Huazolo Aphrodites Aṣọ Òfin láti ọwọ́ Cynthia Gomez

Huazolo Aphrodites Aṣọ Òfin láti ọwọ́ Cynthia Gomez jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àṣà Ìmúra, Aṣọ àti Ẹ̀wù.

FàdákàÀṣà Ìmúra· 2025

Huazolo Aphrodites Aṣọ Òfin

látọ̀wọ́ Cynthia Gomez

Oníbàárà: Ensamble Artesano and Niu Matat Napawika

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Àṣà Ìmúra

223,557

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #169193

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Huazolo Aphrodites Aṣọ Òfin

Iṣẹ́ àkànṣe yìí jẹ́ iṣẹ́ ìfọwọ́sowọ́pọ̀ láàrin àwọn ọ̀gá oníṣẹ́-ọnà òfin ìbílẹ̀ ti Oaxaca Mexico àti àwọn ayàwòrán aṣọ, tí wọ́n ṣẹ̀dá àwọn àpẹẹrẹ tí ó darapọ̀ ìdánimọ̀, àmì-àwòrán, àti ọ̀nà iṣẹ́ àwọn àwùjọ ìbílẹ̀ pẹ̀lú ìran àwọn ayàwòrán nínú ọjà aṣọ ìgbàlódé. Nípa dídapọ̀ àwọn ọ̀nà àtọwọ́dọ́wọ́ bíi kò sí ìdàhoro pẹ̀lú ẹwà-ọ̀nà ìgbàlódé, iṣẹ́ àkànṣe náà ṣe àfihàn pàtàkì àṣà iṣẹ́ àwọn oníṣẹ́-ọnà nígbà tí ó ń pèsè àwọn àǹfààní ọrọ̀-ajé àti ṣíṣàfihàn ẹwà iṣẹ́-ọwọ́ wọn nínú àgbáyé àpẹẹrẹ ìgbàlódé.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Huazolo Aphrodites Aṣọ Òfin jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Huazolo Aphrodites Aṣọ Òfin yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Huazolo Aphrodites Aṣọ Òfin jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: This was a collaboration project with the embroiderers Huazolo Aphodites, with the aim of keeping artisanal production alive and preserving the ancestral textile techniques of the community of Santa María Huazolotitlán, Oaxaca, Mexico. It consisted of working together between the designers and the indigenous embroidery master craftsmen,creating a proposal that integrated identity, symbology, and techniques of indigenous communities with the designer's vision in a contemporary fashion product
Ìwọ̀n àti Àpò: poncho 90 cm x 120 cm
blouse 60 cm x 60 cm
dress 90 cm x 80 cm
Àwọn Àkọlé: collaboration, indigenous communities, embroidery, heritage, traditions, sustainable, fashion
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The exchange of knowledge between artisans and designers was achieved, exalting embroidery techniques, promoting sustainability by using local textiles and inputs, as well as managing zero waste in clothing using squares and rectangles for each pattern, based on the traditional indigenous huipil technique.
Ìpèníjà Àpèsè: The challenge was to generate empathy and communication with the indigenous communities since they were more than 1000 km from Mexico City.
We had many meetings to be able to delve into their culture and understand what was most relevant to them in terms of their techniques and silhouettes, so that together we could design garments with which they could identify and produce.
The other challenge was to find sustainable silhouettes and local materials.
Ìwádìí: It all started with an immersion with the artisans, to understand their culture, clothing, and techniques they used since past times.
Several meetings were held, sharing the symbols they use; seeking empathy, understanding how relevant textiles are for them.
We crossed many design ideas, until reaching the final proposal, using rhombuses and animals of the region that are part of their embroidery, but fusing them with topography of the place to connect with the contemporary designs. We promote sustainability with zero waste in patterns through the interpretation of their huipil which is made from rectangles.
Ìmísí: We immersed ourselves in the community to learn about its culture, identity, traditions, as well as its clothing and textile techniques. They shared with us the meaning of the symbols they embroider, such as the multicolored rhombuses that show the days of the week and the animal figures that represent the fauna of the region.
The designs took as inspiration the topography of the town, representing the intersections of its streets in diamond and the fauna amplified and segmented in the design
Àkókò Iṣẹ́ Àkànṣe: The project started in March 2023 and finish in February 2024
Ìlànà Ìṣiṣẹ́: They are easy to handle garments, as they are made from squares and rectangles.
Àwọn Ọmọ Ẹgbẹ́: Cynthia Gomez
Ìfọwọ́sí Àwòrán: Photographer Silvestre Garcia
Hairstylist Ignazio Muñoz
Makeup artist Ian Bautista
Models Diana Ortiz and Aislynn Diana
Stylist Vanesa Bojalil