ìlera àwùjọ tí wọ́n sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Tianjin Zarsion Ilé Ìfihàn Àwòrán ń fi ìpele ìjáfáfá tó kọjá ààlà hàn, ó sì ń sọ ayé di ibi tó dára jù láìsí iyèméjì nípasẹ̀ àwọn ànímọ́ rẹ̀ tó ṣàǹfààní tó sì ṣeyebíye. Tianjin Zarsion Ilé Ìfihàn Àwòrán jẹ́ iṣẹ́ tó borí Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award tó ń jí ìfẹ́ inú, tó ń fún ní ìmísí, tó ń mú láyọ̀ tó sì ń bí ayọ̀ ńlá.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Architects initially tried to use symbolic architectural language to establish a connection with the historical environment.
As to layout, water drop shape is placed diagonally into the site, which not only elongates the moving line from the city interface to the entrance, but also makes the shape more intuitive. The profound eaves overhang and large area glass applications create a directionless floating roof, which presents a charming tranquility with the swaying shadows of the trees. - Ìwọ̀n àti Àpò
- The interior 8 wooden columns and the 3 diagonal wooden columns at the front make the structure realize the 34.0mx14.5m indoor column-free space and the 3.7m outdoor cantilever.
The smoke-gray aluminum-magnesium plates, ultra-white tempered glass, small faceted spruce suspended ceiling and leaf-shaped exterior outline create an honest expression of microscopic stress. - Àwọn Àkọlé
- Innovative, New Experience, Polysemy, Community, Commercial, Dynamic, Architecture, Interaction
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The project’s structure went through three rounds of schemes, and final scheme is dominated by wood structure and supplemented by steel structure.
The concept of three rings is adopted. The roof uses the skylight and the beam columns to realize force conversion. The cornice is made of steel structure and the rest is made of wood structure to achieve perfect radiating effect. - Ìpèníjà Àpèsè
- The project was completed in the form of wooden structure. The biggest challenge in the process of project implementation is the large span and overhang in the structure. After several rounds of structural tests, the final shape is umbrella-shaped spoke-type arched architecture scheme, which is formed by inner, middle and outer circular steel beams and 68 radial red pine beams.
- Ìwádìí
- At the initial design stage, the external place is not clearly defined, and the relationship between the building and the place presents a sense of spontaneous floating. Along with the design development forwarded, metaphorical polysemy emerges. Architects use the cavities of roof sheathing and inclined beams as well as the cavities of main ring beams to hide all pipelines involving water, electricity, air conditioning and so on.
- Ìmísí
- The project locates next to a meandering tributary of the Yongding River. In this vast expanse of grass, the external place is not clearly defined.
The design started with the roof, architects initially tried to use symbolic architectural language to establish a connection with the historical environment. This is like a crystal clear water drop quietly dissolves into the endless winding river. However, with the gradual development of the narrative, metaphorical polysemy emerges. - Àkókò Iṣẹ́ Àkànṣe
- The project started in July. 2019 in Tianjin Municipality, China and was completed in March 2020.
- Ìlànà Ìṣiṣẹ́
- The building does not have a clear main entrance. Three exposed diagonal wooden posts are used to define the entrance space at the front.
To enter the exhibition space from the front, visitors will enter a lower transitional space under the eaves, and then gradually move to the space under the leaf-shaped skylight, which is covered with light. We deliberately control the interference of excessive direct light through the size of the skylight, so as to ensure the soft and quiet space atmosphere inside. - Àwọn Ọmọ Ẹgbẹ́
- RUF Architects
Lead Architect：Qian Mingbo
Design Team：Song Xinhua,Wu Meihong, Rao Zeming, Ji Changshuai - Ìfọwọ́sí Àwòrán
- Photo Credits: Hu Yijie
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