White Forest Iṣẹ Abemi Ile Ibugbe láti ọwọ́ Po Chuan Kao jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IdẹInú Ilé· 2022
White Forest Iṣẹ Abemi Ile Ibugbe
látọ̀wọ́ Po Chuan Kao
Oníbàárà: ACG Design International
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #127343Àpẹrẹ Náà
Nípa White Forest Iṣẹ Abemi Ile Ibugbe
Ọrọ Iwe: White Forest jẹ apẹrẹ abẹnu ibugbe fun ile kan tí ó tó nǹkan bí 42 ping ní Taichung. Ètò náà ní ọ̀nà abawọle, ilé ìdáná, yàrá ìjẹun, yàrá ìjókòó àti yàrá ìkẹ́kọ̀ọ́, pẹ̀lú yàrá ìsùn àkọ́kọ́ àti balùwẹ̀, àti yàrá ìsùn kejì àti balùwẹ̀ rẹ̀. A ti yọ àwọn ògiri tí kò pọn dandan kúrò láti ṣàtúnṣe ìtòsí àkọ́kọ́ tí ó jẹ́ àbùkù àti tí a pín sí ọ̀pọ̀lọpọ̀ apá lọ́nà tí kò bára mu. Terrazzo aláwọ̀ eérú ní ọ̀nà abawọle so ilé ìdáná àti yàrá ìjẹun pọ̀. Òkúta mábùlì, digí, tiles gíláàsì àti igi líle tí a ya lẹ́wà ń rán ni létí àwọn àpáta, orísun omi àti òdòdó, nígbà tí àwọn ẹgbẹ́ ìmọ́lẹ̀ aluminiomu ń fún ni ìmọ́lẹ̀ rírọ̀ tí kò tọ̀nà tààrà.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
White Forest Iṣẹ Abemi Ile Ibugbe jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé White Forest Iṣẹ Abemi Ile Ibugbe yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. White Forest Iṣẹ Abemi Ile Ibugbe ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- After calibrating the design elements exquisitely, the designer applied accurate and coordinated ratio transformations between abstracts and concretes and further delivered a visual depth of field through various methodical features. Meanwhile, the terrazzo base with shades of gray has drawn a parallel towards the odd rocks in forests. Concretes can be seen from the entryway marble facade, artworks of Taiwanese artists that were glaze fired and painted, and the three-stamen furnishing at the vista of the hallway.
- Ìwọ̀n àti Àpò
- The indoor area is around 42 ping; this design included the entryway, the kitchen, the dining room, the living room, and the study of the public space; and the private area including the master bedroom and bathroom, and the secondary bedroom and bathroom.
- Àwọn Àkọlé
- flowers blooming, relaxing, silence and pure, pink
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Special paint, marbles, jet glasses, hardware, aluminum light band, painted solid wood, mirrors, glass tiles, grindstones, stretch cloth.
- Ìpèníjà Àpèsè
- To combine all individual design elements into the room, the designer has applied metaphor methods to carefully hold onto the ratio of the part. For example, the light band that expands with areas strips that metaphor classic while visually outlining the sense of technology. Meanwhile, the grains and texture on materials symbolized the imagery of flowers, odd rocks, mountain springs, and others within the space. With the ratio arrangements of abstracts and concretes, a progressive depth of field is elaborated; all elements endued with characteristics, and are placed in each corner harmonically.
- Ìwádìí
- To solve the distorted and multi-partitioned original spatial, the designer has remodified the surface. Abstract designing metaphors are used to elaborate the mountain springs, the odd rocks, the flowers, and other natural sights. The designer applied an open-ended method at the public area; a grindstone base is used as the go-between to create the entryway, the dining room, the kitchen, and other public areas. With the placing position of the desk and the sofa, a hidden border is created to divide the living room and the study.
- Ìmísí
- The designer applied Language of Flowers as the central concept and combined it with the touches of that trip to create layers of emotions. The depth of the elements is composed between abstracts and concretes; the language of flowers is shaped with abstracts, comparing humans to stamens. Within the transformations of lights and shadows, different appearances and colors are shown through the changing of time: Eternity shall bloom in the bottom of one heart, a pure flower with beauty and infinity.
- Àkókò Iṣẹ́ Àkànṣe
- The project finished in Jun 2021 in Taichung.
- Ìlànà Ìṣiṣẹ́
- Traffic flow arrangements often affect users emotions and the space practicality. The designer removed unnecessary walls to remodify the structure to solve the originally distorting and blocking spatial issue. Using the gray grindstones of the entryway as the go-between, the kitchen and the dining room are connected. At the same time, the open-end method is applied to weaken formal definitions towards space; overmuch decorations are ignored, while the sofa and the study desk are placed in the middle of the room, allowing children to move within the area freely without limitations.
- Àwọn Ọmọ Ẹgbẹ́
- PO-CHUAN KAO
- Ìfọwọ́sí Àwòrán
- ACG Design International
Oníṣọwọ́
Ṣàwárí Ju Designers.org Lọ
Ṣàwárí àwọn ọjà, iṣẹ́ àti àǹfààní láti ọ̀dọ̀ àwọn alábàáṣe ìpolówó wa.
Díẹ̀ Síi Láti Ṣàwárí
Àwọn Àpẹrẹ Tó Jọra
Ṣàwárí àwọn àpẹrẹ mìíràn tó gba àmì ẹ̀yẹ nínú ẹ̀ka kan náà, tí a yàn nípasẹ̀ ìyege.
