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The Growth Curve Aṣọ Aláyípadà láti ọwọ́ Haiwei Wang

The Growth Curve Aṣọ Aláyípadà láti ọwọ́ Haiwei Wang jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àṣà Ìmúra, Aṣọ àti Ẹ̀wù.


WúràÀṣà Ìmúra· 2021

The Growth Curve Aṣọ Aláyípadà

látọ̀wọ́ Haiwei Wang

Oníbàárà: Haiwei Wang

Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Àṣà Ìmúra

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #120491

Àwọ̀

Àpẹrẹ Náà

Nípa The Growth Curve Aṣọ Aláyípadà

Growth Curve jẹ́ aṣọ aláyípadà tí a ṣe àgbékalẹ̀ rẹ̀ láti yí ìrísí rẹ̀ padà àti láti pèsè oríṣiríṣi ọ̀nà láti wọ̀ ọ́. Àwọn ọ̀pá tín-ínrín onígun-ẹja ni ó dá ìhun atìlẹ́yìn rẹ̀ sílẹ̀, wọ́n sì rán wọn tààrà mọ́ aṣọ tí ó le nà. Agbára àìdọ́gba tí àwọn ọ̀pá tí ó ń ré ara wọn kọjá ń dá sílẹ̀ ń mú kí aṣọ náà ká, kí ó sì di àwọn ojú-ìta oníkọ̀rọ̀ àti gbígbéga, èyí tí ó ń fún aṣọ náà ní ìhun onípele-mẹ́ta tí ó fúyẹ́ tí afẹ́fẹ́ sì lè wọ̀. Ọ̀nà yìí jẹ́ kí a lè ṣe àwọn ìrísí dídíjú láìsí dídàpọ̀ àwọn ẹ̀yà aṣọ ọ̀tọ̀ọ̀tọ̀. Ìdàkúta aṣọ tí ó kéré ni ó ń jáde nígbà ìṣelọ́pọ̀, èyí sì ń ṣe àtìlẹ́yìn fún ìfipamọ́ agbára nínú iṣẹ́ ọnà aṣọ.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award

The Growth Curve Aṣọ Aláyípadà jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé The Growth Curve Aṣọ Aláyípadà yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. The Growth Curve Aṣọ Aláyípadà ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
According to the principle of mechanics, this work makes the garment structure show 3D structure like "soft sculpture", light and breathable. At the same time, the clothing structure has the function of expansion and deformation, which can provide a variety of wearing methods for the wearer. The waste fabric produced in the process of clothing production is less, which is conducive to promoting the environmental protection and energy saving of the clothing industry.
Ìwọ̀n àti Àpò
Width 400mm x Depth 350mm x Height 1750mm
Àwọn Àkọlé
Fashion , Sustainable, Wearable Art, Clothing, Garment Design
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
The main production materials of this fashion design are fishbone and elastic fabric. Among them, fishbone function is the basic framework to shape the overall shape. Elastic fabric is used to wrap the surface and cooperate with the generation of organic form. In terms of the manufacturing principle, the fishbone material is directly sewed on the surface of the fabric, and the concave convex structure produced by the crisscross fishbone is used to drive the fluctuation of the elastic fabric. According to the principle of mechanics, the linear trend combination of supporting materials is designed in advance to make the elastic fabric bear uneven force under the action of fishbone supporting materials, and finally the fabric presents a three-dimensional shape of curl, concave convex and spiral.
Ìpèníjà Àpèsè
The most challenging part of the creation process of this series lies in the process of transforming the two-dimensional plane pattern into the three-dimensional space structure of clothing. There are uncontrollable factors in this process. In the whole production process, sometimes random and accidental changes of pattern arrangement will bring unexpected structure, and also bring more possibilities to clothing modeling.
Ìwádìí
This design aims to carry out innovative research and Practice on clothing structure and materials, and further explore the free presentation of organic form in clothing conceptual design. At the same time, we try to create the "one clothing, many clothes" mode by using the deformable structure, so as to innovate the clothing function and reduce the waste of clothing materials. The positive role of green design concept in promoting green design in the clothing industry and its application prospect in the future wearable fashion field are further discussed.
Ìmísí
The inspiration of the work comes from the 3D modeling structure with a sense of future technology, and the rhythmic changes are fascinating. Fishbone is used as the supporting frame of the garment, and elastic fabric is used to wrap the surface to shape the overall organic form. It is like ergonomic extension design, flexible and changeable modeling gives clothing more possibilities, and flowing shape brings people sensory stimulation.
Àkókò Iṣẹ́ Àkànṣe
The project started in October 2018 in Guangzhou and finished in April 2019 in Guangzhou, and was exhibited in Beijing in May 2019.
Ìlànà Ìṣiṣẹ́
The fashion design works use a variety of innovative structures, thus creating a variety of clothing modeling. The combination of fishbone and elastic fabric makes the garment not only the "armor" to protect the body, but also the second layer of soft skin. The garment manufacturing method can achieve a rapid prototyping for any shape and structure, including complex surface, without splicing to achieve the integration of clothing, and fundamentally achieve the three-dimensional shape of clothing.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
Copyrights belong to Haiwei Wang, 2019
Ìfọwọ́sí Àwòrán
Image #1: Creator Haiwei Wang, The Growth Curve, 2019.
Image #2: Creator Haiwei Wang, The Growth Curve, 2019.
Image #3: Creator Haiwei Wang, The Growth Curve, 2019.
Image #4: Creator Haiwei Wang, The Growth Curve, 2019.
Image #5: Creator Haiwei Wang, The Growth Curve, 2019.

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