Pinnannousu Ìṣafihàn Ère Yìnyín Rọ́bọ́ọ̀tì láti ọwọ́ Jussi Angesleva

Pinnannousu Ìṣafihàn Ère Yìnyín Rọ́bọ́ọ̀tì láti ọwọ́ Jussi Angesleva jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìgbékalẹ̀ Ìbáṣepọ̀, Ìrírí àti Ìbòmọ́lẹ̀.

WúràÌgbékalẹ̀· 2024

Pinnannousu Ìṣafihàn Ère Yìnyín Rọ́bọ́ọ̀tì

látọ̀wọ́ Jussi Angesleva

Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìgbékalẹ̀

194,655

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #158890

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Pinnannousu Ìṣafihàn Ère Yìnyín Rọ́bọ́ọ̀tì

Ìṣafihàn ère tí ń yọ́ díẹ̀díẹ̀, níbi tí rọ́bọ́ọ̀tì ilé-iṣẹ́ ń fín òkúta yìnyín ńlá sí lẹ́ńsì ìṣirò tí ń yí ìmọ́lẹ̀ padà sí àwòrán lórí ògiri, tí ń kọ ọ̀rọ̀ pé déégírì célsíọ̀sì méjì kún, ìkìlọ̀ ìbẹ̀rù nípa ìgbóná ayé. Iṣẹ́ ọnà náà ń fi ìrètí ìmọ̀-ẹrọ gíga jọra pẹ̀lú àwọn ìpenìjá àgbáyé àìdúró tí kò ní òpin. Ìtẹ̀síwájú náà ń ṣe ìyára ìlànà náà nìkan.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award

Pinnannousu Ìṣafihàn Ère Yìnyín Rọ́bọ́ọ̀tì jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Pinnannousu Ìṣafihàn Ère Yìnyín Rọ́bọ́ọ̀tì yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Pinnannousu Ìṣafihàn Ère Yìnyín Rọ́bọ́ọ̀tì ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: A slowly melting sculpture performance, where an industrial robot carves a large ice block to a computational lens that refracts spotlight to graphics on the wall, spelling “+2℃”, an ominous warning of global temperature rise. The artwork juxtaposes the high tech optimism with transient global challenges that know no bounds. The intervention only speeds up the process.
Ìwọ̀n àti Àpò: Universal Robots UR5 robotic arm
High power LED flashlights
100 x 50 x 25 cm clear ice blocks.
Raspberry pi 5 timelapse capture and projection display.
Àwọn Àkọlé: performance, computational design, robotics, new media, caustics, sculpture
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: An industrial robot equipped with a drill and a flashlight alternates between carving the ice block and illuminating it from different angles. The target geometry for the CNC milling is design algorithmically so that when the spotlight is placed on a specific location, the ice refracts lightrays to a predefined caustic image: “+2℃” on the wall. A timelapse camera records the few weeks of melting, and the slowly unfolding morph.
Ìpèníjà Àpèsè: Where the artwork was inherently a physical and material process, the team was distributed across the world. Working virtually with experimental physical research posed a major challenge. Also, when the work was unfolding, capturing it on film was also a challenge: every moment was unique, and there was no way of replaying anything due to the living material.
Ìwádìí: Where the intent of the artwork was to leverage the innate qualities of melting ice as the messenger, it was challenging to find a balance between the "idealised" use of technology with this amorphous material. The computational design of the lens geometry expects perfect planar surfaces, but melting ice is never planar, and the carved surface keeps changing. Loosing control, and embracing the accidental lead to the elegant result.
Ìmísí: I use advanced technologies to design bespoke experiences, in this case industrial robot and computational design. The aesthetics and the urgent metaphorical meaning of melting ice embodies the qualities I wanted to communicate with the work. I try to celebrate the beauty of nature, but also the human ingenuity in art that makes people think. The spectacular high tech performance, and the resulting melting sculpture should stop us to think where we stand together in facing the near future.
Àkókò Iṣẹ́ Àkànṣe: The project was developed and exhibited at Sapporo International Art Festival between January 20 and February 11 in the Snow Storage of the Glass Pyramid at Moerenuma Park, Sapporo, Japan.
Ìlànà Ìṣiṣẹ́: The artwork unfolds in two stages: First, a robotic performance carves the block of ice, occasionally illuminating the block from different angles with the flashlight. After completion, the block slowly melts, and is captured with a timelapse camera.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀: Computational Caustics: Rayform & EPFL Geometric Computing Laboratory
Robotics: AATB
Technical Planning: Arsaffix
Supported by: Sapporo International Art Festival 2024
Research support: Part of the research Project “A Third Hand – Creative Applications for Robotics”, ECAL/University of Art and Design Lausanne, Switzerland
Funding Support: ProHelvetia
Ice Field recording: Jonna Jinton
Ìfọwọ́sí Àwòrán: IMAGE CREDITS:
Image #1: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #2: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #3: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #4: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #5: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Video Credits: ©Sapporo International Art Festival 2024,

PATENTS/COPYRIGHTS:
Computational Caustics: Rayform & EPFL Geometric Computing Laboratory
Robotics: AATB
Technical Planning: Arsaffix
Supported by: Sapporo International Art Festival 2024
Research support: Part of the research Project “A Third Hand – Creative Applications for Robotics”, ECAL/University of Art and Design Lausanne, Switzerland
Funding Support: ProHelvetia
Ice Field recording: Jonna Jinton