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Rhythm Ọ̀wọ́ Àwòrán Ère láti ọwọ́ Zhuoyun Xiao

Rhythm Ọ̀wọ́ Àwòrán Ère láti ọwọ́ Zhuoyun Xiao jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ọnà Dídára àti Iṣẹ́ Ọnà Ìgbékalẹ̀.


IrinIṣẹ́ Ọnà Dídára· 2025

Rhythm Ọ̀wọ́ Àwòrán Ère

látọ̀wọ́ Zhuoyun Xiao

Oníbàárà: Zhuoyun Xiao

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Iṣẹ́ Ọnà Dídára

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #170274

Àwọ̀

Àpẹrẹ Náà

Nípa Rhythm Ọ̀wọ́ Àwòrán Ère

Rhythm jẹ́ ọ̀wọ́ àwòrán ère tí ó yí àwọn ìṣíra ijó padà sí àwọn àpẹrẹ tí ó dúró jẹ́ẹ́. Ọ̀wọ́ yìí jẹ́ àkópọ̀ ege igi cherry márùn-ún tí gíga wọn jẹ́ 150, 200, 250, 300 àti 350 milimítà, tí gbogbo ìdìpọ̀ rẹ̀ sì ní ìwọ̀n 600 nípasẹ̀ 800 nípasẹ̀ 300 milimítà. Àwọn àmì aláwọ̀ dúdú, funfun àti pupa ni a fi sàmì sí àwọn ojú-ìyípadà. A gé igi náà pẹ̀lú ìṣọ̀ra gidi, a fi ọwọ́ dán an, a sì fi àwọn ohun ìparí tí kò léwu ṣe é lọ́ṣọ̀ọ́. Àwọn gíga tí ó yàtọ̀ síra àti àyè tí a ṣètò dá ìlù wíwò kan sílẹ̀. Àwọn olùwòran máa ń rìn yí iṣẹ́ náà ká láti tọpasẹ̀ ìlà ìṣíra náà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Rhythm Ọ̀wọ́ Àwòrán Ère jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Rhythm Ọ̀wọ́ Àwòrán Ère yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Rhythm Ọ̀wọ́ Àwòrán Ère nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
"Rhythm" transforms dance movements into five cherry wood sculptures. The series captures clown performance dynamics through exaggerated forms and strategic spatial arrangement. Using black, white, and red color accents, these varying-height sculptures (150-350mm) create visual cadence. The work translates abstract body movements into tangible forms, merging traditional performance art with contemporary visual expression.
Ìwọ̀n àti Àpò
Set dimensions: 600mm×800mm×300mm (complete installation of five pieces)
Individual heights: 150mm, 200mm, 250mm, 300mm, 350mm
Material: Cherry wood
Color system: CMYK (C:0 M:0 Y:0 K:100, C:0 M:0 Y:0 K:0, C:0 M:100 Y:100 K:0)
Finish: Hand-polished surface with specialized wood treatments
Weight: Approximately 4.5kg for complete set
Installation configuration: Sequential arrangement with specified spacing (120mm between pieces)
Environmental standards: Non-toxic finishes, sustainable harvested wood.
Àwọn Àkọlé
Grotesque Aesthetics, Dance Visualization, Cherry Wood Installation, Rhythmic Form, Visual Movement, Clown Performance, Deconstructed Motion, Dynamic Sculpture, Spatial Sequence, Color Contrast
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
Cherry wood crafted through precision cutting and hand-finishing. Five distinct sculptural elements (150-350mm) form a complete set (600×800×300mm). Used deconstruction methodology to translate clown movements into static forms. CMYK color system (C:0 M:0 Y:0 K:100, C:0 M:0 Y:0 K:0, C:0 M:100 Y:100 K:0) applied through specialized wood treatment. Spatial arrangement creates visual rhythm through varying heights and geometric relationships.
Ìpèníjà Àpèsè
The primary challenge was translating dynamic clown movements into static wooden forms while preserving rhythmic essence. Historical perspectives on grotesque aesthetics required careful integration with contemporary design language. Social perspectives on clown performance interpretation varied widely, necessitating extensive research to identify universal movement patterns. Material limitations of cherry wood demanded precise calculations to achieve proper balance while maintaining visual fluidity across the five-piece sequence. Technical difficulties emerged in achieving gradual height transitions (150-350mm) that conveyed motion. The color scheme implementation required multiple prototypes to determine optimal placement of black and red accents against natural wood to emphasize transitional moments without overwhelming the subtle form language.
Ìwádìí
The research explores grotesque aesthetics in dance movement visualization. It aims to decode rhythmic patterns in clown performances, translating them into visual language. Using deconstruction and reconstruction methods with digital media analysis of body movement trajectories, five cherry wood pieces of varying heights (150-350mm) were created with a black-white-red color scheme. The work dynamizes static elements through exaggerated forms, strong color contrasts, and dramatic arrangements that reinterpret traditional performance art. This research breaks visual language boundaries, demonstrates innovative fusion of traditional and modern art, and offers new approaches for public space art installations.
Ìmísí
Inspired by the rhythmic movements in dance performances, particularly the exaggerated expressions of clowns. Research focused on transforming dynamic movement into static forms while preserving energetic qualities. The project explores the intersection of traditional performance art and contemporary sculpture, using wood as a medium to capture fluidity and tension in physical space.
Àkókò Iṣẹ́ Àkànṣe
The project "Rhythm" was created by Zhuoyun Xiao at Nanjing University of the Arts, China, between 2023 and 2024.
Ìlànà Ìṣiṣẹ́
Viewers circle the installation to discover how each piece captures a distinct dance moment. Varying heights create visual rhythm, guiding the eye through the sequence. Black and red accents mark transition points. The arrangement transforms static forms into perceived motion, engaging viewers in completing the dance sequence mentally. Spatial relationships between pieces amplify the dynamic quality of frozen movement.
Ìfọwọ́sí Àwòrán
Images#All: Designer and photographer Zhuoyun Xiao, Rhythm Installation View, 2024.

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