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Shade Ilé láti ọwọ́ Satoshi Fujinaka

Shade Ilé láti ọwọ́ Satoshi Fujinaka jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.


IdẹÌkọ́lé· 2024

Shade Ilé

látọ̀wọ́ Satoshi Fujinaka

Oníbàárà: Satoshi Fujinaka

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìkọ́lé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #151927

Àwọ̀

Àpẹrẹ Náà

Nípa Shade Ilé

Ṣí ọkàn rẹ sí ẹwà tó ń yípadà, àìpẹ́, síbẹ̀ tó lágbára tí ẹ̀dá abáyọ́ ń ṣẹ̀dá. Nítorí náà, a kọ́ ògiri ńlá àti èyí kékeré ní ìhà aládùúgbò láti dènà ìfúnpá tó ń bọ̀ láti ilé aládùúgbò, a sì tẹ̀ ògiri náà sílẹ̀ láti di òrùlé láti ṣẹ̀dá ààyè fún gbígbé lábẹ́ rẹ̀. Ètò tó ń darí láti ọ̀nà iwájú lọ sí inú ilé ń fún ni ní ìmọ̀ ìsopọ̀ pẹ̀lú ẹ̀dá. A ṣe àtúnṣe ìwúwo àti ìmọ́lẹ̀ yàrá ìjẹun àti yàrá ìsinmi kí ìfàkúnú àti ìfẹ̀sí ààyè náà lè fà ìfiyèsí olùwòran sí ọ̀run láàárín òrùlé méjì náà ní ọ̀nà àdáyébá.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Shade Ilé jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Shade Ilé yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Shade Ilé ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
In order to avoid pressure from the neighboring land, a large and small wall was built on the adjacent side of the site to block the view, and the wall was folded down to form a roof under which living space was created.The dining room is located 1m down from the entrance to minimize the ceiling height and brightness. The living room, one meter up from the dining room, has a high ceiling and a large opening.The contraction of the space naturally directs the eye to the sky between the two roofs.
Ìwọ̀n àti Àpò
Structural system : wooden
Site area : 201.38㎡
Total Floor area : 97.72㎡
The wooden portion of the building was constructed with a 910mm x 910mm grid of pillar and beam pitches using Japanese conventional construction methods, which made the structural plan easy to understand, and also made cost and construction management easier to understand.
Àwọn Àkọlé
House , Residential , Japan , Roof , Wood
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
Taking advantage of the difference in elevation of the site, a portion of the building is below ground level FL-1.0m , and the RC construction is used for that portion and the foundation, while the superstructure is made of wood, a traditional Japanese construction method.By burying the first floor underground, the overall height can be reduced and height restrictions can be met. In terms of design, the height of the left and right roofs are closer to each other, so that the sky is more visible in the gap between them.
Ìpèníjà Àpèsè
Limited floor space and a limited budget, while still providing the space the family needs,The position of sunlight was calculated and the window positions were adjusted to control the heat load, while a large window was installed on the north side to provide a large visual view of the sky.Cost control was planned by the client, who partially self-built the building and researched low-cost materials while maintaining the design.
Ìwádìí
The research for this project falls into two themes.The first is a study of how to maximize the natural environment within a limited site area to secure the space requested.The second is a study of total cost management and cost management of each material in a budget that is not plentiful.In architecture, how to clear these two themes is both the most exciting and difficult part.
Ìmísí
The site was surrounded by neighboring houses, making it difficult to be open to the surrounding environment. However, the site is 1.5 m higher than the front road, and as we climbed the ramp from the road to the site, we felt a pleasant breeze and a strong sense of awareness of the sky.Therefore, I thought about how the ubiquitous natural environment of the sky could be felt as a part of daily life and reflected in the hearts and minds of the people living there, enriching their lives.
Àkókò Iṣẹ́ Àkànṣe
Design for the project began in Iwakuni in April 2018 and construction was completed in December 2019.
Ìlànà Ìṣiṣẹ́
The house is located in a corner of an old-fashioned housing complex where houses are densely packed together, which is unique to Japan.The plan was designed to address the issue of how to create a house that can coexist with its surroundings and feel close to the natural environment, while also reducing the environmental burden caused by recent climate change and improving the comfort performance of the building itself.
Ìfọwọ́sí Àwòrán
Photo:Kenji Masunaga

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