Architectural Traces Ìwé láti ọwọ́ Stjepko Rosin

Architectural Traces Ìwé láti ọwọ́ Stjepko Rosin jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìtẹ̀wé àti Àtẹ̀jáde.

IrinÌtẹ̀wé· 2022

Architectural Traces Ìwé

látọ̀wọ́ Stjepko Rosin

Oníbàárà: Naklada Boskovic

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìtẹ̀wé

12,336

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #126347

Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Architectural Traces Ìwé

Architectural Traces jẹ́ ìwé kan nípa iṣẹ́ awalẹ̀-àwòrán (architect) ará Dalmatia kan. Ìbò ìwé náà ní ẹ̀gbẹ́ tí ó tẹ̀ dòjú-ọ̀nà tí ó jọ orí-ilé pẹ̀lú àwọn àwo amọ̀ (tiles) Roman ìbílẹ̀ nígbà tí a bá wò ó láti òkèrè. Tí a bá wò ó láti tòsí, àpẹẹrẹ náà a máa fi ara hàn gẹ́gẹ́ bí àwòrán láti inú ìwádìí magnetic resonance gidi ti ẹ̀yìn (spine) awalẹ̀-àwòrán náà fúnra rẹ̀. Ẹ̀tàn ojú yìí ń tọ́ka sí ohun ìjìnlẹ̀ àti ìrora tí ó fara sin lẹ́yìn àwọn ilé tí a ń yìn. Ìwé náà ní ìwọ̀n 270 mm ní 270 mm ní 35 mm, a sì tẹ̀ ẹ́ sórí bébà offset pẹ̀lú ìdìpọ̀ (binding) tí a rán le, láìsí ìbora òde. Ìbò ìwé náà máa ń dé ipò ṣíṣí lọ́nà tí ó tẹ̀ nígbà tí a bá ń lò ó.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Architectural Traces Ìwé jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Architectural Traces Ìwé yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Architectural Traces Ìwé nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: Looking from a distance at the sloping side of the cover, we recognize a roof with typical Dalmatian Roman tiles. It is created by the optical illusion of images of the actual Magnetic resonance of the architect's spine, which can be seen when we approach the book. They reveal the hidden and painful reality of a responsible Dalmatian architect, the one behind the buildings we admire.
Ìwọ̀n àti Àpò: Dimensions are 270 mm x 270 mm x 35 mm
Àwọn Àkọlé: Book, Architecture, Spine, Traces, Dalmatian, Roman
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The format of the book was chosen as the one that corresponds to the difference in proportions and quality content of the publication, not too large for the convenience of leafing. It is printed on quality offset paper, hard, stitched binding without the outer paper wrapper.
Ìpèníjà Àpèsè: The challenge was how to show the life of an architect who is not easy. To show it true in a society that has prejudices against responsible architects and that perceives architecture in the wrong way. Show that not all architects are the same.
Ìwádìí: Almost a lifelong experience, living in the same household with an architect, talking many times about architecture, I witnessed many successes but also injustice, misunderstanding, pressure, threats, sleepless nights, and consequently health problems.
Ìmísí: The Dalmatian architecture disappears under the trends. The authors of the book, called Architectural Traces, describe the works of a renowned Dalmatian architect Jerko Rosin, as modest, considerate, rational, responsible for the area, without unnecessary trendy views. And on the spine that has not bent in front of insatiable investors, which are consistency, stress, and years spent in a chair, I notice some different architectural, more painful, traces.
Àkókò Iṣẹ́ Àkànṣe: The project started in October 2019 in Split and finished in January 2020 in Split, and was exhibited in Hotel Park congress hall in January 2020.
Ìlànà Ìṣiṣẹ́: The book is not designed flat. Although it communicates even when closed, it comes to full expression during use, when opening the book, when the cover comes into its open oblique position.
Ìfọwọ́sí Àwòrán: Image #1: Photographer Stjepko Rosin, 2021
Image #2: Photographer Stjepko Rosin, 2021
Image #3: Photographer Stjepko Rosin, 2021
Image #4: Photographer Stjepko Rosin, 2021
Image #5: Photographer Stjepko Rosin, 2021