Kohan Ceram Central Office Building Ilé Iṣẹ́ Ọ́fíìsì láti ọwọ́ Hooman Balazadeh jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.
WúràÌkọ́lé· 2021
Kohan Ceram Central Office Building Ilé Iṣẹ́ Ọ́fíìsì
látọ̀wọ́ Hooman Balazadeh
Oníbàárà: HOOBA Design Group
Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìkọ́lé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #117247Àpẹrẹ Náà
Nípa Kohan Ceram Central Office Building Ilé Iṣẹ́ Ọ́fíìsì
Ilé Ọ́fíìsì Àárín Kohan Ceram ni olú-ibùdó ilé-iṣẹ́ tí ń ṣe bíríkì kan ní Tehran. Ilé náà ní yàrá ìfihàn ọjà, ọ́fíìsì títà ọjà àti ẹ̀ka fún àlejò. Wọ́n ṣe àgbékalẹ̀ bíríkì àkànṣe kan fún iṣẹ́ àgbékalẹ̀ yìí, tí ó so bíríkì ilé-iṣẹ́ pọ̀ mọ́ gíláàsì tí a dà. Bíríkì kọ̀ọ̀kan nípọn ní sẹ̀ǹtímítà mọ́kàndínlógún, ó sì ní ìpele ìdáàbòbò ooru láàárín ìpele bíríkì méjì. Bíríkì náà ń ṣiṣẹ́ gẹ́gẹ́ bí ohun ìkọ́lé, ohun ìparí àti ìdáàbòbò ooru lẹ́ẹ̀kan náà. Bíríkì kan náà ni ó ṣe ojú-ìta ilé náà tí ó sì ń ṣe àwọn àyè inú ilé, tí ó ń mú ìmọ́lẹ̀ ọ̀sán wọ inú ilé nígbà tí ó ń dáàbò bo àṣírí.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award
Kohan Ceram Central Office Building Ilé Iṣẹ́ Ọ́fíìsì jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Kohan Ceram Central Office Building Ilé Iṣẹ́ Ọ́fíìsì yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Kohan Ceram Central Office Building Ilé Iṣẹ́ Ọ́fíìsì ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Is it possible to unify the urban scenery by minimizing the formic expression of buildings as singular objects and emphasizing on the city as a whole? Unitizing different elements of the building including walls, windows, doors, etc., as well as reducing the variety of building materials could somehow address the so called issues. The project was designed as the headquarters for Kohan Ceram Brick Manufacturing Company. Preserving the existing concrete structure, it was decided to Design a special brick (by architect) to represent the factory. Now the question is, could this well-known building material move beyond its simple role and help changing the perceptions towards a complicated building and to combine different building elements to reach a new phenomenon? How could we reduce the visual disturbance in the urban scenery by introducing weak forms as building objects? The story of Kohan Ceram building was started when a new modular creature was formed called the “Spectacled Brick”. This little guy had transparency and solidity in one piece and could see the city from within. It worked as the masonry, the finishing, and the insulation at the same time but still wanted to be more than that. The Spectacled Brick not only formed the exterior façade, but also transformed from a surface into a volume which extended into the building in the form of modular greenspaces. Replacing ordinary walls and windows, these modules defined different spaces in the building. Therefore, the interior walls were formed by the extension of the exterior walls, following the main design criteria which was to merge dual qualities. Bringing the natural lighting inside spaces in a mysterious way, the Spectacled Brick delayed the perceptions towards the building. It made the building both introverted and extroverted during day and night. It strictly banned other materials to take part in the making of the building and always kept loyal to its geometry. Penetration was the favorite notion for the Spectacled Brick. Making use of its semi-transparent nature, it merged the exterior with the interior to fade the boundary between the two. The spectacled brick was aware of the ventilation and light exposure benefits caused by the penetration of exterior to interior and used this technique to organize spaces inside the building. The spectacled brick integrated building qualities such as interior and exterior, introversion and extroversion, façade and space, transparency and solidity, natural and artificial lighting, to create a new phenomenon which not only carries features form both components, but also introduces new values to the system. Therefore, design challenges were resolved by merging these dual components into unique elements. It also used this homogeneity to address the programmatic requirement of the project which included both commercial and residential spaces. It tried to expand the commercial aspect of the brick showroom to the exterior and eventually to the city. Therefore, the transitional role of the building as a complex of spaces in the building scale and a commercial object in the urban scale was formed.
- Ìwọ̀n àti Àpò
- The brick block used in this project is a combination of industrial brick and cast glass. The building envelope consists of two layers of brick-glass block with a thermal insulation layer in between. The overall thickness of the block is 19cm. anti-moisture silica gel balls were placed in between the two brick layers to prevent condensation on the glass.
- Àwọn Àkọlé
- Kohan Ceram Building , kohan ceram Factory , Kohan Ceram Brick Manufacturing Company , Kohan Ceram , Kohan Ceram Central Office
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The story of Kohan Ceram building was started when a new modular creature was formed called the “Spectacled Brick”. This little guy had transparency and solidity in one piece and could see the city from within. It worked as the masonry, the finishing, and the insulation at the same time but still wanted to be more than that.
The Spectacled Brick not only formed the exterior façade, but also transformed from a surface into a volume which extended into the building in the form of modular greenspaces. Replacing ordinary walls and windows, these modules defined different spaces in the building. Therefore, the interior walls were formed by the extension of the exterior walls, following the main design criteria which was to merge dual qualities. - Ìpèníjà Àpèsè
- As mentioned in the previous section, the most challenging obstacle in this project was to come up with the optimum solution in the making of the brick-glass block. Many trial and error procedures were conducted in the making of the prototypes. The success of this time consuming procedure was realized with the help of the great teams working on both the brick and the glass components of the block.
- Ìwádìí
- There was a glass workshop in a close distance from the Kohan Ceram factory. This was the spark of a new idea which was to explore the possibilities of solid brick to be combined with cast glass. We started the experiment with direct casting of melted glass into the fire resistant brick blocks. A number of trial and errors resulted in a failed prototype with cracks in the brick block after the glass was cooled. Therefore, we decided to cast the glass separately and stick it inside the brick wholes using a special glue. These trial and error experiments where conducted to create a new brick typology which not only forms the entirety of this project but also could be applied in many other projects. This could eventually help many glass casting workshops to boost their business and to produce valuable products instead of low quality objects.
Moreover, this new building block could boost the living quality of many “infill” projects around the country, by improving the light penetration quality inside the building envelope without altering privacy and overlook requirements. - Ìmísí
- How can a single building form strategic changes to the urban scenery? Is it possible to unify the urban scenery by minimizing the formic expression of buildings as singular objects and emphasizing on the city as a whole? Unitizing different elements of the building including walls, windows, doors, etc., as well as reducing the variety of building materials could somehow address the so called issues.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in March 2016 in Tehran and finished in August 2019.
- Ìlànà Ìṣiṣẹ́
- The spectacled brick integrated building qualities such as interior and exterior, introversion and extroversion, façade and space, transparency and solidity, natural and artificial lighting, to create a new phenomenon which not only carries features form both components, but also introduces new values to the system. Therefore, design challenges were resolved by merging these dual components into unique elements. It also used this homogeneity to address the programmatic requirement of the project which included both commercial and residential spaces. It tried to expand the commercial aspect of the brick showroom to the exterior and eventually to the city. Therefore, the transitional role of the building as a complex of spaces in the building scale and a commercial object in the urban scale was formed.
- Àwọn Ọmọ Ẹgbẹ́
- Project Architect: Parima Jahangard
Design Team: Parima Jahangard - Mohsen Tahmasebi – Mostafa Dadashpour
Site Supervision: Mohsen Tahmasebi
Detail Design: Bahram Afsari- Mohsen Tahmasebi
Physical Modeling: Mehran Alinezhad
Presentation: Shafagh kia- Maryam Eghlimi
Mechanical Engineer: Iman Ilbeigi - Ìfọwọ́sí Àwòrán
- Parham Taghioff
Deed Studio
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