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Hakuten Kyobashi Iṣeto Inu Ọfiisi láti ọwọ́ Junki Horita-Hakuten

Hakuten Kyobashi Iṣeto Inu Ọfiisi láti ọwọ́ Junki Horita-Hakuten jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


IdẹInú Ilé· 2025

Hakuten Kyobashi Iṣeto Inu Ọfiisi

látọ̀wọ́ Junki Horita-Hakuten

Oníbàárà: Hakuten

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #162225

Àwọ̀

Àpẹrẹ Náà

Nípa Hakuten Kyobashi Iṣeto Inu Ọfiisi

Hakuten Kyobashi jẹ apẹrẹ inu ọfiisi ti a ṣẹda fun ile-iṣẹ apẹrẹ ibaraẹnisọrọ kan. Aaye naa ni iwọn mita mita 2,400 o si n ṣiṣẹ fun awọn oṣiṣẹ 400 nipasẹ eto adirẹsi ọfẹ. Awọn aaye ọfẹ ni ipilẹ eto pinpin agbegbe, ati gbogbo ohun elo ti wa ni ṣíṣeéyí, pẹlu awọn ọwọ mimu, agbara lati kojọpọ sórí ara wọn ati awọn kẹkẹ. A le yọ pákó igi ilẹ ti agbegbe kafe kuro ni ege-ege. Awọn àwòrán agbekalẹ lori ilẹ ṣiṣẹ bi iwọn fun iyipada awọn ifihan. Apakan ti apẹrẹ inu olutọju-ile tẹlẹ ni a fipamọ ti a sì so pọ̀ mọ́ iṣẹ tuntun naa láti dín ìwólulẹ̀ kù àti láti pa ìrántí mọ́.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Hakuten Kyobashi Iṣeto Inu Ọfiisi jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Hakuten Kyobashi Iṣeto Inu Ọfiisi yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Hakuten Kyobashi Iṣeto Inu Ọfiisi ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
As a communication design company, at the core of the office zoning are various free spaces that stimulate the imagination of the scene in which they are used, rather than being imposed by the current era. Everything that is placed is movable, and events are held regularly to create a space that continues to change. In terms of the environment, the lean design solves the problems of Japanese office design.
Ìwọ̀n àti Àpò
400 employees work in a 2,400 sq. m. space utilizing a free address system.
Àwọn Àkọlé
office, spacedesign, workspace, movable furniture, reception
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
All fixtures are movable and have handles and stacking capabilities as well as casters.
The wooden flooring in the cafe zone is removable piece by piece, combining the comfort of a comfortable environment with the advantages of a changeable temporary space.
Graphic patterns are applied to the floor at regular intervals as a scale for changing exhibits.
Ìpèníjà Àpèsè
Free space is difficult to use if everything is free. We challenged ourselves to create comfortable limitations.
We also decided what to keep from the old office while retaining some of the old tenant space.
We challenged ourselves to remake both the space and the products, not only for environmental friendliness, but also to pass on memories and culture.
Ìwádìí
In our survey of urban offices, we found that almost all tenants sign a contract for an office with all new space and then tear down all its finishes, demolishing and refinishing the interior twice.
This is a bad business practice and a contractual problem in Japan.
Furthermore, we found that although recently there has been an increase in designs that preserve the existing environment out of environmental considerations, offices are the only area that has not been improved at all.
Ìmísí
It is true that today's urban offices are required to be more comfortable and perform better, which is why they are often dismantled from the standard specifications that were cleaned up by the restoration work associated with the contract of the former tenants.
This time, we took over part of the former tenant's interior and took on the challenge of rethinking standard specifications that, while functional, tended to look old and shunned, and integrating them with the new space.
Àkókò Iṣẹ́ Àkànṣe
Project starts in spring 2023, construction completed in spring 2024.
Ìlànà Ìṣiṣẹ́
An office task force manages the place, and anyone can easily remake the space.
During the day, dozens of people meet openly in the morning.
In the afternoon, the space is used as an exhibition and cafe space for communication.
At night, it is constantly changing as a bar time, where a different kind of communication occurs.
Àwọn Ọmọ Ẹgbẹ́
Junki Horita
Shuji Kawaguchi
Takahisa Aoyama
Shunta Fukuyama
Ema Fujiwara
Mako Tamura
Tomoya Nakao
Shoichiro Minami
Wataru Fukusaka
Daisuke Masaki
Yosuke Nakazato
Yukiyoshi Misawa
Tomoya Nakao
Daisuke Takahira
Mina Tsuneoka
Ìfọwọ́sí Àwòrán
Image #1~5: Photographer Daisuke Shima,2024

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