The Chakai Ìfihàn láti ọwọ́ Studio Kaz jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìgbékalẹ̀ Ìbáṣepọ̀, Ìrírí àti Ìbòmọ́lẹ̀.

FàdákàÌgbékalẹ̀· 2025

The Chakai Ìfihàn

látọ̀wọ́ Studio Kaz

Oníbàárà: Studio Kaz

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìgbékalẹ̀

35,475

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #168696

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa The Chakai Ìfihàn

A lo Tango Chirimen, tí a fi àwọn àwòrán láti ọ̀nà projection mapping bọ́, gẹ́gẹ́ bí ààlà ọkàn. Aṣọ tínrín-jùlọ yìí máa ń mì pẹ̀lú gbígbé afẹ́fẹ́ tí ó kéré jùlọ, bí i gbígbé ènìyàn, ó sì máa ń dáhùn sí gbígbé aṣọ náà ní ọ̀nà ìbáṣepọ̀ nípa àwọn sensor tí a fi sínú aṣọ náà. Ohun èlò tí a lò fún ilẹ̀ náà jẹ́ pílàwúùdù ọ̀ṣọ́ tí a ṣe nípa lílẹ koríko rush, tí ìbá ti di ìsọnù lóòtọ́, sí orí pílàwúùdù nítorí kò gùn tó láti wọ inú ẹ̀rọ híhun tatami.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

The Chakai Ìfihàn jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé The Chakai Ìfihàn yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. The Chakai Ìfihàn jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: Tango Chirimen, soaked in images projected by projection mapping, is used as a psychological barrier. The extremely thin fabric sways with the slightest air movement, and sensors embedded in the fabric react interactively to the movement of the fabric. The floor is made of an original material called "IGUSA-faced plywood", made by gluing rush grass that would have been discarded because it was too long to fit into a tatami loom onto plywood.
Ìwọ̀n àti Àpò: MATERIAL
Tango Chirimen
IGUSA-faced plywood
DIMENSIONS
width 3,138.5mm
depth 3,138.5mm
height 2,075mm
TECHNICAL
projection mapping
Àwọn Àkọlé: chakai, chashitsu, Igusa-faced plywood, Tango Chirimen, projection mapping
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: We used Tango Chirimen imbued with projection-mapped images as a boundary. Sensors embedded in the tango crepe detect the slightest swaying of the cloth and respond interactively The floor is made of decorative plywood made from rush grass from the wada family in kumamoto, which could not fit into the tatami loom because it was not long enough and had to be disposed of.
Ìpèníjà Àpèsè: The internal factors
1. Identifying the essence of the tea ceremony.
2. Knowing the history and components of the tea room.
3. Understanding and mastering the tea ceremony itself.
the external factors
1. Adjusting the signals from the sensors embedded in the fabric to reflect them in the program of projection mapping .
2. The technique of kneading rush grass onto plywood.
3. Adapting to an experiential exhibition space.
4.Use sustainable materials and methods consciously.
Ìwádìí: The spirit of the tea ceremony is the spirit of "omotenashi" (hospitality). The purpose of the tea ceremony is not to drink tea, but to “entertain” the guest through the act of drinking tea. For this purpose, everything in the tea room, from the entrance, to the alcove, hanging scrolls, flowers, incense, clothing, and various manners, are mobilized to provide hospitality.
Ìmísí: The tea ceremony is not only a ritual of tea, but also a way to entertain guests with tea. The guest is also a part of the creation of the tea ceremony.
We design the tea ceremony room for this mentality.
The rule we decided on was to use Japanese materials but not to assemble them in a Japanese way. The tea ceremony room is constructed of veneer plywood made of rush, the material used for tatami, and a cloth soaked with images that change interactively to create a psychological boundaries.
Àkókò Iṣẹ́ Àkànṣe: This project took place from October 18, 2024 to October 27, 2024 in Tokyo, Japan.
Ìlànà Ìṣiṣẹ́: Sensors embedded in the tango crepe detect and quantify the shaking of the cloth, and by incorporating these values into video and music programs, the images and sounds can be changed interactively.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀: Patented:
Patent : No.7359351
Patent Holder : Kyoto Prefectural Institute for Textile, Machinery and Metal
Year : 2023
Jurisdiction : Japan
Àwọn Ọmọ Ẹgbẹ́: video production : Miyuki Chikahiro Akari Kawase
graphic design : Junco Wada
interior design : Coichi Wada
Ìfọwọ́sí Àwòrán: image #No1:Photographer/Nacása & Partners Inc.
image #No2:Photographer/Nacása & Partners Inc.
image #No3:Photographer/Bunsei Matsuura
image #No4:Photographer/Bunsei Matsuura
image #No5:Photographer/Nacása & Partners Inc.
video:SWAG.inc
music:STUDIO KAZ co,.ltd.