Lumenica Àkójọpọ̀ Ìmọ́lẹ̀ láti ọwọ́ Vergunovs and Maria Kolesnikova

Lumenica Àkójọpọ̀ Ìmọ́lẹ̀ láti ọwọ́ Vergunovs and Maria Kolesnikova jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun Ìmọ́lẹ̀ àti Ẹ̀rọ Ìtànṣán.

IdẹÌmọ́lẹ̀· 2025

Lumenica Àkójọpọ̀ Ìmọ́lẹ̀

látọ̀wọ́ Vergunovs and Maria Kolesnikova

Oníbàárà: O.M. Beketov National University of Urban Economy in Kharkiv

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìmọ́lẹ̀

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Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Lumenica Àkójọpọ̀ Ìmọ́lẹ̀

Lumenica Luminaire ṣàwárí ìbáṣepọ̀ láàárín ìmọ́lẹ̀, ohun èlò, àti ìrísí nípasẹ̀ àwọn ìwọ̀n gílásì tí ń sàn tí a yípo ní ìlànà paramita. A ṣe ẹ̀dá ẹ̀kọ̀ọ̀kan nípasẹ̀ dídá nípa ooru àti ìtutú tí a ń ṣàkóso, èyí tí ó ń ṣẹ̀dá àwọn àpẹẹrẹ àkúnyà aláàyè tí ó ń mú kí ṣíṣàn ojú rẹ̀ dára síi. Ìyàtọ̀ láàárín àwọn agbègbè aláìdán àti èyí tí ń dán ń ṣẹ̀dá àtẹ̀lésí ìmọ́lẹ̀ kan, tí ń yí padà pẹ̀lú ojú-ìrísí olùwò. Àwọ̀ tó fẹ́ẹ́rẹ́ ń tẹnumọ́ ìwà bí ohun alààyè àti ère àwọn ohun náà, tí ń ṣe ìwọ̀ntúnwọ̀nsí ìdọ́gba àti ìṣe-ìyè. Fìtílà ìmọ́lẹ̀ náà jọ bí ẹni pé wọ́n fi ìmọ̀ ẹ̀rọ ṣe é àti pé ó wà láàyè, tí ó ń ṣẹ̀dá àwọn ìpa ojú-ìran tí ó ń fún àyíká náà ní agbára.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Lumenica Àkójọpọ̀ Ìmọ́lẹ̀ jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Lumenica Àkójọpọ̀ Ìmọ́lẹ̀ yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Lumenica Àkójọpọ̀ Ìmọ́lẹ̀ ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: The Lumenica lighting collection is inspired by the bionic forms of nature - flowers, mushrooms and jellyfish. Its uniqueness lies in the combination of refined glass with dynamic reliefs that create the effect of movement. The use of frosted, transparent and colored glass emphasizes natural imagery, while twisted relief glass gives the luminaires a lively, organic plasticity. Lumenica combines the aesthetics of nature and innovative design.
Ìwọ̀n àti Àpò: The Lumenica collection includes fixtures in the following sizes: table lamp 1 - 115 mm (w) × 246 mm (h) × 160 mm (d), wall lamp - 126 mm (w) × 340 mm (h) × 176 mm (d), table lamp 2 - 115 mm (w) × 442 mm (h) × 183 mm (d), pendant lamp - 128 mm (w) × 346 mm (h) × 196 mm (d).
Àwọn Àkọlé: Lamps, bionics, glass, luminaires, nature, relief glass, modern design, dynamics, organic forms.
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: Lumenica collection luminaires are made of glass, combining frosted, transparent and colored elements. The key technology is the twisting of relief glass, creating a dynamic optical effect. The glass is hand-blown, then molded and textured. The color scheme enhances biomorphic associations, emphasizing natural forms. The methods used ensure high quality, the uniqueness of each piece and the harmony of light with the material.
Ìpèníjà Àpèsè: The most challenging part of Lumenica's design work was overcoming technological and creative obstacles. The creative challenge was to organically adapt the bionic forms into a functional luminaire design. Challenges arose during the glass processing phase: twisting and texturizing techniques had to be developed, which required careful refinement of techniques and experimentation.
Internal factors included a lack of experience with certain materials and techniques, and the need to consider aesthetic and functional aspects of the design. External factors, such as the availability of information on glass technology and limitations in production capabilities, also influenced the process.
The historical perspective and social context, taking into account current trends in design and sustainability, required careful attention to the selection of materials and methods. By overcoming these challenges, it has been possible to create unique and harmonious luminaires that meet today's design and environmental requirements.
Ìwádìí: The research for the Lumenica project focused on the study of bionic forms in nature and their adaptation in lighting design. The goal was to create luminaires that convey an organic aesthetic through material and lighting effects. The methodology included analysis of natural structures, sketching, 3D modeling, and experiments with glass shaping. The work explored glass properties, transparency, texture and processing techniques. Experiments were conducted with relief twisting of glass to create a dynamic visual effect. Participants in the process included faculty, mentors, and students whose feedback helped refine the concept. The result was a collection of luminaires that combined the aesthetics of nature and modern glass processing techniques. The research showed that bionic forms can not only inspire design, but also enhance the perception of light in a space. This approach can be in demand in interior and industrial design, creating harmonious and functional lighting objects.
Ìmísí: The Lumenica collection is inspired by the organic aesthetics of nature. The idea was to convey their flowing, airy forms through glass, emphasizing the play of light and the sense of movement. The study of biomorphic structures and glass processing techniques made it possible to create a relief with a twisting effect that gives the luminaires dynamics. This project combines craft tradition, experimentation with material and natural harmony in design.
Àkókò Iṣẹ́ Àkànṣe: The Lumenica luminaire collection was developed as part of a training program in which it was necessary to create a luminaire(or a collection of luminaires) on the theme of any concept. The focus was on bionic forms of nature. Work on the collection began in September 2024 and was completed in the winter of December 2024. The collection was presented at the University's artwork viewing in December 2024, where it was shown to other students and faculty.
Ìlànà Ìṣiṣẹ́: Standard switching of luminaires.
Àwọn Ọmọ Ẹgbẹ́: Sergey Vergunov
Maria Kolesnikova