Fuma Ilé láti ọwọ́ Masakatsu Matsuyama jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.
Pílátínọ́mùÌkọ́lé· 2025
Fuma Ilé
látọ̀wọ́ Masakatsu Matsuyama
Oníbàárà: Matsuyama Architect and Associates
Aṣẹ́gun Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award nínú Ẹ̀ka Ìkọ́lé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #164807Àpẹrẹ Náà
Nípa Fuma Ilé
Fuma jẹ́ ilé alájà mẹ́ta ní Agbègbè Fukuoka, orílẹ̀-èdè Japan. Ibi tí a kọ́ ilé náà sí dojúkọ ojú ọ̀nà ọkọ̀ ojú irin tó kún fún ìdàrúdàpọ̀ ní ìhà ìlà oòrùn, nítorí náà a fa ògiri ìhà ìlà oòrùn ti ilẹ̀ àkọ́kọ́ padà sẹ́yìn, nígbà tí ètò ilẹ̀ kejì àti ìbòrí òkè ilẹ̀ kẹta ń dí ariwo, ìmì-mì àti ojú ìwòran ojú pópó lọ́nà. Àwọn àlàfo tó wà láàárín àwọn nǹkan wọ̀nyí jẹ́ kí ìmọ́lẹ̀ àdánidá àti afẹ́fẹ́ ìta wọ inú ilé. Ààyè ìgbé ayé pàtàkì wà ní ilẹ̀ kejì, ó sì ń ṣiṣẹ́ bí ilé alájà kan ṣoṣo. Àwọn ògiri kọnkíríìtì alágbára tí a fi irin ró àti àwọn okun tí kò ní ìsopọ̀ ń gbé àwọn apá ilé tó yọ jáde tó jẹ́ mítà 5.6 sí ìhà ìlà oòrùn àti mítà 3.2 sí ìhà gúúsù dúró. Àwọn ihò gíláàsì ńlá dojúkọ àgbàlá ilé.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award
Fuma Ilé jẹ́ olùborí Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó jẹ́ àrà ọ̀tọ̀ nítòótọ́, tó dára tó sì lọ́lá. Àwọn olùborí Pílátínọ́mù jẹ́ ìyanu ẹ̀dá, ẹ̀rí ààlà ìmọ̀ ẹ̀dá ọgbọ́n orí, wọ́n sì ń fi ìjáfáfá àti ọgbọ́n àìlẹ́gbẹ́ àwọn olùṣàwòṣe wọn hàn. A retí pé àwọn àwòṣe wọ̀nyí yóò jẹ́ àwọn iṣẹ́ tó lókìkí jùlọ tó ń ṣàlàyé ẹwà àkókò, tó ń ṣe àfikún sí ìlera àwùjọ tí wọ́n sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Fuma Ilé ń fi ìpele ìjáfáfá tó kọjá ààlà hàn, ó sì ń sọ ayé di ibi tó dára jù láìsí iyèméjì nípasẹ̀ àwọn ànímọ́ rẹ̀ tó ṣàǹfààní tó sì ṣeyebíye. Fuma Ilé jẹ́ iṣẹ́ tó borí Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award tó ń jí ìfẹ́ inú, tó ń fún ní ìmísí, tó ń mú láyọ̀ tó sì ń bí ayọ̀ ńlá.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The living dining room on the second floor connects to the third-floor theater room via a double-height space. An east-west axis from the first-floor courtyard to the third-floor terrace is connected sectionally, while a north-south axis from the second-floor terrace at the south to the stairwell at the north is integrated into the plan. This interaction between internal and external spaces creates diverse indoor environments. The client's determination to live this area even under these unlivable environments form this architecture which allow to live such open, unusual and tranquil living.
- Ìwọ̀n àti Àpò
- Three-story reinforced concrete structure
Site area: 510.86 square meters
Total floor area: 464.76 square meters
First floor area: 130.70 square meters
Second floor area: 238.40 square meters
Third floor area: 95.66 square meters - Àwọn Àkọlé
- concrete, cantilever, atrium, planting, massive, open, modern, luxury, like a resort hotel, without curtains
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The east facade’s first-floor wall was set back from the railway, with complex-profile second floor structures and third-floor eaves blocking noise, vibration, and street views. Gaps between these structures allow natural light and external ambiance into the internal space. Large glazed openings face the courtyard, extending the interior space towards the semi-open external area.
- Ìpèníjà Àpèsè
- We designed a three-story building with the primary living space on the second floor, where most essential activities could be completed as if it were a single-story dwelling. To support the large second-floor volume, we introduced series of two and three-story high load-bearing walls and applied two unbonded PC cables along the east-west axis to enable a cantilevered structure extending 5.6m east and 3.2m south. The symbolic U-shaped wall also assists the southern cantilever.
- Ìwádìí
- We prioritize interpreting the potential of the land, guiding unique architectural forms and family lives that can only exist in that specific location. Each project involves different land, clients, and conditions, resulting in diverse solutions. In this case, while addressing various harsh environmental factors, we aimed to create an open and enriching living space, leading to a one-of-a-kind architecture that would not be possible in other locations or under different circumstances.
- Ìmísí
- The site is in a once-flourishing town during Japan's modernization era, now seemingly deserted. To the east, a busy railway with about 250 trains daily causes constant noise. North of the site, the drinking quarter makes it less than ideal for residential use. Additionally, memories of severe flood damage linger in the minds of long-time residents. Our challenge was to create a rigid structure to address these negative factors and design a comfortable living environment.
- Àkókò Iṣẹ́ Àkànṣe
- Design duration: June 2021 – August 2022 (15 months)
Construction duration: September 2022 – January 2024 (17 months)
Location: Fukuoka Prefecture – Japan - Ìlànà Ìṣiṣẹ́
- The homeowner begins each morning on the terrace table with coffee instead of at the dining table. On sunny days, they open the parasol and enjoy the gentle breeze among the plants, signaling the start of the day. Despite nearby trains, they feel no noise or vibrations, enjoying a wonderfully comfortable life. After sunset, they continue their open lifestyle, never closing the curtains. The children fully utilize the layout, running freely indoors and sharing joyful smiles across the atrium.
- Ìfọwọ́sí Àwòrán
- Image #1: Photographer Toshihisa Ishii, FU-MA, 2024
Image #2: Photographer Toshihisa Ishii, FU-MA, 2024
Image #3: Photographer Toshihisa Ishii, FU-MA, 2024
Image #4: Photographer Toshihisa Ishii, FU-MA, 2024
Image #5: Photographer Toshihisa Ishii, FU-MA, 2024
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