Oriental Movie Metropolis Theater Aranse Alabagbepo láti ọwọ́ Shanxing Gao jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.
Pílátínọ́mùÌkọ́lé· 2022
Oriental Movie Metropolis Theater Aranse Alabagbepo
látọ̀wọ́ Shanxing Gao
Oníbàárà: Gdf Ltd
Aṣẹ́gun Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award nínú Ẹ̀ka Ìkọ́lé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #126211Àpẹrẹ Náà
Nípa Oriental Movie Metropolis Theater Aranse Alabagbepo
Okan si iseda agbegbe ati idahun si awọn akoko ode oni jẹ awokose akọkọ fun ṣiṣẹda ẹwa ti fọọmu ayaworan. Fidimule ni imoye Ila-oorun, eto ṣiṣeto ti ara ẹni ti igbega ile, eyiti o kan iwoye ayika adayeba, iṣẹ ṣiṣe aṣa ati agbara ṣiṣe awọn ohun elo ikole, jẹ aṣoju ni pipe ati didara didara.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award
Oriental Movie Metropolis Theater Aranse Alabagbepo jẹ́ olùborí Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó jẹ́ àrà ọ̀tọ̀ nítòótọ́, tó dára tó sì lọ́lá. Àwọn olùborí Pílátínọ́mù jẹ́ ìyanu ẹ̀dá, ẹ̀rí ààlà ìmọ̀ ẹ̀dá ọgbọ́n orí, wọ́n sì ń fi ìjáfáfá àti ọgbọ́n àìlẹ́gbẹ́ àwọn olùṣàwòṣe wọn hàn. A retí pé àwọn àwòṣe wọ̀nyí yóò jẹ́ àwọn iṣẹ́ tó lókìkí jùlọ tó ń ṣàlàyé ẹwà àkókò, tó ń ṣe àfikún sí ìlera àwùjọ tí wọ́n sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Oriental Movie Metropolis Theater Aranse Alabagbepo ń fi ìpele ìjáfáfá tó kọjá ààlà hàn, ó sì ń sọ ayé di ibi tó dára jù láìsí iyèméjì nípasẹ̀ àwọn ànímọ́ rẹ̀ tó ṣàǹfààní tó sì ṣeyebíye. Oriental Movie Metropolis Theater Aranse Alabagbepo jẹ́ iṣẹ́ tó borí Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award tó ń jí ìfẹ́ inú, tó ń fún ní ìmísí, tó ń mú láyọ̀ tó sì ń bí ayọ̀ ńlá.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- "The heart is on the ground and natural, responding to the next era", the Show Theatre takes it as the core aesthetic principle and starting point of inspiration. In terms of locality, environmental perception and the spirit of the times, it is demonstrated through architectural performance functions with customization, material shaping systems, and orderly, complex and elegant spatial organization. The curvilinear form language implies multi-level metaphors.
- Ìwọ̀n àti Àpò
- Project size: 231424 sq. ft
- Àwọn Àkọlé
- locality；dramatic; Cultural symbols； Parametric design；BIM technology
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- At the beginning of facade design, the Show Theater shape was defined as a hyperboloid of negative Gaussian curvature with different curvatures everywhere. It brings great difficulty to the subsequent processing, and also causes the high cost of curtain wall processing. According to the basic design principles defined by related structural design and morphological requirements, and through the establishment of Grasshopper-assisted design logic, we optimize the traditional basic surface morphology defined by the orthogonal UV direction, and achieve a positive design optimization of construction-oriented.
- Ìpèníjà Àpèsè
- In order to realize the design concept, the Show Theatre adopts a spirally ascending curve form covered with a full glass curtain wall to express the natural texture of the conch. This structural form determines that most of the glass are hyperboloid, and require customized processing. During construction, the complexity of the components and the requirements for installation accuracy are very high, the installation and positioning of a large number of special-shaped glasses are difficult, and the deformation of complex steel structures is difficult to control. In order to ensure safety, there are high requirements on the precision of steel consumption, displacement control and synchronization during the construction process.
- Ìwádìí
- Dominated by the initial design concept, the project applies the forward BIM methodology to introduce the parametric control of spatial curves in the very first stage of design. Integrating the artistic design of form as well as the construct of NURBS curves and surfaces, the elegant double shells concept fits well with the function of theater. During the whole design and construction process, forward BIM technology is used for the design communication and file control, which enable s the best translation of the initial design concept to the final built structure of the theater as well as the combination of art and technology.
- Ìmísí
- The proposal concept comes from a conch-one of the oldest marine creature.Combined with the unique marine culture of QINGDAO, the Show Theatre creates an abstract and dynamic shape with verti calconch texture. Standing by the sea, the Show Theatre and the Grand Theater are in a beautiful contrast. They look the same, but with some changes.One is quiet,and one is lively, which adds a lot of vitality.
- Àkókò Iṣẹ́ Àkànṣe
- The project was completed on January 18, 2019 and officially opened on April 29, 2019 in Qingdao.
- Ìlànà Ìṣiṣẹ́
- In history, Qingdao was the hometown of Dongyi's marine civilization, the important place of the "Nation of Sea King" in the Spring and Autumn Period, and one of the earliest prosperous places on the Maritime Silk Road. Modern Qingdao is vigorously implementing marine cultural revitalization projects, marine cultural inheritance and development projects, and image enhancement projects. These will help build a marine cultural brand and a famous coastal cultural tourism city. A brand-new cultural, tourism and performing arts product not only enables citizens and tourists to feel the unique charm of the world’s top art performances, but also better meets their strong demand for night life in the island city. It also further enhances the city images of Open, Modern, Vibrant and Fashion, which promotes and spreads Qingdao culture as well as Qilu culture.
- Àwọn Ọmọ Ẹgbẹ́
- Gao shanxing, Wen yikang, Chang qi, Tang xiaomin
- Ìfọwọ́sí Àwòrán
- Image #1,2,3,4,5: Photograph by Wu qingshan studio
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